Concerts Photos
G-Eazy at the Vogue Theatre in Vancouver
G-Eazy brought swagger, sweat, and a stacked setlist to the Vogue Theatre last night, and Vancouver showed up ready.
He’s on his Helium Tour right now, and the show felt like a victory lap mixed with a deep cut appreciation night. From the jump, the energy was loud. The room was full and buzzing well before he hit the stage. Everyone just wanted to be closer to the front.
Goody Grace opened with a stripped-down set, just him, a guitar, and a lot of feeling. It was mellow, maybe a little too mellow for a crowd this amped, but he held his own. Even with some folks talking over him, he powered through with solid vocals and a “thanks for showing up” attitude that made him easy to root for.
Marc E. Bassy was up next, bringing a smoother, R&B-leaning vibe that shifted the mood. His voice was on point, and the crowd warmed up fast, especially during the more familiar tracks. For the last song of his set, G-Eazy popped back out to join him on “Slide,” and the crowd lost it. The chemistry between the two was solid, and it gave the night a nice surprise before the main event.
When G-Eazy finally walked out (shades on, obviously), the place got louder. He opened with “One of Them” and didn’t slow down for the next 90-ish minutes. It was a mix of the bangers (“Me, Myself & I,” “Him & I”), some fan-only gems, and newer stuff like “Lady Killers II” that had the crowd losing their minds. TikTok may have revived that one in 2024, but it hit hard live. He kept yelling, “Do y’all remember this one?” and the screams that followed made it clear. Yes, yes they do.
At one point, bras flew onto the stage. He danced around like he owned the place, and still found a moment to get kind of sentimental. “Best thing in life is love,” he said. G-Eazy sounded good, confident, cool but still present. He asked for energy, and the crowd gave it. Vancouver was into it, G-Eazy was into it. It all worked.
Hopefully we don’t have to wait long for the next one. In the meantime, he will be on tour in North America until mid-May so get your tickets now. More tour info on his website.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
G-EAZY
MARC E. BASSY
GOODY GRACE
All Photo Credit: Caroline Charruyer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer