Concerts Photos
Rex Orange County at the Queen Elizabeth Theatre in Vancouver
On November 25, rising UK indie-pop star Rex Orange County brought his Finally: A Theatre Tour for the first of two sold-out nights at the Queen Elizabeth theatre in Vancouver, BC.
Rex Orange County, aka Alexander O’Connor, delivered an unforgettable performance, bringing his latest album, The Alexander Technique, to life with a mix of theatrical storytelling, heartfelt melodies, and fan-favourite hits.
The show kicked off with “Alexander,” a reflective opener that saw Rex on stage alongside an actor playing a doctor. With the curtains drawn, the intimate staging set the tone for the evening, pulling the audience into the personal narrative of his newest album. Moments later, Rex amped up the energy, stepping off the stage to interact with fans while performing “Therapy.” Watching the crowd light up as he strolled through the aisles was a highlight, even for those in the upper seats.
The concert was a journey through seasons, with stunning visuals transitioning from a serene Japanese garden in spring to a warm, autumnal glow. Rex’s band—Jim Reed, Hugo Piper, Michael Underwood, and Joe Arksey—was phenomenal, especially during “Guitar Song,” where the saxophone added an extra layer of magic.
A standout moment came when Rex asked everyone to put away their phones and simply be present.
Rex closed the night with “Pluto Projector,” pouring his heart into the song. It was a beautifully raw, emotional end to an evening that felt as personal as it was powerful.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
All Photo Credit: Caroline Charruyer
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer