Concerts Photos
Dermot Kennedy at the Orpheum Theatre in Vancouver
Dermot Kennedy brought his A Promised Return tour to Vancouver’s Orpheum Theatre on October 7, kicking off the North American run with an intimate, sold-out show. It was a clear shift from his arena days. This was Kennedy stripped back to his core, revisiting his catalog with warmth, restraint, and honesty.
The stage felt like a living room with an antique rug, vintage lamps, and a giant storybook backdrop that opened to a page titled A Promised Return. It was simple but striking, fitting for an artist intent on reconnecting with his roots. Backed by a small band on violin, upright bass, and piano, Kennedy traded glossy pop production for organic soundscapes that let his voice carry the night.
Songs once filled with synths and heavy percussion took on new life. “Outnumbered” became a confessional ballad, while “Something to Someone” felt like a quiet prayer. Kennedy’s voice filled every corner of the theatre.
After years of stadium tours, this was a homecoming of sorts. For fans, it was a reminder of the raw storyteller who first sang on Dublin streets, now returning to that spirit with open arms.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
10/10 – San Francisco, CA – The Fillmore
10/11 – Los Angeles, CA – Orpheum Theatre
10/14 – Denver, CO – Summit
10/16 – Dallas, TX – Majestic Theatre
10/18 – Atlanta, GA – Tabernacle
10/19 – Nashville, TN – Ryman Auditorium
10/21 – Chicago, IL – House of Blues
10/23 – Toronto, ON – HISTORY
10/25 – Boston, MA – Orpheum Theatre
10/27 – Brooklyn, NY – Brooklyn Paramount
10/28 – Silver Spring – The Fillmore
More information on his website.
DERMOT KENNEDY
All Photo Credit: Caroline Charruyer
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer