Concerts Reviews
Three Days Grace and Volbeat Rock Vancouver – Live Review
It was loud. It was sweaty. It was exactly what fans came for.
Three Days Grace and Volbeat kicked off their Canadian co-headline tour in Vancouver on Saturday night, bringing back-to-back sets of heavy guitars and gritty vocals.
Warming up the crowd was Florida metalcore crew Wage War, who wasted no time getting things loud. They ripped through a short but high-impact set. “Low” and “Circle The Drain” had pits swirling early, and even fans who came strictly for the headliners couldn’t deny the intensity. Frontman Briton Bond barked every word with conviction, while guitarist Seth Blake shredded through solos with ease. It was a heavy start to the night, and judging by the crowd’s reaction, Wage War walked away with more than a few new fans.
Three Days Grace: Two Voices, One Big Sound
Three Days Grace hit the stage with both current vocalist Matt Walst and returning original frontman Adam Gontier. A reunion that had longtime fans buzzing since it was announced. If anyone was skeptical about two lead singers, “Animal I Have Become” shut that down fast. The energy was wild right out of the gate, with Gontier and Walst swapping lines like they’d never missed a beat.
The band plowed through a mix of fan-favourite hits and newer tracks. “So Called Life” and “Mayday” showed the band’s sound is still evolving without ditching the intensity. “I Hate Everything About You” had the entire arena yelling every word, while “Riot” closed the set with a wall of noise and a sea of fists in the air.
Gontier looked thrilled to be back, and the chemistry between him and the rest of the band was obvious. Barry Stock’s guitar work was sharp as ever, and drummer Neil Sanderson’s backup vocals added extra punch to the live mix. It’s rare to see a band pull off this kind of dual-frontman setup without stepping on each other, but these guys made it work.
Volbeat: Danish Dynamite
Volbeat followed with a tightly tuned set that showed why they’re one of the most dependable live bands in rock today. Michael Poulsen led the charge with his signature blend of rockabilly growl and arena-sized hooks, and the band wasted no time launching into “Seal the Deal” and “Lola Montez.”
“Shotgun Blues” hit especially hard, sounding even thicker and meaner live than on the album. They also treated fans to debut performances of “Devils Are Awake,” “Demonic Possession,” and more from their new album God of Angels Trust, release just 2 days ago. It landed well, with plenty of heads nodding in approval.
Volbeat’s production was sharp with crystal-clear sound and lighting that added weight without distracting. “Still Counting” closed the night with a huge singalong, leaving fans sweaty, slightly deaf, and very satisfied.
It’s not often you get two headliners that feel this well-matched. Three Days Grace brought the nostalgia and the drama of a comeback. Volbeat brought the precision and power of a band still climbing. Together, they tore the roof off Rogers Arena. Not a bad way to start a summer tour.
Upcoming Tour Dates:
June 9, 2025 – Calgary, AB – Scotiabank Saddledome ^
June 10, 2025 – Edmonton, AB – Rogers Place &
June 12, 2025 – Saskatoon, SK – SaskTel Centre ^
June 13, 2025 – Winnipeg, MB – Canada Life Centre &
June 16, 2025 – Laval, QC – Place Bell ^
June 17, 2025 – Quebec City, QC – Videotron Centre &
June 19, 2025 – Toronto ON – Budweiser Stage &
June 21, 2025 – London, ON – Canada Life Place ^
June 22, 2025 – Ottawa, ON – Canadian Tire Centre &
^ Volbeat Closing
& Three Days Grace Closing
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THREE DAYS GRACE
VOLBEAT
WAGE WAR
All Photo Credit: Caroline Charruyer
Concerts Reviews
LIVE REVIEW: AC/DC – Hell’s Still Bellin’
AC/DC. Christ. What’s left to say? Everything’s been said, screamed, tattooed on someone’s bicep already. Doesn’t matter. That’s the whole racket, they never changed, never blinked, and more than fifty years later they’re still the loudest gang in the room.
Growing up, they felt ancient already. I am a 2001 kid. Turns out the joke’s on me: they’re still out there, riffing like it’s ’79, refusing to retire into legend status.
Princess Auto Stadium was packed with about 35000 attendees. Everyone was wearing red twinkling devil’s horns. To warm up the night, The Pretty Reckless started with one of the hits “Death by Rock and Roll.” Some support acts play like they’re grateful for the slot. Taylor Momsen played like she owns the stadium. The hair falling forward, somehow the less you can see of her face the more magnetic she gets. Stage presence isn’t something you learn. She’s just got it.
The band didn’t sound like an opener. Every riff landed with the swagger “Going To Hell” and “Since You’re Gone” kept it burning, and “About You” brought it down to something rawer before the lights cut. By the time The Pretty Reckless walked off, the audience were already screaming AC/DC! AC/DC!
Winnipeggers stood stunned through AC/DC‘s whole set. Angus Young, 71 years old still in that signature blue schoolboy uniform and yellow-and-blue cap, ran wild across the stage, duck-walking like no time had passed at all, genuinely, a dream come true to watch in person.
Meanwhile, the rest of the band, rhythm guitarist Stevie Young, bassist Chris Chaney and drummer Matt Laug stayed largely in the background, keeping the engine running for Angus and Johnson to tear apart.
The production matched the legend, “Hells Bells” arrived with an actual giant bell hanging over the stage. The setlist ran deep: “Thunderstruck,” “Have a Drink on Me,” “Shot in the Dark,” “Stiff Upper Lip,” “Highway to Hell,” “Jailbreak,” “Dirty Deeds Done Dirt Cheap.” Almost every song sounded just as good as the album version. The crowd tore their vocal cords apart singing along to “You Shook Me All Night Long” and “TNT.” “For Those About to Rock (We Salute You)” closed things out with cannons blasting into the night sky.
The house lights came up and nobody moved right away. Smoke still hanging over the stage, ears ringing, horns still lit up red across the stands. Bands this old aren’t supposed to sound this dangerous. They aren’t supposed to still mean it. But AC/DC never got the memo about slowing down, and honestly, thank God for that. I walked out hoarse, deaf, and completely satisfied.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
AC/DC
THE PRETTY RECKLESS
All Photo Credit: Nischal Karki
Concerts Reviews
LIVE REVIEW: Party On, Vancouver: Dogstar Sells Out the Vogue Theatre
The Vogue Theatre was packed wall to wall on September 16 as Dogstar rolled into Vancouver, and the excitement was impossible to miss. New York rock band The Backfires kicked things off with a lively opening set, warming up the room before Bret Domrose, Robert Mailhouse and Keanu Reeves stepped onto the stage. Naturally, hundreds of phones immediately went up when Reeves appeared, because Vancouver was not about to let this extremely Keanu moment go undocumented.
Reeves held down the bass, Domrose took on guitar and vocals, and Mailhouse powered the night from behind the drums. While one member may come with a little more star power, Dogstar quickly felt like a proper three-piece instead of a celebrity side project. The chemistry between them was relaxed and natural, with plenty of smiles, glances and little interactions that made it clear they were genuinely happy to be playing together. Reeves frequently wandered across the stage to jam alongside his bandmates, occasionally making his way toward the front and sending another wave of phones into the air.
Dogstar’s story stretches back to Los Angeles in 1991, when Reeves and Mailhouse first started making music together. Domrose later joined the band, and the trio released two albums before going their separate ways in 2002. More than two decades later, they reunited, returned to the stage and released Somewhere Between the Power Lines and Palm Trees in 2023. Now, with their latest album All In Now and another tour underway, Dogstar are giving this chapter of the band far more than a quick nostalgia lap.
The set began with “Siren,” immediately setting an easygoing alt-rock tone for the night. Their cover of The Replacements’ “Can’t Hardly Wait” brought an extra burst of familiarity, while “Punch the Sky” landed with the kind of energy made for a full theatre. Rather than pausing for long speeches, the band kept things moving, letting the music and their chemistry do most of the talking. Domrose’s vocals stayed at the centre of the songs, Mailhouse gave them plenty of drive, and Reeves appeared completely locked into the groove on bass.
Yes, people cheered whenever Reeves moved closer to the edge of the stage. Yes, there was an undeniable thrill in seeing the internet’s favourite human casually rocking out a few feet away. But the attention did not stay on him alone. Domrose and Mailhouse were just as essential to the show, and together the trio delivered a performance that felt tight without becoming overly polished. There was still room for the songs to breathe, for the band to play off one another and for the night to feel a little spontaneous.
A fun surprise arrived during the encore with a roaring cover of The Beatles’ “Helter Skelter.” The band shared that they had only performed it live once before, making it a particularly unexpected way to close the night. The Vogue responded accordingly, singing, cheering and soaking up every last second before the trio left the stage.
More than 30 years after forming, and over two decades after calling it quits, Dogstar are back on the road and clearly having a great time together. That sense of fun was infectious, turning the sold-out show into something warmer and more memorable than a simple celebrity sighting. Vancouver may have arrived ready to see Keanu Reeves play bass, but by the end of the night, Dogstar had given the crowd plenty of reasons to stay invested in the whole band.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
DOGSTAR
THE BACKFIRES
All Photo Credit: Heather Horncastle