Concerts Photos
Counterparts Brings ‘Heaven Let Them Die North America’ Tour to Winnipeg
On Saturday morning, Oct 11, Counterparts had already shared on Instagram: “Sold out show in Winnipeg.” Step inside the Park Theatre and it’s easy to see why: the venue was packed, the crowd loyal, the energy palpable.
The night kicked off with Split Chain from Bristol, UK, hitting hard with tracks like “Future” and “Get Inside.” Thirty minutes in, and the crowd was already losing it. Then came 156/Silence, storming the stage with “Better Written Villain” and “Target Acquired,” relentless energy spilling over the room. Thrown closed the opener slot with a chaotic, fun set instructing the crowd on how to mosh, guitarist pulling off his own stunts, and the drummer swinging sticks like there’s no end. Songs like “On the Verge” and “Look at Me” kept the crowd screaming every line.
It looked like a long night, three opening bands on the bill before Counterparts even hit the stage. No complaints though, every second with the openers was a thrill. Crowdsurfing everywhere, mosh pits erupting, headbanging, jumping the energy was untouchable.
Counterparts tore through their setlist like a counterstrike. Every shred, every beat counted. Fans wore tees reading “Heaven Let Winnipeg Die”, nodding to their latest album Heaven Let Them Die. Tracks like “A Martyr Left Alive” and “No Lamb Was Lost” hit with zero breaks, pushing straight through the encore. “Love Me” and “Whispers of Your Death” closed the night all-time favourites sung back at full throttle by the audience.
After completing their North America Heaven Let Them Die tour, Counterparts will be heading to Europe and the UK.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
COUNTERPARTS
THROWN
156/SILENCE
SPLIT CHAIN
All Photo Credit: Nischal Karki
Concerts Photos
Marianas Trench Pack History Ottawa, With Fionn Opening
Vancouver acts on both ends of the bill. Fionn opened and Marianas Trench headlined at History Ottawa on October 24, 2026.
Fionn, a pair of twins, had a room that was already nearly full by the time they hit the stage, which isn’t always a given for an opener. They made the most of it with a high-energy set that never let up, and with the two working well together, and feeding off each other’s energy. They were rocking out the whole way through, and it set the tone for the night.
Marianas Trench took the stage to a crowd that was loud from the start and sang along throughout, often seeming to carry the songs as much as the band did.
The set covered a wide range of their discography, from newer hits like “Down to You” to older fan favourites like “Stutter” and “Cross My Heart.” Longtime fans and newer ones got their moments, and the crowd knew every word either way.
Frontman Josh Ramsey, on lead vocals and guitar, controlled the room from start to finish. He was engaging and constantly connected with the audience, and his vocals were fantastic. Midway through the night he left the stage and walked through the crowd, a staple of his at many shows. It brought him face to face with the fans singing back at him, a moment I’m sure they’ll never forget.
It was a strong night for Vancouver music in Ottawa: an opener that came to play and a headliner that had the whole room with them.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
MARIANAS TRENCH
FIONN
All Photo Credit: Kieran Delport
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim