Concerts Reviews
P!nk Delivers Unforgettable Shows in Vancouver: Two Nights of Aerial Antics and Iconic Hits
“Finally!” exclaimed P!nk as she took the stage at Rogers Arena in Vancouver, BC, on September 6th and 7th. These highly anticipated shows were originally scheduled for October last year, but were postponed due to health reasons. Throughout the nights, P!nk repeatedly apologized for the rescheduling, acknowledging the additional costs fans incurred beyond just concert tickets. Always quick with a joke, she quipped, “I’m usually late by 25 minutes, but a whole year definitely takes the cake!”
These marked my 16th and 17th P!nk shows since 2004, so I’ll admit my bias upfront. I snagged tickets last week, eager to witness the latest stops on P!nk’s record-breaking tour. Already the fifth highest-grossing tour by a female artist ever—surpassed only by her own Beautiful Trauma tour, and those of Madonna, Beyoncé, and Taylor Swift—P!nk’s Trustfall/Summer Carnival tour has been met with rave reviews worldwide.
True to form, P!nk brought her signature mix of high-flying acrobatics and powerhouse vocals to Vancouver, delivering performances that mirrored the best of her shows of her 20+ year long carreer. This tour, promoting her eighth studio album Trustfall, has seen more than three million tickets sold across North America, Europe, and Australia.
Both nights kicked off with Irish rockers, The Script, followed by DJ and producer KidCutUp, who expertly hyped the crowd.
P!nk made her grand entrance flying down from the top of the stage in a harness for “Get The Party Started,” a visually stunning opener complete with a sparkly bodysuit, a popstar microphone headset, backup dancers, and gravity-defying vocals. Her setlist kicked off with fan favourites like “Raise Your Glass,” which featured dancers with beach-themed props and scooters shaped like pool flamingos. Hits like “Who Knew,” “Just Like A Pill,” and “What About Us” followed, with dazzling firework displays elevating the carnival-esque atmosphere.
The show’s aerial choreography peaked during “Turbulence,” as P!nk performed suspended upside down above the audience, still effortlessly hitting every note. Known for her down-to-earth personality, she interacted with the crowd, joked with her crew, even passing out candy, and later sat down at the piano for a touching cover of Adele’s rendition of Bob Dylan’s “Make You Feel My Love.” “It’s a love song,” she mused, “so you know I didn’t write it.”
The night continued with hits like “Just Give Me A Reason,” “F**kin’ Perfect,” and “Just Like Fire.” In a intimate moment, P!nk dedicated “When I Get There,” a song about her father’s passing, which she described as “probably the saddest song I’ve ever written,” to those who’ve lost loved ones.
The energy ramped up again with “I Am Here,” 4 Non Blondes’ “What’s Up,” and an electrifying performance of “Try” with P!nk suspended in a cage. The crowd roared as she closed with “Trustfall,” “Blow Me (One Last Kiss),” and her 2023 hit “Never Gonna Not Dance Again.”
For the grand finale, P!nk strapped into her harness once more, soaring above the audience during “So What,” making sure even those in the nosebleed seats felt part of the action. As the lights came up and the crowd spilled into the streets, there was a palpable sense of shared awe at what had transpired—and a sea of pink-clad fans buzzing from an unforgettable night. As one attendee said after the show “It’s like [Cirque du Soleil’s] O, but not O!”
P!nk’s personality, charisma, and boundless energy shone throughout both nights, proving once again why she’s a live music powerhouse. For her Vancouver fans and myself, the wait was worth it. P!nk is continuing her Trustfall/Summer Carnival tour in the US until November so don’t hesitate to go if you’re nearby!
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All Photo Credit: Caroline Charruyer – Taken with a point&shoot from the crowd
Concerts Reviews
LIVE REVIEW: AC/DC – Hell’s Still Bellin’
AC/DC. Christ. What’s left to say? Everything’s been said, screamed, tattooed on someone’s bicep already. Doesn’t matter. That’s the whole racket, they never changed, never blinked, and more than fifty years later they’re still the loudest gang in the room.
Growing up, they felt ancient already. I am a 2001 kid. Turns out the joke’s on me: they’re still out there, riffing like it’s ’79, refusing to retire into legend status.
Princess Auto Stadium was packed with about 35000 attendees. Everyone was wearing red twinkling devil’s horns. To warm up the night, The Pretty Reckless started with one of the hits “Death by Rock and Roll.” Some support acts play like they’re grateful for the slot. Taylor Momsen played like she owns the stadium. The hair falling forward, somehow the less you can see of her face the more magnetic she gets. Stage presence isn’t something you learn. She’s just got it.
The band didn’t sound like an opener. Every riff landed with the swagger “Going To Hell” and “Since You’re Gone” kept it burning, and “About You” brought it down to something rawer before the lights cut. By the time The Pretty Reckless walked off, the audience were already screaming AC/DC! AC/DC!
Winnipeggers stood stunned through AC/DC‘s whole set. Angus Young, 71 years old still in that signature blue schoolboy uniform and yellow-and-blue cap, ran wild across the stage, duck-walking like no time had passed at all, genuinely, a dream come true to watch in person.
Meanwhile, the rest of the band, rhythm guitarist Stevie Young, bassist Chris Chaney and drummer Matt Laug stayed largely in the background, keeping the engine running for Angus and Johnson to tear apart.
The production matched the legend, “Hells Bells” arrived with an actual giant bell hanging over the stage. The setlist ran deep: “Thunderstruck,” “Have a Drink on Me,” “Shot in the Dark,” “Stiff Upper Lip,” “Highway to Hell,” “Jailbreak,” “Dirty Deeds Done Dirt Cheap.” Almost every song sounded just as good as the album version. The crowd tore their vocal cords apart singing along to “You Shook Me All Night Long” and “TNT.” “For Those About to Rock (We Salute You)” closed things out with cannons blasting into the night sky.
The house lights came up and nobody moved right away. Smoke still hanging over the stage, ears ringing, horns still lit up red across the stands. Bands this old aren’t supposed to sound this dangerous. They aren’t supposed to still mean it. But AC/DC never got the memo about slowing down, and honestly, thank God for that. I walked out hoarse, deaf, and completely satisfied.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
AC/DC
THE PRETTY RECKLESS
All Photo Credit: Nischal Karki
Concerts Reviews
LIVE REVIEW: Party On, Vancouver: Dogstar Sells Out the Vogue Theatre
The Vogue Theatre was packed wall to wall on September 16 as Dogstar rolled into Vancouver, and the excitement was impossible to miss. New York rock band The Backfires kicked things off with a lively opening set, warming up the room before Bret Domrose, Robert Mailhouse and Keanu Reeves stepped onto the stage. Naturally, hundreds of phones immediately went up when Reeves appeared, because Vancouver was not about to let this extremely Keanu moment go undocumented.
Reeves held down the bass, Domrose took on guitar and vocals, and Mailhouse powered the night from behind the drums. While one member may come with a little more star power, Dogstar quickly felt like a proper three-piece instead of a celebrity side project. The chemistry between them was relaxed and natural, with plenty of smiles, glances and little interactions that made it clear they were genuinely happy to be playing together. Reeves frequently wandered across the stage to jam alongside his bandmates, occasionally making his way toward the front and sending another wave of phones into the air.
Dogstar’s story stretches back to Los Angeles in 1991, when Reeves and Mailhouse first started making music together. Domrose later joined the band, and the trio released two albums before going their separate ways in 2002. More than two decades later, they reunited, returned to the stage and released Somewhere Between the Power Lines and Palm Trees in 2023. Now, with their latest album All In Now and another tour underway, Dogstar are giving this chapter of the band far more than a quick nostalgia lap.
The set began with “Siren,” immediately setting an easygoing alt-rock tone for the night. Their cover of The Replacements’ “Can’t Hardly Wait” brought an extra burst of familiarity, while “Punch the Sky” landed with the kind of energy made for a full theatre. Rather than pausing for long speeches, the band kept things moving, letting the music and their chemistry do most of the talking. Domrose’s vocals stayed at the centre of the songs, Mailhouse gave them plenty of drive, and Reeves appeared completely locked into the groove on bass.
Yes, people cheered whenever Reeves moved closer to the edge of the stage. Yes, there was an undeniable thrill in seeing the internet’s favourite human casually rocking out a few feet away. But the attention did not stay on him alone. Domrose and Mailhouse were just as essential to the show, and together the trio delivered a performance that felt tight without becoming overly polished. There was still room for the songs to breathe, for the band to play off one another and for the night to feel a little spontaneous.
A fun surprise arrived during the encore with a roaring cover of The Beatles’ “Helter Skelter.” The band shared that they had only performed it live once before, making it a particularly unexpected way to close the night. The Vogue responded accordingly, singing, cheering and soaking up every last second before the trio left the stage.
More than 30 years after forming, and over two decades after calling it quits, Dogstar are back on the road and clearly having a great time together. That sense of fun was infectious, turning the sold-out show into something warmer and more memorable than a simple celebrity sighting. Vancouver may have arrived ready to see Keanu Reeves play bass, but by the end of the night, Dogstar had given the crowd plenty of reasons to stay invested in the whole band.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
DOGSTAR
THE BACKFIRES
All Photo Credit: Heather Horncastle