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Concerts Reviews

SE SO NEON at the Vogue Theatre in Vancouver – Live Review

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On September 20, 2025, Korean indie rock project SE SO NEON filled Vancouver’s Vogue Theatre. The night marked one of the most anticipated stops on their North American tour, and the crowd, a mix of longtime fans and curious first-timers, got more than they bargained for.

The evening opened with SASAMI, who built a world of her own through layered synths and swirling guitar. Her set leaned into atmosphere more than immediacy. By the time the lights dimmed again for SE SO NEON, the audience was primed for the rest of the night.

Led by singer-songwriter and guitarist Hwang SoYoon, SE SO NEON has been redefined this year. Originally founded in 2016 as a full-band project with bassist Park Hyun-jin, the group shifted into a solo-driven act in early 2025. But if anyone worried the music might lose its fire, Saturday’s show put those doubts to rest. With Gyun back on drums (a familiar face from their 2023 tour), the duo powered through a set that balanced the jagged energy of their early work with the expansive textures of SoYoon’s solo material.

The setlist pulled from across eras. “Summer Plumage” felt like a nod to the project’s roots, “Twit Winter,” from her solo album, revealed her gift for marrying tenderness with bite. “New Romantic” shimmered with understated beauty before giving way to the wiry tension of “Secret Police.”

Some of the night’s most memorable moments came when the dynamics swung wide. “NOW” built patiently, its expansive chorus crashing like a wave before pulling back into quiet reflection. “Go Back” exploded in urgency, every hit from Gyun landing like a challenge for the crowd to keep up.

Visually, the show matched the mood. Cool washes of blue and violet drenched the room during hushed passages, while bursts of white and magenta lit up the heavier peaks. It wasn’t overproduced, just enough to mirror the music’s ebb and flow.

SoYoon herself was the quiet centre of gravity. She didn’t spend much time chatting between songs, but her presence spoke volumes. Her guitar work had a jagged elegance, moving from delicate phrasing to full-on distortion with ease, while her voice carried a certain intimacy . When she did speak, it was to thank the crowd and to promise she’d return to Vancouver, a sentiment that earned cheers almost as loud as the music.

The encore sealed the night. “Kidd” closed things out with a final burst of energy, guitars snarling as SoYoon leaned into the last chorus with full force.

SE SO NEON continues to hold a unique spot in the indie rock landscape. This isn’t a project afraid of change. Instead, it thrives on it. While they are technically no longer a “band,” SE SO NEON still feels like a collective force. And at the centre of it all, SoYoon showed that her voice, guitar, and vision are more than enough to keep it burning.

Upcoming tour dates:
Tuesday, September 23 – San Francisco, CA – The Regency Ballroom
Thursday, September 25 – San Diego, CA – The Observatory North Park
Friday, September 26 – Santa Ana, CA – The Observatory OC
Saturday, September 27 – Los Angeles, CA – The Wiltern
Thursday, October 2 – Mexico City, MX – Teatro Metropolitan
More information here.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

SE SO NEON

SASAMI

All Photo Credit: Guntas Kaur

Concerts Reviews

TWICE Kick Off the North American Leg of their THIS IS FOR World Tour With Two Hours of Joy

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TWICE have spent the last decade growing from a bubbly K-pop rookie group into one of the most reliable live pop acts on the planet. Formed in 2015 through JYP Entertainment’s show Sixteen, the nine-member group (Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu) built their reputation on sharp choreography, sticky hooks, and a rare sense of longevity in an industry that moves fast. Their <THIS IS FOR> World Tour marks another big step, as their 10th Anniversary tour. Vancouver got the honour of opening the North American leg, with night one landing at Rogers Arena on January 9.

This show carried weight: it’s the first night of a new leg, first of two sold-out Vancouver dates, first time TWICE ever performed here. Or so they kept saying (more on that later).

Before the doors even opened, the sense of community hit hard. This was my first K-pop concert, and the concourse felt almost like a fan convention. ONCE (as TWICE fans are called) showed up early and prepared. Freebies were everywhere: fake Canadian bills printed with member faces, bracelets, banners, fake concert tickets as keepsakes. People traded gifts with strangers like it was normal, and it ruled. It reminded me of the exchange of bracelets at Taylor Swift’s shows.

Outfits ranged from full music video cosplay to subtle nods. Candy Bongs (TWICE’s lightstick) lit up the building in every direction. Someone even brought a giant inflatable Candy Bong that eventually made it onstage. Jihyo got her hands on it during “Scientist” and used it to whack her own members. No notes.

Twice perform at Rogers Arena on January 9, 2026 in Vancouver. Photo: JYP Entertainment

The lights dropped just after 8 p.m. “FOUR” played in the dark while Candy Bongs glowed across the arena. A massive 360-degree stage sat in the middle, with towering LED screens hanging above. The scale felt serious. TWICE rose into view and launched straight into “THIS IS FOR.” The scream from the crowd swallowed the mix.

Act I leaned heavy on confidence. “Strategy,” “MAKE ME GO,” “SET ME FREE,” and “I CAN’T STOP ME” landed clean and tight as this group moves with muscle memory built over ten years. The ments showed real excitement and a touch of nervousness. Kudos to the translator who helped both members and fans understanding each other as most members spoke mainly in Korean.

Act II raised the emotional stakes. “MARS” and “I GOT YOU” hit with warm vocals. “Gone” stood out for me, especially with the arrangement with the live band. Jihyo and Nayeon owned it. “CRY FOR ME” and “HELL IN HEAVEN” kept the intensity high. “RIGHT HAND GIRL” pulled huge cheers, proof that deep cuts still matter.

Twice perform at Rogers Arena on January 9, 2026 in Vancouver. Photo: JYP Entertainment

Then came the solos. This section turned the show into a full showcase. Tzuyu opened with “DIVE IN,” graceful and controlled. Mina followed with “STONE COLD.” Nayeon brought pop chaos with “MEEEEEE.” Jeongyeon surprised with “FIX A DRINK,” leaning into a country edge that somehow worked. The pink, glittery cowboy outfit was perfect for it. Dahyun played piano during “CHESS” and owned the room. Chaeyoung returned to the stage with “SHOOT (Firecracker),” and the welcome back energy was real. She had missed several dates earlier in the 1st leg of the tour, and you could feel the relief from then fans as the group back to OT9. Jihyo’s “ATM” confirmed what I already suspected. She has unreal stage presence and total command of the crowd. Sana softened the mood with “DECAFFEINATED.” Momo closed the solo run with “MOVE LIKE THAT,” pure movement and confidence.

Then it was time for the “TAKEDOWN” curveball. Jeongyeon, Jihyo, and Chaeyoung debuted it live on this tour, pulled from the Netflix hit K-Pop Demon Hunters. The arena lost its mind. I knew and loved the song going in, but I did not expect that reaction. The honmoon was clearly sealed after that performance.

Act IV was wall-to-wall hits. “FANCY,” “What Is Love?,” “YES or YES,” and “Dance the Night Away” turned the arena into a giant singalong. The fan dance cam kicked in before the encore and ONCE showed up prepared with sharp choreography.

Twice perform at Rogers Arena on January 9, 2026 in Vancouver. Photo by Jeff Vinnick

The encore opened with “SCIENTIST,” another tour debut. Before the final song, the members talked again about Vancouver. Nine years ago, they filmed the “Likey” music video in Vancouver. That explained why they ended the show “LIKEY,” an unusual closer that was direct nod to the city. The crowd loved it and screamed the lyrics back at the members.

I walked in knowing only a handful of songs and very little about the members, and I walked out with a bias (Jihyo earned that spot without debate) and a smile on my face. More than that, I left understanding why TWICE have lasted this long. Here’s to ten more years!

Upcoming THIS IS FOR Tour Dates:
1/10 – Rogers Arena – Vancouver, BC
1/13 – Climate Pledge Arena – Seattle, WA
1/14 – Climate Pledge Arena – Seattle, WA
1/17 – Oakland Arena – Oakland, CA
1/18 – Oakland Arena – Oakland, CA
1/21 – Kia Forum – Los Angeles, CA
1/22 – Kia Forum – Los Angeles, CA
1/24 – Kia Forum – Los Angeles, CA
1/25 – Kia Forum – Los Angeles, CA
1/28 – PHX Arena – Phoenix, AZ
1/31 – American Airlines Center – Dallas, TX
2/01 – American Airlines Center – Dallas, TX
2/13 – Capital One Arena – Washington, DC
2/14 – Capital One Arena – Washington, DC
2/18 – UBS Arena – Belmont Park, NY
2/20 – UBS Arena – Belmont Park, NY
2/21 – UBS Arena – Belmont Park, NY
2/24 – Xfinity Mobile Arena – Philadelphia, PA
2/27 – State Farm Arena – Atlanta, GA
3/03 – Bell Centre – Montreal, QC
3/06 – TD Coliseum – Hamilton, ON
3/07 – TD Coliseum – Hamilton, ON
3/27 – Kia Center – Orlando, FL
3/28 – Kia Center – Orlando, FL*
3/31 – Spectrum Center – Charlotte, NC
4/03 – TD Garden – Boston, MA
4/04 – TD Garden – Boston, MA
4/06 – United Center – Chicago, IL
4/07 – United Center – Chicago, IL
4/10 – Little Caesars Arena – Detroit, MI
4/12 – Grand Casino Arena – Saint Paul, MN
4/14 – Ball Arena – Denver, CO
4/17 – Moody Center – Austin, TX
4/18 – Moody Center – Austin, TX
5/09 – MEO Arena – Lisbon, PT
5/12 – Palau Sant Jordi – Barcelona, ES
5/16 – Accor Arena – Paris, FR
5/17 – Accor Arena – Paris, FR
5/20 – Inalpi Arena – Turin, IT
5/23 – Uber Arena – Berlin, DE
5/26 – LANXESS Arena – Cologne, DE
5/30 – Ziggo Dome – Amsterdam, NL
5/31 – Ziggo Dome – Amsterdam, NL
6/03 – The O2 – London, UK
6/04 – The O2 – London, UK
More information on the tour here.

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Concerts Reviews

KARD Gets Icky in Los Angeles 

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Have you ever wanted to know what it’s like to get “dumb litty”? Maybe you need a little cake in your life? If you were able to catch Kpop / hip hop group KARD on December 10th you most likely fulfilled both. Opening their DRIFT 2025 US Tour, KARD was back in Los Angeles after two years to show Hidden KARD (fanbase) how to turn up. 

2025 has been a controversial year for KARD, with the group’s previous tour cancelled, many fans still dealing with the refund process months later and BM’s use of a racial slur earlier in the year. This controversy has left fans divided, some remain rightfully critical and have left the fandom due to his actions while others have shown support for the rapper’s remorse. Though not the group’s fault for refunds left unattended, some fans remain frustrated and hesitant to purchase tickets to their current tour as they still wait to get their money back.

KARD has continued on in hopes of regaining the trust of their fandom and delivering performances worthy of the wait. The co-ed group known for their mature lyrics and sultry style led the first stop of their US tour with tracks off their latest mini album DRIFT and some older favorites. The night was filled with highs but not without a few bumps along the way. Starting strong, KARD opened the performance with “Touch” before making everyone’s body temp rise with “Icky.” Taking it back to 2017, the group hit “Oh NaNA” and “Hola Hola,” bringing Hidden KARD back to their debut. Latest tracks “Top Down” and “Before We Go” showed off a softer side to the group.

KARD at the Orpheum Theater in Los Angeles on December 10, 2025

Sprinkled in the set were a few solo and duet numbers, BM let out his “Freak,” while he and J.Seph showed us they “Been That Boy,” before Somin and Jiwoo took over the stage with “Enemy.” 

Keeping the crowd engaged between performances, a VCR played showing the members answering trivia about one another, Jiwoo won the game, earning her the title of Team Leader, while BM ranked last, making him the intern. Though humorous, the video seemed to go on a bit longer than desired. These longer videos are often used as place fillers for newer groups with minimal releases, though KARD has a discography spanning long enough to reliably complete a well rounded production.

The four also took several moments throughout the show to chat with fans, and even play some games. Deciding between things like singing high notes 100 times or doing the same choreography 100 times, the group was split down the middle during the interactive game “This or That.” My Korean isn’t advanced but even I could tell there were some missteps as the translator struggled to keep up before BM had to take over several times throughout the night to make sure the members’ messages were being conveyed to fans correctly. 

Despite there being a real technical difficulty earlier in the night when Somin’s mic stopped working, the group ran off stage mid show citing more difficulties – however faking it this time, only to arrive in Santa inspired gear to sing “Last Christmas” to the crowd. Literally shifting energy the group transformed into DRIFT dance track “Pivot,” sweeping the floor with their NSFW dance moves.

KARD at the Orpheum Theater in Los Angeles on December 10, 2025

Making you want to skip dinner and head straight to dessert, steamy track “CAKE” rang through the venue as Hidden KARD screamed at the sound of the very first note. Everybody going stupid, dumb, fans used all their passion to jump and scream to hype track “Dumb Litty” as KARD jumped along across the stage. The two highly anticipated numbers brought their performance to a roaring climax, ending the night on a high. Bringing the show full circle the members came back for an encore, performing earlier tracks “You In Me” and “Don’t Recall” before closing out the night with an encore of “Icky.” 

Check out our favorite photos of the night below or head to our Facebook page for the full gallery!

KARD

All Photo Credit: Rebecca Rowe

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