Concerts Photos
France in the Heart of San Francisco: Pomme’s Night in the Great American Music Hall
On June 18, French artist Pomme, known for her ethereal voice and emotive songwriting, captivated San Francisco on a magical evening. Performing at the Great American Music Hall, Pomme (real name Claire Pommet) delivered an intimate and powerful performance that left the audience in awe of her voice.
The concert began with an acoustic set, showcasing Pomme‘s skillful guitar and autoharp playing. Her voice, delicate yet strong, filled the venue with a sense of nostalgia and warmth. Songs like “Je sais pas danser” and “Grandiose” resonated deeply, their poignant lyrics touching on themes of love, loss, and self-discovery. Pomme‘s ability to convey deep emotions through her music created a unique and immersive experience for all attendees.
Throughout the evening, Pomme‘s connection with the audience was palpable. Between songs, she shared stories and insights, often switching effortlessly between French and English, making everyone feel included. Her authenticity and charm were evident, creating a sense of intimacy. The crowd responded with enthusiasm, singing along and applauding passionately after each song.
A highlight of the night was her rendition of “Anxiété,” a song that beautifully encapsulates the struggles of mental health. The audience was visibly moved, many singing along with tears in their eyes. Pomme’s vulnerability and openness about her own experiences with anxiety resonated deeply with many fans, creating a powerful moment of shared understanding and empathy.
The encore, featuring the hauntingly beautiful “La lumière,” left a lasting impression, as Pomme‘s voice lingered in the air long after the final note. As the audience slowly dispersed, the conversations were filled with praise and admiration for the artist’s captivating performance.
Pomme‘s performance in San Francisco was more than just a concert; it was a heartfelt exchange of emotions and stories, leaving her fans with a sense of connection and a night to remember. This unforgettable evening showcased Pomme‘s incredible talent and the profound impact of her music.
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All Photo Credit: Sidney Robinson
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer