Concerts Photos
Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver

British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.
Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.
When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.
The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.
One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.
Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.
The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.
For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
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JIA



All Photo Credit: Caroline Charruyer
Concerts Photos
Goose Brings their ‘Summer Tour’ to the Commodore Ballroom in Vancouver
Goose brought their 2026 Summer Tour to Vancouver on Tuesday night, turning the Commodore Ballroom into a sweaty, late-night dance party that stretched well past 11 p.m.
The Connecticut-based quartet — Rick Mitarotonda, Peter Anspach, Trevor Weekz and drummer Cotter Ellis — has built a reputation for letting songs breathe onstage, and Vancouver got the full treatment. The band played two sets and an encore, giving the crowd plenty of room to settle into the grooves and watch the songs take unexpected turns.
The first set opened with “Yeti” before moving through “All I Need,” “Turbulence & The Night Rays” and “Time to Flee.” “Everything Must Go” kept things moving before “Hungersite” closed the set with one of the night’s bigger stretches of improvisation.
After a break, Goose returned and launched into “Electric Avenue,” a crowd-pleasing choice that had the Commodore singing along.
There was little interest in rushing through the evening. Goose gave each section space, moving from tight grooves to loose instrumental passages without making the show feel like a collection of extended solos.
For a band coming off a European run and heading into some of its biggest U.S. shows, Vancouver felt like another strong stop on the way. The Commodore may be a much smaller room than Madison Square Garden or SPAC, but Goose seemed perfectly happy to stretch out inside it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
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All Photo Credit: Caroline Charruyer
Concerts Photos
Chance The Rapper Brings ‘Coloring Book 10 Year Anniversary Tour’ to Montreal at MTelus
After 10 years since its release, Chance the Rapper is back on tour to celebrate his album Coloring Book! With Montreal being the 4th stop on the tour, many fans packed into Montreal’s MTELUS on August 15th, 2026, with no idea of what to expect.
First, the audience was thrilled by an energetic and upbeat performance by opener La Reezy. His quick lyrics and heavy instrumentals had no trouble in setting the tone for the night, specifically during “Gold Chains,” and with stellar crowd engagement during “We Live.”
Then, Chance the Rapper took the stage! With Coloring Book being such a staple in 2016, especially in the rap community, it is a daunting task to bring that nostalgic energy back on stage. But, with a 24-song setlist, Chance does just that. Unsurprisingly, half the setlist features songs from Coloring Book, with the set opening with “All We Got,” and closing with “Same Drugs,” featuring a confetti-filled performance of “No Problem” in the middle. However, Chance doesn’t shy away from performing a few hits from his other albums as well, such as “Link Me In The Future” from STAR LINE, and some older work in Acid Rap.
Overall, there is something powerful about hearing these songs a decade later. The themes stay the same, yet as both the artist and audience grow, there’s new meanings and emotions to be found in the lyrics. The anniversary show felt like a reunion for those who grew up with Coloring Book, and that’s what ultimately makes this tour a success.
Click here for upcoming tour dates.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
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LA REEZY



All Photo Credit: Ashley Bellam
