Concerts Photos
France in the Heart of San Francisco: Pomme’s Night in the Great American Music Hall
On June 18, French artist Pomme, known for her ethereal voice and emotive songwriting, captivated San Francisco on a magical evening. Performing at the Great American Music Hall, Pomme (real name Claire Pommet) delivered an intimate and powerful performance that left the audience in awe of her voice.
The concert began with an acoustic set, showcasing Pomme‘s skillful guitar and autoharp playing. Her voice, delicate yet strong, filled the venue with a sense of nostalgia and warmth. Songs like “Je sais pas danser” and “Grandiose” resonated deeply, their poignant lyrics touching on themes of love, loss, and self-discovery. Pomme‘s ability to convey deep emotions through her music created a unique and immersive experience for all attendees.
Throughout the evening, Pomme‘s connection with the audience was palpable. Between songs, she shared stories and insights, often switching effortlessly between French and English, making everyone feel included. Her authenticity and charm were evident, creating a sense of intimacy. The crowd responded with enthusiasm, singing along and applauding passionately after each song.
A highlight of the night was her rendition of “Anxiété,” a song that beautifully encapsulates the struggles of mental health. The audience was visibly moved, many singing along with tears in their eyes. Pomme’s vulnerability and openness about her own experiences with anxiety resonated deeply with many fans, creating a powerful moment of shared understanding and empathy.
The encore, featuring the hauntingly beautiful “La lumière,” left a lasting impression, as Pomme‘s voice lingered in the air long after the final note. As the audience slowly dispersed, the conversations were filled with praise and admiration for the artist’s captivating performance.
Pomme‘s performance in San Francisco was more than just a concert; it was a heartfelt exchange of emotions and stories, leaving her fans with a sense of connection and a night to remember. This unforgettable evening showcased Pomme‘s incredible talent and the profound impact of her music.
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All Photo Credit: Sidney Robinson
Concerts Photos
Alabama Shakes Bring the Soul Back to Vancouver
After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.
The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.
At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.
The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.
Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ALABAMA SHAKES
All Photo Credit: Caroline Charruyer
Concerts Photos
Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver
Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.
The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.
At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.
The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.
Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.
At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OF MONSTERS AND MEN
AUGUST PONTHIER
All Photo Credit: Caroline Charruyer