Music News
ALL THINGS GO: 10 YEARS incl Maren Morris, Kesha, googly eyes
All Things Go: 10 Years
1. Welcome To The End – Maren Morris (prod. Jack Antonoff)
2. Jesus and John Wayne – googly eyes, Joy Oladokun + August Ponthier
3. Talk Talk Talk – Emei
4. Tennessee – Kesha + Orville Peck with Hudson Mohawke + Tayla Parx
5. Green Tea (Demo) – Maude Latour
6. Home – Rachel Chinouriri + Boyish
7. Sympathy Is A Knife – Medium Build + Sydney Rose
8. Find Ur Ppl – jasmine.4.t feat. Jacob Alon
9. Funeral – Susannah Joffe + Baby Nova
10. DCWDTTY – Bartees Strange (prod. Jack Antonoff)
11. Sky King – Juliana Madrid + ella jane
Today, the charity compilation All Things Go: 10 Years, with all proceeds benefitting The Ally Coalition, is released and includes ATG artists past and present, including: Kesha, Maren Morris, Rachel Chinouriri, Medium Build, Bartees Strange, Maude Latour, Joy Oladokun, EMEI, googly eyes and more. Celebrating over 10 years of All Things Go, it is available digitally and on limited-edition vinyl + CD, with full tracklist and order information HERE.
In 2023, All Things Go launched a partnership with The Ally Coalition (TAC), founded in 2013 by Jack Antonoff (Bleachers) and fashion designer Rachel Antonoff, to further support LGBTQ+ youth through on-site programming and artist-driven engagement across its festival platforms.
All Things Go co-founders Stephen Villamarescu and Will Suter say: “Celebrating ten years of All Things Go is a meaningful milestone for us. The festival has always been driven by a belief in creativity with purpose, and this compilation brings together artists who embody that spirit while supporting The Ally Coalition and its important work.”
All Things Go is celebrating over a decade of festivals, originating in the Washington, D.C. area before expanding to New York in 2024, and hosted its inaugural Toronto 2025 edition last weekend. Known for its intentional focus on female and non-binary-led lineups, the festival reflects All Things Go’s ongoing commitment to cultivating diverse, inclusive spaces within the music community. This year’s ATG Festival editions at Columbia, MD’s Merriweather Post Pavilion and New York’s Forest Hills Stadium saw female and LGBTQ+ artists at the forefront and headlining again, with Doechii, Lucy Dacus, Clairo, Kesha, MARINA, The Mariás, Lola Young, etc performing on September 26, 27, and 28. Reneé Rapp, Kacey Musgraves, Remi Wolf, and Role Model headlined Toronto 2025 on October 4th and 5th.
ARTIST QUOTES:
Rachel Chinouriri says: “I wrote it about growing up in a tiny part of Croydon called “Forestdale” which felt like a level of peace when I was inside alone. There was a degree of peace I felt back then that I was never able to find again and I am craving that feeling again.”
Kesha about “Tennessee”: “Making this song with Orville, Tayla and Hudson was so much fun. I felt safe to explore my southern roots and excited entering a room with these artists I’ve looked up to for years and making music that felt real and honest. They’re all inspiring creatives who just want to make great music. Knowing it’s helping The Ally Coalition makes it even more special, I’m so proud to finally let the world hear what Orville and I have cooked up. Enjoy!”
Maren Morris shares: “Welcome to The End” is a song about the mental sacrifices you’ll make to achieve your dream. It’s not a straight or pretty path to get there, but your own resilience can surprise you. I’m so happy we can devote its release and message to The Ally Coalition as well as my friend and collaborator, Jack Antonoff’s studio initiative to help integrate recording studios into LGBTQ+ youth shelters.”
Juliana Madrid & ella jane, the indie-pop kindreds join forces on a hauntingly beautiful song “Sky King” about Richard “Beebo” Russell, the Horizon Air ground agent who, in 2018, stole a plane from Seattle, performed aerial stunts, and fatally crashed on Ketron Island. Remembered as “Sky King,” his story embodies the hidden struggles behind seemingly ordinary lives, rendered here with soft, tender grace. The release date, September 19, 2025 would have been his 36th birthday.
googly eyes, Joy Oladokun + August Ponthier’s poignant “Jesus and John Wayne” is a bold, soul-searching anthem about reclaiming faith from the grip of politics and exclusion, inspired by the NYT Bestselling novel by Kristin Kobes Du Mez. Written by googly eyes joined by Joy Oladokun and August Ponthier, it reimagines spirituality as a source of healing, belonging, and radical love, especially for those the church has pushed aside. The song has clearly struck a chord with listeners already, finding consistent virality on socials ahead. NPR covered the track, quoting “This could be the song of 2025. Sonically, it’s a sweeping ballad that’s not too far off from Miley Cyrus’ or Kesha’s more Nashville-leaning ballads. The song’s repurposing of Music Row-style grandiloquence in service of progressive politics reflects the moral and ethical quandaries consuming many people right now, and with its rich harmonies building to a cathartic climax, it effectively translates its political views into affecting emotional language.”
jasmine.4.t about “Find Ur Ppl”: “Find Ur Ppl is a song I wrote a few years ago, early in my transition. This was when I first moved to Manchester and met my community, including my best friend Yulia Trot aka YBT, who put me up on her sofa and supported me in presenting as a woman for the first time. Yulia is sadly currently being held in prison without trial as a political prisoner. She is one of the Filton 24, who are alleged to have broken into an Israeli weapons factory in the UK and destroyed £1 million worth of weapons. We recorded Find Ur Ppl originally for You Are The Morning (YBT Deluxe), an extended version of my debut record which is dedicated to Yulia. It means the world to me to release this new version of the song which features my friend (and recent Mercury Prize nominee!) Jacob Alon, who is a member of the queer community and very much one of the people I was hoping to find when I wrote this song. Their voice and their writing is so beautiful and I have been lucky enough to catch them live several times this year. Their voice brings so much to this song, and collaborating with them was really a dream come true.”
Medium Build and Sydney Rose add: “This song is the most beautiful snapshot of human insecurity. I remember the first time I heard it thinking “omg did she just say she wants to shoot herself?! You can’t say that!” , even though I thought about doing that all the time. I love how honest Charli is about her internal conflict. “I couldn’t even be her if I tried” literally. All the wars in our head are so bogus and thoughts are rarely valid at all. This song came at a perfect time where we all wanted to be hot and perfect and bouncing back into life. Brat summer and pink pony club and Espresso. It was all good vibes but Charli also said it’s cool if you’re an insecure piece of shit. I love her. Sydney and I related on being insecure little weirdos from neighboring towns in Georgia. I love her. I couldn’t even be Sydney Rose if I tried. But I do want to see her backstage at my boyfriend’s show.”
Bartees Strange adds: “One of my favorite songs from people in this part of the world is “DC Will Do That To You” by Smart Went Crazy. Content wise this song doesn’t have much to do with theirs, other than I feel like a big part of who I am is because of DC and what I feel like it did to and for me. This song is just me, wandering through the DMV – things seen and heard in a uniquely lovely and upside down place.”
Emei about “Talk Talk Talk’: “I’m so happy I get the chance to release “Talk Talk Talk” on the All Things Go anniversary album. I’m honored to be among such incredible artists and to be able to contribute at all to The Ally Coalition. I haven’t released a single since February and a lot has happened since then. I’ve gone on tour. I’ve lost loved ones. I’ve lost friends. I’ve gone through grief and depression and back. This year has been a huge year of growth and music making. I’m working on an entirely new project and era but before I can let everyone fully into that world, I wanted to release this diss track of mine that touches briefly upon all the BS I’ve gone through this year. Sometimes you don’t have control over what someone says about you behind your back. And man oh man is Los Angeles filled with people who love to “Talk Talk Talk”. This song is a diss track yes, but also a manifestation of a sort that’s telling me that I can always brush the BS thrown my way off my shoulders. People will always have something to say and you can’t control everyone’s narratives so just let them “Talk Talk Talk” while I keep my head down and continue working hard for me but also for my fans. I hope everyone treats the song as the emotional outlet as it was for me! And get excited and ready for this next chapter!!”
Maude Latour about Green Tea (Demo): “i wrote this song back in 2019 and my fans have been asking for me to release it since. this song captures a moment in my life i’ll never forget— a breakup, late december, and wondering about my place in the world. i vividly remember wanting to read every single book on the shelves, to call my sister, go out dancing, kiss a stranger, and find myself somehow amongst all of it. oh also my favorite drink is ice green tea.”
“When I approached covering “Funeral,” I wanted to lean into its quiet heaviness and let it live in a darker, more cinematic world. I drew from the shadowy romance of Chris Isaak and the dreamlike haze of Mazzy Star, layering reverb, slide guitar, and murky textures to make it feel like the song is suspended between grief and beauty.” – Susannah Joffe
“I’m so excited to be featuring on this record with Susannah Joffe, I’m a huge fan of hers, and Phoebe Bridgers is an artist I’ve looked up to for years, so the fact that it’s a cover of her work makes it even more special. Funeral speaks a lot to me as a fellow sad girl.” – Baby Nova
Music News
Línea Personal Takes “TODO Ø NADA” on the Road With First Headline Tour
Following recognition from Rolling Stone as one of música mexicana’s most exciting emerging acts and praise from the Los Angeles Times for their innovative blend of R&B and corridos, Línea Personal now brings that momentum to the stage with the announcement of its first U.S. headline tour. Kicking off their 16-stop run on August 7th in San Luis Obispo, CA, the run marks a major milestone for the Stockton, California quartet as they bring their acclaimed sophomore album, TODO Ø NADA, to audiences nationwide.
The Stockton, California quartet of Gustavo Raya Garcia, Aidan Raya Garcia, Jorge Ontiveros and Edgar Lozoya Verduzco has quickly emerged as one of the most exciting new voices in música mexicana. Known for blending corridos with R&B, soul and contemporary production, the band continues to push the genre forward while staying true to its roots.
Released in March 2026, TODO Ø NADA debuted in the #40 of Billboard’s Latin Albums chart and the #20 of the Regional Mexican Albums chart. The album’s standout single, “Motorola,” reached #14 on Billboard’s Hot Regional Mexican Songs and topped #30 in Billboard’s Hot Latin Songs chart and further established Línea Personal as one of the genre’s fastest rising acts.
TICKETS: Tickets will be available starting via presales beginning June 25. Additional presales will run throughout the week ahead of the general on sale beginning Friday, June 26 at 10am local time at LiveNation.com.
The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, individual M&G and photo with Linea Personal, specially designed VIP gift item & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com!
Todo Ø Nada Tour
- Fri, Aug 7 – San Luis Obispo, CA – Fremont Theatre*
- Sat, Aug 8 – Ventura, CA – Majestic Ventura Theatre*
- Thu, Aug 20 – Denver, CO – Summit Music Hall
- Sat, Aug 22 – Phoenix, AZ – The Van Buren
- Sun, Aug 23 – El Paso, TX – Plaza Theatre
- Thu, Aug 27 – Riverside, CA – Fox Performing Arts Center
- Fri, Aug 28 – San Diego, CA – SOMA
- Sun, Aug 30 – Anaheim, CA – House of Blues
- Fri, Sep 4 – Chicago, IL – Riviera Theatre
- Sun, Sep 6 – Brooklyn, NY – Brooklyn Paramount
- Thu, Sep 10 – Charlotte, NC – The Fillmore Charlotte
- Fri, Sep 11 – Atlanta, GA – Tabernacle
- Sun, Sep 13 – Dallas, TX – House of Blues
- Fri, Sep 25 – Fresno, CA – Warnors Theatre*
- Sat, Sep 26 – Monterey, CA – Golden State Theatre*
- Thu, Oct 15 – San Antonio, TX – The Aztec Theatre
- Sun, Oct 18 – Houston, TX – 713 Music Hall
*For tickets to these dates please see HERE
Music News
Beabadoobee Announces Powerlines Tour in North America and Europe
beabadoobee today announces her hugely anticipated new album Pylon, available to pre-order and pre-save now, and due for release on 18 September 2026 via Dirty Hit and Interscope Records.
The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.
The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?
The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.
Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.
Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.
Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.
TICKETS: Tickets will be available starting with an artist presale beginning on Monday, June 29 at 10 am local time. Additional presales will run throughout the week ahead of the general onsale beginning on Thursday, July 2 at 10 am local time at beabadoobee.com/live.
VERIZON: Verizon will offer customers an exclusive presale for beabadoobee: The Powerlines Tour in the U.S. as part of Verizon’s loyalty program, Verizon Shine. The presale for select shows runs from Monday, June 29th at 10 AM local through Wednesday July 1st at 10 PM local. Verizon Shine awards customers with once-in-a-lifetime experiences, alongside daily drops including tickets to concerts and sporting events, exclusive merchandise, dining vouchers, gift cards and more. Opt-in to Verizon Shine via the My Verizon App, and learn more about Verizon Shine here.
SPOTIFY RESERVED: Introducing Reserved, brought to you by Spotify. For the first time, eligible Spotify Premium top fans will have tickets to their favorite artist’s show set aside for them to purchase during the presale. Reserved is a Spotify Premium benefit that turns real fandom into first access. Visit Spotify.com/Reserved to learn more.Beabadoobees Reserved by Spotify tickets may be available to eligible US Spotify Premium subscribers through Ticketmaster. These fans will be notified by Spotify via email and app notification, and will have the opportunity to purchase up to two tickets during the Reserved presale.
‘The Powerlines Tour’ Dates
October 1 – Uncasville, CT – Mohegan Sun Arena*
October 2 – Philadelphia, PA – Liacouras Center*
October 3 – Boston, MA – TD Garden*
October 5 – New York, NY – Madison Square Garden*
October 7 – Toronto, Canada – Scotiabank Arena*
October 8 – Laval, Québec Canada – Place Bell*
October 10 – Columbia, MD – Merriweather Post Pavilion*
October 11 – Raleigh, NC – Lenovo Center*
October 13 – Orlando, FL – Addition Financial Arena*
October 14 – Duluth, GA – Gas South Arena*
October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*
October 17 – Austin, TX – Germania Insurance Amphitheater*
October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*
October 21 – Los Angeles, CA – The Kia Forum*
October 24 – San Diego, CA – Viejas Arena*
October 26 – Oakland, CA – Oakland Arena*
October 28 – Vancouver, BC – Rogers Arena*
October 29 – Seattle, WA – Climate Pledge Arena*
November 14 – Glasgow, UK – OVO Hydro*
November 16 – Cardiff, UK – Utilita Arena*
November 17 – Manchester, UK – AO Arena*
November 18 – London – The O2*
November 23 – Copenhagen, DK – K.B. Hallen
November 24 – Stockholm, SE – Fryshuset Arenan
November 27 – Oslo, NO – Spektrum
November 30 – Paris, FR – Zenith^
December 2 – Amsterdam, NL – AFAS Live^
December 4 – Brussels, BE – Forest National^
December 6 – Berlin, DE – Tempodrom^
December 7 – Düsseldorf, DE – Mitsubishi Electric Halle^
Previously Announced Summer Dates
July 30 – Saint Charles, IA – Hinterland Music Festival
July 31 – Chicago, IL – The Salt Shed (Official Lolla Aftershow)
August 2 – Chicago, IL – Lollapalooza
August 4 – Indianapolis, IN – Everwise Amphitheater*
August 7 – Morrison, CO – Red Rocks Amphitheatre*
Wisp *
Violet Grohl ^
Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.
This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.
Pylon Tracklist
Pylon
Sun Has Set
Estranged
Switchblade
Write Me A Letter
It’s Alright
In Motion
Memories
Nothing To Prove
Radio
Powerlines
Spark
Despite That
Satellite