Concerts Photos
David Kushner at Hollywood Palladium in Los Angeles
Chicago native David Kushner took the stage at the Hollywood Palladium on Friday, November 22nd, for his second night of The Dichotomy Tour in Los Angeles, California.
Henrik started the night off by opening for Kushner and brought South Jersey music to Southern California. Henrik is no stranger to viral success on social media. Among his feel-good music, he performed his hit “Half of Forever”, which became a trending song online. He even brought out a surprise guest, Noah Kahan. Well, not really, but he did a surprise cover of “Stick Season”, and the crowd went wild.
Kushner graced the stage, starting the night off with “Darkerside”, a track from his most recent album, The Dichotomy.
He put out his first song, “Miserable Man”, in 2022, and it was his first song to go viral on social media. Continuing to put out successful and meaningful music, he released “Daylight” in 2023, changing the trajectory of his career and his first song to have over one billion streams on Spotify. The song tells the story of one’s struggle between good and evil and is based on biblical references he learned as a child.
After performing a few songs from his current project, he takes us back with a song from his 2022 album, Footprints I Found, “Mr. Forgettable”. He tells the audience it is about his Grandfather, who passed away from Alzheimer’s.
Continuing to take the audience on a story with his music, he talks about his next song, “Burn”, which is about an abusive relationship. His vulnerable lyrics and unique tone stand out to his fans, and his voice soared through the venue.
Each song he sang told a story, but one common thread was his faith. He shared with his fans that his faith is rooted in his music and how important it is to him, which shined through his performances.
He ended the night with “You and Me”. But what about the songs I mentioned earlier? The show wasn’t over as he walked back on stage for an encore of “Miserable Man” and “Daylight”. The crowd went wild, screaming, “Oh, I love it and I hate it at the same time.”
Another great night for music in Los Angeles.
Check out our favorite photos of the night or head to our Facebook page for the full gallery!
DAVID KUSHNER
HENRIK
All Photo Credit: Colin Hancock
Concerts Photos
The Rasmus Bring Three Decades of Rock to Vancouver
After more than three decades together, The Rasmus finally got their first North American headlining tour. At Vancouver’s Rickshaw Theatre on October 4, the Finnish rockers made the wait feel worth it.
The night opened with Death Valley Dreams and Saint Agnes, both setting the stage for a show that leaned into the darker, theatrical side of rock. By the time The Rasmus walked out, the Rickshaw was packed and ready.
The band wasted little time getting to work. “Break These Chains” kicked things off with a jolt, quickly followed by a set that moved between the heavier edge of their latest album, Weirdo, and the songs that built their international following. It showed just how well the newer material translates live, bringing a heavier punch without losing the emotional side of the band.
Then came the familiar territory. “Guilty” sent longtime fans straight back to Dead Letters, while “Livin’ in a World Without You” turned the room into a giant singalong. When “In the Shadows” arrived, there was little left for the band to do but let the crowd take over.
Frontman Lauri Ylönen was at the centre of it all, moving across the stage with a loose confidence that made the intimate room feel even smaller. Guitarist Emilia “Emppu” Suhonen brought plenty of bite, Eero Heinonen anchored the songs with his bass, and Aki Hakala kept the whole thing driving from behind the kit.
The Rasmus have spent decades writing songs about feeling different and finding comfort in that difference. At the Rickshaw, those themes felt surprisingly current. Old fans and newer listeners stood side by side, singing the same words.
For a band finally getting its North American headline moment, The Rasmus looked less like they were catching up and more like they were exactly where they belonged.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE RASMUS
SAINT AGNES
DEATH VALLEY DREAMS
All Photo Credit: Caroline Charruyer
Concerts Photos
Emei Brings the Drama to Vancouver on Her Birthday on the ‘Night at the Opera’ Tour
Theatre was always going to be part of Emei’s world. The Chinese-American pop singer has described herself as a lifelong “theater kid,” and at the Vogue Theatre on October 3, that side of her was impossible to miss. Her Night At The Opera tour lived up to its name, turning the Vancouver stop into a colourful, theatrical production that happened to fall on Emei’s birthday.
The night opened with Madelline, whose theatrical pop was an easy match for the evening. She grabbed the room quickly with strong showmanship, upbeat songs and sticky melodies, wrapped in a playful cabaret aesthetic. The audience clearly understood the assignment too, with plenty of fans showing up dressed for the occasion.
Once Emei took the stage, the show unfolded in acts, complete with dancers and enough visual drama to keep the audience guessing. Songs from Night At The Opera sat comfortably alongside older favourites, including “Late to the Party,” “Scatterbrain” and “Love Me Not.”
The birthday theme became part of the show itself. After “Irresponsible,” fans raised handmade banners for Emei, turning the room into a giant birthday card.
Then came the kind of concert moment no production meeting can plan for. During “Late to the Party,” technical problems brought the performance to a stop. Rather than let the silence take over, Emei turned the delay into roughly ten minutes of completely unplanned entertainment. She answered questions from the crowd, talked about her current Lady Gaga obsession and her appreciation for getting some sleep on the tour bus, accepted a crocheted duck from a fan and posed for a group photo with the audience. Of course, the crowd sang “Happy Birthday” too. Once the technical issue was sorted, Emei simply restarted the song and carried on.
Later, during “You Are Bad,” Emei and her two musicians froze onstage as her dancers used the moment to surprise her with a birthday sash. Party hats followed for the guitarist and drummer, prompting another round of “Happy Birthday” from the crowd. An interlude featuring Emei briefly hitting the drums kept the theatrical momentum moving.
The whole thing could have felt chaotic. Instead, it felt personal. I last saw Emei at All Things Go in Toronto in 2025, and I was really excited to her on her own headlining tour. Her command of the stage and her ability to pull a crowd into her world have grown since then. She has the songs, the theatrical instincts and the live confidence to back them up.
If this is only Act 1, I’m very looking forward to see what Emei does next.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EMEI
MADELLINE
All Photo Credit: Caroline Charruyer