Concerts Reviews
LIVE REVIEW: The Captain of the Castro: Why Sam Smith’s Residency Is San Francisco’s New Sanctuary
Words by Starr Lee
SAN FRANCISCO- After an intimate residency in Brooklyn earlier this year, Sam Smith has brought the concept west, settling into San Francisco’s newly reopened Castro Theatre for a five-week run that feels deliberate and personal.
The neon marquee glows against the fog like it has something to say. Inside the 1,400-capacity movie palace, restored after a $41 million renovation, the main level fills quickly. No floor seating. Just a standing crowd packed beneath the balcony, bodies shoulder to shoulder, faces tilted toward the stage. Above them, fans lean over the railing, drinks in hand, waiting.
Smith walks out without fanfare.
They open with “Lay Me Down,” nearly motionless beneath a single spotlight. Dressed in a structured captain’s hat and a sweeping lace coat fastened with an oversized flower pendant, they look like a romantic voyager arriving somewhere that already feels familiar. The first note is soft, almost cautious. Then it opens.
In a room this size, nothing escapes. The Castros’ acoustics catch the grain in Smith’s tenor, the slight ache at the edge of sustained notes, the inhale before a chorus swells. The crowd is silent, standing still, listening.
When “I’m Not the Only One” begins, the temperature shifts. Smith lowers their voice for the first verse, almost speaking the lines before lifting into the chorus. On “You and me, we made a vow,” their voice tightens just slightly, intentional and controlled. By the second refrain, the crowd is singing quietly along. Not screaming. Not overpowering. Just enough to be felt. Smith steps back from the mic for a beat and lets the lyric hover before reclaiming it with a steady rise. The moment feels shared rather than performed.
After the second song, Smith looks out across the standing crowd below the balcony.
“This city means a lot to me,” they say. “My first show here, I was 20 years old.”
They tell a story about being left alone in San Francisco while a partner explored the city without them. About wandering through neighbourhoods by themselves. About unexpectedly falling in love with the place. “It feels very full circle to be here for five weeks,” they admit, scanning the room.
Then they squint toward the front.
“Wait. Were you here last night?”
A fan screams.
“Oh my God. You’re doing the residency properly. I love that.”
Laughter spreads across the floor and up to the balcony. That’s the difference when an artist stays in one place. The room starts to recognise itself.
Midway through the set, the lace coat slips away, revealing a custom Vivienne Westwood look: a black poet’s shirt with dramatic sleeves, tailored cheeky shorts, towering heeled boots striking sharply against the stage. The shift feels freeing. Smith moves differently now. Looser. More playful.
They introduce a new track, “My Guy,” sharing that for the first time in their career, they are writing from a place where the love is reciprocated. Followed by a cover of Erasure’s “A Little Respect”, “It’s a Wednesday,” they laugh, “but I need you to shake your titties.”
The balcony answers first.
A sleek blend of “Ain’t Nobody” and “I’m Not Here to Make Friends” turns the theatre intoa late-night dance floor. But soon they bring the energy back down to another cover
Later, bathed in deep blue light, Smith steps toward the piano for “Angel From Montgomery.”
“It took me eight years to finally listen to Elton and sing this,” they admit.
The arrangement is stripped back to piano and voice. No embellishment. The lower register carries weight. The higher notes remain clear and measured. When the final line fades, the room holds still for a second longer than expected before applause breaks through.
Sam Smith’s residency at the Castro Theatre runs through Feb.10th-March 14th, 2026. Tickets are available via the theatre’s official website. With just 1,400 standing spots per night and word spreading quickly, availability is limited.
Five weeks in one theatre does something rare. It turns a concert into a chapter. And this one is still being written.
Concerts Reviews
LIVE REVIEW: David Lee Roth Brings the Party to Vancouver’s Vogue Theatre
Some artists play a concert. David Lee Roth puts on a show.
The legendary Van Halen frontman took over Vancouver’s Vogue Theatre on July 13 for nearly two and a half hours of classic rock, storytelling, and larger-than-life personality. From the moment he stepped on stage, it was obvious Vancouver still holds a special place in his heart. Throughout the night, he reminisced about recording here over the years and shared fond memories of his time at the Nelson Place Hotel, where, judging by the grin on his face, he had more than a few unforgettable nights.
If you’ve ever seen Diamond Dave, you know the music is only part of the experience.
Roth’s storytelling was in peak form, with tales between songs that seemed to wander wherever his brain felt like taking them. The longest detour of the night eventually landed on “Ice Cream Man,” with Roth picking up an acoustic guitar and easing into the Van Halen classic. Moments like that are exactly why he’s never been just a singer; he’s a showman through and through, and the crowd was loving every minute of it.
At one point, Roth referred to himself as “35 years old… times two,” and honestly, the man has enough energy to make people half his age question their cardio. He powered through almost two and a half hours with barely a pause, constantly moving across the stage with his signature Muppet-like swagger, dramatic poses and facial expression, and even a limbo under his microphone stand just because… he’s David Lee Roth. As a self-proclaimed “paper cup of whiskey,” Roth couldn’t have described himself more perfectly: a little rough around the edges, endlessly charismatic, and impossible not to enjoy.
The setlist delivered exactly what Vancouver came to hear, with Van Halen classics including “Panama,” “Jamie’s Cryin’,” “Dance the Night Away,” “Hot for Teacher,” “Ain’t Talkin’ ‘Bout Love,” “Jump,” and “Runnin’ with the Devil.” One of the evening’s standout moments came during “Unchained,” where Roth busted out a harmonica solo, adding his own twist to one of the band’s heaviest anthems.
The crowd was all in from the opening song, singing every chorus back to the stage, cheering between stories, even telling Roth to “gimme a break” when the time came (iykyk). While his voice doesn’t quite reach the same sky-high notes it did in the ’80s, that hardly mattered. Rather than chasing perfection, Roth leaned into what has always made him such a captivating performer: personality, humour, spontaneity, and an undeniable love for being on stage. You could genuinely feel how much fun he was having, and that enthusiasm spread through the theatre.
His backing band kept the iconic songs sounding tight and full of energy, while the backup vocalists were an absolute highlight of the night. They were impossible not to watch, dancing through every song, interacting with each other, and laughing along with Roth‘s antics. The moment one of the backing vocalists sauntered across the stage to jump behind another set of synth keys, you knew the crowd was about to be transported straight into synth heaven. Their chemistry with one another and with Roth added another layer of excitement to an already lively performance, making the stage feel alive from start to finish.
With plenty of videos from earlier stops on the tour circulating online, Vancouver’s performance felt like one of the strongest of the run. Roth looked relaxed, sounded confident, and seemed genuinely excited to be back in a city that’s clearly been an important part of his career. Whether it was the hometown memories, the electric crowd, or simply one of those nights where everything clicked, the show had an extra spark that carried through from start to finish
David Lee Roth may not sound exactly like he did four decades ago, and honestly, that’s okay. What hasn’t changed is his ability to command a stage, make thousands of people smile, and turn a concert into a full-blown rock ‘n’ roll party. For diehard Van Halen fans, it was a chance to relive the classics. For everyone else, it was a reminder that great songs are one thing, but a true showman knows how to make them unforgettable.
Check our our favourite photos of the night below or head to our Facebook page for the full glallery!
DAVID LEE ROTH IN VANCOUVER
All Photo Credit: Heather Horncastle
Concerts Reviews
LIVE REVIEW: A$AP Rocky’s Tour Finale Brings Out 50 Cent, Ice Spice, and the A$AP Mob
Coming off the hype of his long-awaited fourth studio album Don’t Be Dumb, A$AP Rocky has been turning up shows and electrifying audiences across major venues in North America. On Saturday, he was performing at the Prudential Center, which is near his hometown of New York. Eager fans packed into the venue, greeted by a warning on the big screen that read, “Please be advised that this performance includes SWAT performers and strobe effects. Enjoy the show!” The message felt direct yet somewhat chilling.
When the moment finally arrived, A$AP Rocky stormed onto the general admission floor accompanied by police officers and masked bodyguards sporting AWGE tactical gear. Unlike most concerts, this one kicked off in the middle of the crowd. When he shouted, “Open that shit up!” the crowd erupted, and all hell broke loose.
As fans piled in to get as close as possible to the rapper, the once-spacious venue transformed into a massive mosh pit. It was organized chaos, much to A$AP‘s delight, as he seemed to feed off their energy, a true ringleader in the mayhem. Most rappers wouldn’t dare start a show this way for obvious safety reasons. But not A$AP, he enjoys being right in the middle of the action.
Performing some of the more energetic songs from his new album, like “Helicopter” and “Order of Protection,” he danced, jumped, and pushed back against the crowd. This felt like a special show, as the hometown kid finally got to celebrate with his New York and New Jersey fans.
Joining him for this event were several special guests, including Ice Spice, Uncle Murda, 50 Cent, Skilla Baby, and various members of the A$AP Mob, blessing the crowd with favorites like “Deli,” “Many Men,” and “Thick One.” With this final show, Rocky concluded his United States and Canada run of the Don’t Be Dumb tour with a banger. We can only look forward to more surprises and epic moments as he takes the show to Europe. Rocky will be taking no prisoners as he embarks on this extended leg. I just hope those fans heed the warning and come ready to turn up with the mob.
Check out our favorite photos of the show below or head to our Facebook page for the full gallery!
A$AP ROCKY
All Photo Credit: Anthony Grant