Concerts Reviews
Lorna Shore Rips Through Vancouver with a Brutal, Chaotic, and Apocalyptic North American Tour

Before the first band even hit the stage, the atmosphere was already electric. Heavy rain surrounded the Doug Mitchell Thunderbird Sports Centre, setting the perfect tone for a dark, chaotic night of metal. It was a storm within a storm as three titans of the scene unleashed pure mayhem. Leading the charge was New Jersey’s own Lorna Shore, joined by two of metal’s apocalyptic horsemen, The Black Dahlia Murder and Shadow of Intent. Sadly, Vancouver missed out on PeelingFlesh, whose border complications kept them from joining the carnage.
As the crowd flooded toward the pit, all you could see in the sea of long hair and black clothing were fans ready to unleash their rage and excitement. By 7:20 p.m., the wait was over. Shadow of Intent stormed the stage, and within moments, the Connecticut group had the arena in a frenzy. Crowd surfers flew, mosh pits erupted, and the chaos didn’t stop for the next half hour. Even as someone outside this genre’s usual orbit, it was impossible not to feel the adrenaline surge. When vocalist Ben Durr called for a “Wall of Death,” the crowd obeyed without hesitation. The pit split open, then collided at the song’s crushing breakdown like warriors in a medieval clash. It was a brutal, breathtaking spectacle that left everyone wondering what could possibly top it. By 8 p.m., we got our answer: The Black Dahlia Murder.
The Black Dahlia Murder are no strangers to the death metal scene. They are veterans who have toured the globe since 2001 and built a fierce reputation along the way. Vancouver can’t get enough of them either, and this night marked just over a year since their last appearance in the city. Back in October 2024, they tore up the Vogue Theatre with a set that was loud, relentless, and at times downright haunting. That same energy carried straight into the Doug Mitchell Arena without losing any of its power. Crowd surfers flew, circle pits spun with greater force, and even the veteran metalheads jumped into the chaos. The connection between band and fans was undeniable. Since stepping in for the late Trevor Strnad, Brian has carried the torch with respect and raw authority, honouring the band’s legacy while commanding every eye in the room. By the end, anyone who walked in unfamiliar with The Black Dahlia Murder likely left a fan or sprinted to the merch line to prove it.
And then came the main event, the catalyst of the night, Lorna Shore. You could feel the shift the moment fans started leaping from the stands to join the pit. The growl of the bass rumbled through the arena as the kabuki screen lit up, silhouettes of the band flickering behind an enormous glowing logo. When “Oblivion” hit, the crowd erupted. Energy surged like fire through every vein in the room, while more than twenty security guards braced for impact. For a split second, silence hung in the air before chaos exploded. Crowd surfers poured over the barricade faster than ever before, bodies moving like a storm. Frontman Will Ramos unleashed screams so raw and commanding they seemed to tear through the air itself. The performance was pure madness from start to finish, a relentless display of power that didn’t ease up until the final note.
“Glenwood,” “Unbreakable,” and “Prison of Flesh” were just a few of the heavy hitters from Lorna Shore’s latest release I Feel The Everblack Festing Within Me. The setlist also tore through fan favorites like “Cursed to Die,” “Pain Remains,” and “To The Hellfire.” Midway through the chaos came a surprise celebration for tech member Collin, as both the crew and the crowd joined in to wish him a happy birthday. Throughout the set, the band repeatedly showed appreciation for the security team, who worked nonstop to pull crowd surfers from the pit and keep everyone safe. They deserved every bit of that recognition. To close the night, Lorna Shore unleashed the full Pain Remains trilogy as the encore. Fans erupted in disbelief and joy, realizing they were witnessing the perfect finale to an unforgettable night.
Just last year, Lorna Shore packed the Commodore Ballroom to the rafters, leaving fans wondering what was next. This show answered that question in full force, proving the band could dominate arenas with the same intensity and precision. The experience was unforgettable, and like many Vancouver fans, there’s already eager anticipation for whatever the band brings on their next visit.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Lorna Shore Tour Dates:
October 20 Salt Lake City, UT @ The Union Event Center
October 21 Denver, CO @ Fillmore Auditorium
October 23 Chicago, IL @ The Salt Shed
October 24 Maplewood, MN @ Myth Live
October 25 Milwaukee, WI @ Eagles Ballroom
October 27 Toronto, ON @ Great Canadian Casino Resort
October 28 Laval, QC @ Place Bell
October 30 New York, NY @ The Theater at Madison Square Garden
More information here.
LORNA SHORE






THE BLACK DAHLIA MURDER




SHADOW OF INTENT



All Photo Credit: Marquise Monno
Concerts Reviews
LIVE REVIEW: Benee Brings Her ‘Particule Tour’ to the Hollywood Theatre in Vancouver
The Hollywood Theatre, Vancouver | March 4, 2026
BAYLI
Opening for BENEE was singer, songwriter, and rapper Bayli! Formerly part of “The Skins,” Bayli has been touring as a solo act since 2019, reaping acclaim for songs like “Passenger Princess” and “SUGARCOAT.” The first thing we thought when dipping our toe through her back catalog this week was how much she encapsulated Robyn’s recent line that “The purpose of [her] life is to stay horny.” That’s very much Bayli’s vibe; her songs are sexy, bordering on erotic. Her brand of EDM-pop is rooted in “explicit queerness” and while she has rejected any one label, her music is for and relatable to everyone. Also, again, very, very, horny.
If You Only Listen by One Song by Bayli:
“Sushi For Breakfast” (Stories from New York, 2020)
Here are a few photos of Bayli that we hope you enjoy!




BENEE
On Wednesday, March 4, BENEE returned to Vancouver to support her 2026 headlining Particles Tour which began earlier this month. A mind-blowing five years after the release of her debut album, BENEE is once again on the road and hitting 23 cities in North America. We were lucky enough to shoot her June 2022 show at The Vogue, and we’ve been patiently waiting for another chance to see her live ever since! We waited through COVID for that show to be rescheduled, we waited 5 years to see her again and, hand to heart, we’ll happily wait until she returns again!
Must Hear Songs by BENEE (In Our Respectful Opinion):
Wishful Thinking (Fire on Marzz, 2019)
Soaked (Fire on Marzz, 2019)
One of BENEE’s more endearing traits is her comfortability and overall contentment on the stage. Still rocking oversized boots and long sleeves, she seemed at home in front of the crowd, dancing through the shadows the minimal lighting provided. And smiling! Always smiling. Whether it was thanking her fans for taking the time to make an adorable sign or – and I’m not saying I understand how we got here – speaking about Canada and leading the entire venue through an impromptu round of “Oh Canada” she cleared enjoyed her time in Vancouver.
BENEE’s latest album continues to experiment with genres, mixing upbeat pop with lighter, more experimental melodies. Perhaps unsurprisingly, her shows are never one-note as she moves back and forth between these sounds, creating a “what’s next” situation where it’s beyond difficult to get bored or into anything resembling a sleepy rhythm. Her show is visually dark, and moody, and there is smoke! But there is a lot coming at you, and a lot to love.
Benee Setlist:
Sad Boiii
Cinnamon
Vegas
Beach Boy
Wishful Thinking
Soaked
Doomsday
Demons
Prey4U
Animal
Heaven
Make You Sick (Snippet)
Glitter
Princess
Underwater
Afterthought (Joji cover)
Supalonely
Off The Rails
Play Video
Green Honda
Once again, we had an incredible night at The Hollywood Theatre and loved every moment of the show. Thank you, BENEE! Check out our favourite photos of the night below or head to our Facebook page for the full gallery!




All Photo Credit: Jason Martin
Concerts Reviews
LIVE REVIEW: A Sold-Out Night of Performance Art With Sudan Archives
Words by Kali Moreno
Photos by Kelli Rothwell
A sold-out night at The Pearl set the tone for a show that felt half concert, half art installation. Sudan Archives brought her genre-blurring world to Vancouver following the release of The BPM in 2025, with support from Cain Culto.

Cain Culto confidently navigated an energetic, multi-media set backed by Indigenous, Latin American, and Bluegrass influences – what he calls Kentucky Latin Art-Pop. As he gradually shed layers of clothing, he added homemade props to deliver his song’s messages of empowerment and resistance in both Spanish and English. His musical skills as a vocalist and violinist, paired with his artistic expression as a visual artist, created a riveting piece of performance art.

Dressed in a skin-tight, full body suit and wearing otherworldly grey contact lenses, Sudan Archives commanded a sold-out stage for her one-woman set at The Pearl. The deeply human themes of her songs, which sit in genre around house, techno, and R&B, were shared with the rowdy audience alongside recurring mechanical sounds and choreographed robotic movements. This examination of technology and humanity reminded that her artistry and expression transcend her talents as a singer, violinist, and beat-maker. Sudan Archives performed three encore songs, jumping off the stage to dance with the screaming crowd before leaving Vancouver with the parting words: “y’all are fucking lit.”
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
02-18 San Francisco, CA – Regency Ballroom
02-19 San Diego, CA – Music Box
02-20 Los Angeles, CA – The Fonda Theatre
More info on Sudan Archives’ website.
SUDAN ARCHIVES







CAIN CULTO



All Photo Credit: Kelli Rothwell
