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Dan Mangan Brings his Natural Light Tour to the Vogue Theatre in Vancouver

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On October 3rd, Canadian musician Dan Mangan brought his Natural Light Tour to the Vogue Theatre in Vancouver for a special hometown show. Fans, friends and family packed the sold out venue for a night of music, stories and special moments. Mangan is touring in support of his newest album, Natural Light, which he performed front to back, plus the “hits”.

The Vancouver native has brought meaningful lyricism and innovation to the indie/folk scene and has garnered a deep connection with his passionate fan base. He has toured extensively through North America, Europe and Australia, and released 5 studio albums. He has cemented himself in the Canadian music scene, winning two JUNO Awards and being a three-time Polaris Music Prize nominee.

At 9:00 pm, Mangan and his band took to the stage. He gave a brief overview of Natural Light, which was recorded over the course of six days, in a cabin in southern Ontario with long-time bandmates Jason Haberman, Mike O’Brien and Don Kerr. The cabin was brought to the audience as the stage was dressed with vintage lamps, rugs, and a cozy fireplace.

Mangan opened a curtain to reveal a screen with a beautiful picture of a river — the view that the band got to see every day while recording the album. He started the night out with the opening track, ‘It Might Be Raining’, which had the whole venue go silent as Mangan’s soft vocals and beautiful instrumentation from the band warmed up the audience.

Though maybe too warm, as just after halfway through the album, a member of the audience fainted during the start of ‘Soapbox’, which he stopped the show and called for security and if anyone in the audience was a doctor. After everything was sorted, he started into the song again, and a second person across the venue fainted. Once everyone was attended to, Mangan joked with the audience, asking whether he should even perform the song and that he thought it was “cursed”. After the last note rang out, the audience cheered, and he let out a big sigh of relief.

Dan Mangan @ Vogue Theatre in Vancouver on October 6, 2025

The songwriter shared mementos throughout the night about living in Vancouver and his humble beginnings. The very Epiphone acoustic guitar that he used most of the night was gifted to him in 1990, which his brother and sister also received. There was a level of intimacy where he talked so casually between songs to the audience, which showed why hometown shows are his “favourite”.

After ‘Hit The Wall’, Natural Light came to a close with a thunderous applause from the sold-out audience. Mangan then shifted to “the hits” playing ‘Basket’, Pine for Cedars’, ‘Fool for Waiting’ solo, before the band entered back in on ‘In Your Corner (For Scott Hutchison)’.

Before heading into ‘Post-War Blues,’ he touched on the severity of the Israeli-Palestinian conflict, bringing attention to where our tax dollars are going and the bombs being dropped, killing and displacing innocent families. The song was released in 2013, and is definitely seeing a new meaning in 2025.

Nearing the end of the night, the singer performed his signature ‘Robots’ with the opener Bells Larsen taking to the stage and helping him on guitar. Mangan got up and personal as he walked through the crowd and had fans help him sing the choruses.

Dan Mangan has cemented himself in the Canadian music scene and garnered passionate fans around the world — but something is just so special about hometown shows. The singer cracked jokes throughout the night, seamlessly connected with the audience, and most importantly, performed a set of great music.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

DAN MANGAN

All Photo Credit: Hunter Soo

Concerts Photos

Alabama Shakes Bring the Soul Back to Vancouver

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Alabama Shakes

After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.

The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.

At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.

The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.

Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

ALABAMA SHAKES

All Photo Credit: Caroline Charruyer

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Concerts Photos

Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver

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Of Monsters And Men

Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.

The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.

At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.

The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.

Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.

At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

OF MONSTERS AND MEN

AUGUST PONTHIER

All Photo Credit: Caroline Charruyer

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