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ALL THINGS GO: 10 YEARS incl Maren Morris, Kesha, googly eyes

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All Things Go: 10 Years
1. Welcome To The End – Maren Morris (prod. Jack Antonoff)
2. Jesus and John Wayne – googly eyes, Joy Oladokun + August Ponthier
3. Talk Talk Talk – Emei
4. Tennessee – Kesha + Orville Peck with Hudson Mohawke + Tayla Parx
5. Green Tea (Demo) – Maude Latour
6. Home – Rachel Chinouriri + Boyish
7. Sympathy Is A Knife – Medium Build + Sydney Rose
8. Find Ur Ppl – jasmine.4.t feat. Jacob Alon
9. Funeral – Susannah Joffe + Baby Nova
10. DCWDTTY – Bartees Strange (prod. Jack Antonoff)
11. Sky King – Juliana Madrid + ella jane

Today, the charity compilation All Things Go: 10 Years, with all proceeds benefitting The Ally Coalition, is released and includes ATG artists past and present, including: Kesha, Maren Morris, Rachel Chinouriri, Medium Build, Bartees Strange, Maude Latour, Joy Oladokun, EMEI, googly eyes and more. Celebrating over 10 years of All Things Go, it is available digitally and on limited-edition vinyl + CD, with full tracklist and order information HERE.

In 2023, All Things Go launched a partnership with The Ally Coalition (TAC), founded in 2013 by Jack Antonoff (Bleachers) and fashion designer Rachel Antonoff,  to further support LGBTQ+ youth through on-site programming and artist-driven engagement across its festival platforms. 

All Things Go co-founders Stephen Villamarescu and Will Suter say: “Celebrating ten years of All Things Go is a meaningful milestone for us. The festival has always been driven by a belief in creativity with purpose, and this compilation brings together artists who embody that spirit while supporting The Ally Coalition and its important work.”

All Things Go is celebrating over a decade of festivals, originating in the Washington, D.C. area before expanding to New York in 2024, and hosted its inaugural Toronto 2025 edition last weekend. Known for its intentional focus on female and non-binary-led lineups, the festival reflects All Things Go’s ongoing commitment to cultivating diverse, inclusive spaces within the music community. This year’s ATG Festival editions at Columbia, MD’s Merriweather Post Pavilion and New York’s Forest Hills Stadium saw female and LGBTQ+ artists at the forefront and headlining again, with Doechii, Lucy Dacus, Clairo, Kesha, MARINA, The Mariás, Lola Young, etc performing on September 26, 27, and 28. Reneé Rapp, Kacey Musgraves, Remi Wolf, and Role Model headlined Toronto 2025 on October 4th and 5th.

ARTIST QUOTES: 
Rachel Chinouriri says: “I wrote it about growing up in a tiny part of Croydon called “Forestdale” which felt like a level of peace when I was inside alone. There was a degree of peace I felt back then that I was never able to find again and I am craving that feeling again.”

Kesha about “Tennessee”: “Making this song with Orville, Tayla and Hudson was so much fun. I felt safe to explore my southern roots and excited entering a room with these artists I’ve looked up to for years and making music that felt real and honest. They’re all inspiring creatives who just want to make great music. Knowing it’s helping The Ally Coalition makes it even more special, I’m so proud to finally let the world hear what Orville and I have cooked up. Enjoy!”

Maren Morris shares: “Welcome to The End” is a song about the mental sacrifices you’ll make to achieve your dream. It’s not a straight or pretty path to get there, but your own resilience can surprise you. I’m so happy we can devote its release and message to The Ally Coalition as well as my friend and collaborator, Jack Antonoff’s studio initiative to help integrate recording studios into LGBTQ+ youth shelters.”

Juliana Madrid & ella jane, the indie-pop kindreds join forces on a hauntingly beautiful song “Sky King” about Richard “Beebo” Russell, the Horizon Air ground agent who, in 2018, stole a plane from Seattle, performed aerial stunts, and fatally crashed on Ketron Island. Remembered as “Sky King,” his story embodies the hidden struggles behind seemingly ordinary lives, rendered here with soft, tender grace. The release date, September 19, 2025 would have been his 36th birthday.

googly eyes, Joy Oladokun + August Ponthier’s poignant “Jesus and John Wayne” is a bold, soul-searching anthem about reclaiming faith from the grip of politics and exclusion, inspired by the NYT Bestselling novel by Kristin Kobes Du Mez. Written by googly eyes joined by Joy Oladokun and August Ponthier, it reimagines spirituality as a source of healing, belonging, and radical love, especially for those the church has pushed aside. The song has clearly struck a chord with listeners already, finding consistent virality on socials ahead. NPR covered the track, quoting “This could be the song of 2025. Sonically, it’s a sweeping ballad that’s not too far off from Miley Cyrus’ or Kesha’s more Nashville-leaning ballads. The song’s repurposing of Music Row-style grandiloquence in service of progressive politics reflects the moral and ethical quandaries consuming many people right now, and with its rich harmonies building to a cathartic climax, it effectively translates its political views into affecting emotional language.”

jasmine.4.t about “Find Ur Ppl”: “Find Ur Ppl is a song I wrote a few years ago, early in my transition. This was when I first moved to Manchester and met my community, including my best friend Yulia Trot aka YBT, who put me up on her sofa and supported me in presenting as a woman for the first time. Yulia is sadly currently being held in prison without trial as a political prisoner. She is one of the Filton 24, who are alleged to have broken into an Israeli weapons factory in the UK and destroyed £1 million worth of weapons. We recorded Find Ur Ppl originally for You Are The Morning (YBT Deluxe), an extended version of my debut record which is dedicated to Yulia. It means the world to me to release this new version of the song which features my friend (and recent Mercury Prize nominee!) Jacob Alon, who is a member of the queer community and very much one of the people I was hoping to find when I wrote this song. Their voice and their writing is so beautiful and I have been lucky enough to catch them live several times this year. Their voice brings so much to this song, and collaborating with them was really a dream come true.”

Medium Build and Sydney Rose add: “This song is the most beautiful snapshot of human insecurity. I remember the first time I heard it thinking “omg did she just say she wants to shoot herself?! You can’t say that!” , even though I thought about doing that all the time. I love how honest Charli is about her internal conflict. “I couldn’t even be her if I tried” literally. All the wars in our head are so bogus and thoughts are rarely valid at all. This song came at a perfect time where we all wanted to be hot and perfect and bouncing back into life. Brat summer and pink pony club and Espresso. It was all good vibes but Charli also said it’s cool if you’re an insecure piece of shit. I love her.  Sydney and I related on being insecure little weirdos from neighboring towns in Georgia. I love her. I couldn’t even be Sydney Rose if I tried. But I do want to see her backstage at my boyfriend’s show.”

Bartees Strange adds: “One of my favorite songs from people in this part of the world is “DC Will Do That To You” by Smart Went Crazy. Content wise this song doesn’t have much to do with theirs, other than I feel like a big part of who I am is because of DC and what I feel like it did to and for me. This song is just me, wandering through the DMV – things seen and heard in a uniquely lovely and upside down place.”

Emei about “Talk Talk Talk’: “I’m so happy I get the chance to release “Talk Talk Talk” on the All Things Go anniversary album. I’m honored to be among such incredible artists and to be able to contribute at all to The Ally Coalition. I haven’t released a single since February and a lot has happened since then. I’ve gone on tour. I’ve lost loved ones. I’ve lost friends. I’ve gone through grief and depression and back. This year has been a huge year of growth and music making. I’m working on an entirely new project and era but before I can let everyone fully into that world, I wanted to release this diss track of mine that touches briefly upon all the BS I’ve gone through this year. Sometimes you don’t have control over what someone says about you behind your back. And man oh man is Los Angeles filled with people who love to “Talk Talk Talk”. This song is a diss track yes, but also a manifestation of a sort that’s telling me that I can always brush the BS thrown my way off my shoulders. People will always have something to say and you can’t control everyone’s narratives so just let them “Talk Talk Talk” while I keep my head down and continue working hard for me but also for my fans. I hope everyone treats the song as the emotional outlet as it was for me! And get excited and ready for this next chapter!!”

Maude Latour about Green Tea (Demo): “i wrote this song back in 2019 and my fans have been asking for me to release it since. this song captures a moment in my life i’ll never forget— a breakup, late december, and wondering about my place in the world. i vividly remember wanting to read every single book on the shelves, to call my sister, go out dancing, kiss a stranger, and find myself somehow amongst all of it. oh also my favorite drink is ice green tea.”

“When I approached covering “Funeral,” I wanted to lean into its quiet heaviness and let it live in a darker, more cinematic world. I drew from the shadowy romance of Chris Isaak and the dreamlike haze of Mazzy Star, layering reverb, slide guitar, and murky textures to make it feel like the song is suspended between grief and beauty.” – Susannah Joffe

“I’m so excited to be featuring on this record with Susannah Joffe, I’m a huge fan of hers, and Phoebe Bridgers is an artist I’ve looked up to for years, so the fact that it’s a cover of her work makes it even more special. Funeral speaks a lot to me as a fellow sad girl.” – Baby Nova

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Gnarls Barkley Announce 2026 ‘To Whom It Still Concerns’ Tour

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GnarlsBarkley_2026_National

Today, multi-GRAMMY-winning duo Gnarls Barkley announce their 2026 ‘To Whom It Still Concerns’ Tour, a nine-city North American headline run marking their first tour in 18 years.

Promoted by Live Nation, the tour kicks off Thursday, November 5 at The Masonic in San Francisco. The run will make stops in Atlanta, Boston, Toronto and more before wrapping Saturday, November 28 at House of Blues in Chicago.

The announcement follows the release of Atlanta, the duo’s third and final album and their first project in 18 years. Known for their boundary-defying blend of soul, hip-hop, rock, psychedelia and pop, Gnarls Barkley achieved global success with their chart-topping 2006 single, “Crazy.”

“The Gnarls Barkley ‘To Whom It Still Concerns’ Tour operates like an open book, exploring the universal matters of life, death and everything in between,” says CeeLo Green. “These songs are the silver lining to an otherwise sad story. Come, and let’s celebrate together the beautiful madness of it all.”

TICKETS: Tickets will be available starting with a Citi and Spotify presale (details below) beginning on Monday, September 21 followed by the artist presale on Wednesday, September 23. General onsale begins on Thursday, September 24 at 10am local time at LiveNation.com

PRESALE: To participate in the Gnarls Barkeley Artist Presale on Wednesday, September 23 at 10am local,  you must sign up at https://signup.livenation.com by Sunday, September 20 at 10pm ET. No codes are needed – access is tied to your account, and anyone who signs up can join the sale. Working in partnership with Ticketmaster, extra protections will be in place to help block bad actors from signing up for the Artist Presale. Some fans may be asked to complete a quick selfie check, or in rare cases, provide an ID via Persona to sign up. Find out more about security checks here.

CITI: Citi cardmembers will have access to presale tickets beginning Monday, September 23 at 10am local time to Tuesday, September 22 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

SPOTIFY RESERVED: Introducing Reserved, brought to you by Spotify. For the first time, eligible Spotify Premium top fans will have tickets to their favorite artist’s show set aside for them to purchase before they go on sale to the general public. Reserved is a Spotify Premium benefit that turns real fandom into first access. Visit Spotify.com/Reserved to learn more. 

Gnarls Barkley’s Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. Eligible fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets before the general on-sale.

TO WHOM IT STILL CONCERNS 2026 TOUR DATES: 

Thu, Nov 5 – San Francisco, CA – The Masonic

Sat, Nov 7 – Los Angeles, CA – The Wiltern

Tue, Nov 10 – Atlanta, GA – Coca-Cola Roxy

Fri, Nov 13 – Detroit, MI – The Fillmore Detroit

Sun, Nov 15 – Boston, MA – House of Blues

Thu, Nov 19 – Silver Spring, MD – The Fillmore Silver Spring

Sun, Nov 22 – Toronto, ON – HISTORY

Tue, Nov 24 – New York, NY – Irving Plaza

Sat, Nov 28 – Chicago, IL – House of Blues

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Nick Cannon Brings Wild ’N Out Live: The Next Generation To Arenas This Fall

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NickCannon 2026

Multi-hyphenate entertainer Nick Cannon announced today the return of Nick Cannon Presents: Wild ’N Out Live: The Next Generation, bringing a new era of the iconic comedy and music franchise to arenas across North America this fall for its biggest tour yet.

Promoted by Live Nation, the 20-city tour kicks off on November 10 at Oakland Arena in Oakland, CA, making stops in Inglewood, Las Vegas, San Diego, Phoenix, Dallas, Houston, Birmingham, Miami, Tampa, Atlanta, Charlotte, Atlantic City, Hartford, Newark, Baltimore, Toronto, Detroit, Indianapolis and more before wrapping up at United Center in Chicago, IL on December 17.

For more than two decades, Wild ‘N Out has remained one of television’s most influential comedy franchises, seamlessly blending improv comedy, hip-hop, celebrity guests and audience participation into a one-of-a-kind entertainment experience. Now entering its 22nd season, the franchise has become a cultural phenomenon, helping launch the careers of comedians including Kevin Hart, Pete Davidson, Katt Williams, DC Young Fly and Mikey Day, while welcoming hundreds of celebrity guests spanning music, sports, television and film.

Now, fans will have the chance to experience that same energy live as Nick Cannon Presents: Wild ’N Out Live: The Next Generation takes over arenas across North America. Each stop will feature the signature games, freestyle battles, special celebrity guests, live performances and audience interaction that have become synonymous with the Wild ‘N Outexperience, bringing the show’s signature energy from the screen to the stage.

TICKETS: Tickets will be available starting with an Artist presale (details below) beginning on Tuesday, September 22 at 10am local time. Additional presales will run throughout the week ahead of the general on sale beginning on Thursday, September 24 at 10am local time at LiveNation.com

PRESALE: To participate in the Wild ‘N Out Artist Presale on Thursday, September 17 at 12 pm PT you must sign up at https://signup.livenation.com/wildnout by Sunday, September 20 at 11:59 pm PT. No codes are needed – access is tied to your account, and anyone who signs up can join the sale. Working in partnership with Ticketmaster, extra protections will be in place to help block bad actors from signing up for the Artist Presale. Some fans may be asked to complete a quick selfie check, or in rare cases, provide an ID via Persona to sign up. Find out more about security checks here.

WILD ‘N OUT LIVE NEW GENERATION TOUR DATES: 

Tue, Nov. 10 – Oakland, CA – Oakland Arena

Thu, Nov. 12 – Inglewood, CA – Intuit Dome

Sat, Nov. 14 – Las Vegas, NV – Michelob ULTRA Arena

Sun, Nov. 15 – San Diego, CA – Viejas Arena

Tue, Nov. 17 – Phoenix, AZ – Mortgage Matchup Center

Thu, Nov. 19 – Dallas, TX – American Airlines Center

Sat, Nov. 21 – Houston, TX – Toyota Center

Tue, Nov. 24 – Birmingham, AL – Legacy Arena at the BJCC

Sat, Nov. 28 – Miami, FL – Kaseya Center

Mon, Nov. 30 – Tampa, FL – Benchmark International Arena

Tue, Dec. 1 – Atlanta, GA – State Farm Arena

Wed, Dec. 2 – Charlotte, NC – Spectrum Center

Fri, Dec. 4 – Atlantic City, NJ – Atlantic City Boardwalk Hall

Sat, Dec. 5 – Hartford, CT – PeoplesBank Arena

Tue, Dec. 8 – Newark, NJ – Prudential Center

Wed, Dec. 9 – Baltimore, MD – CFG Bank Arena

Fri, Dec. 11 – Toronto, ON – Scotiabank Arena

Sun, Dec. 13 – Detroit, MI – Little Caesars Arena

Tue, Dec. 15 – Indianapolis, IN – Gainbridge Fieldhouse

Thu, Dec. 17 – Chicago, IL – United Center

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