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G-Eazy at the Vogue Theatre in Vancouver

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G-Eazy brought swagger, sweat, and a stacked setlist to the Vogue Theatre last night, and Vancouver showed up ready.

He’s on his Helium Tour right now, and the show felt like a victory lap mixed with a deep cut appreciation night. From the jump, the energy was loud. The room was full and buzzing well before he hit the stage. Everyone just wanted to be closer to the front.

Goody Grace opened with a stripped-down set, just him, a guitar, and a lot of feeling. It was mellow, maybe a little too mellow for a crowd this amped, but he held his own. Even with some folks talking over him, he powered through with solid vocals and a “thanks for showing up” attitude that made him easy to root for.

Marc E. Bassy was up next, bringing a smoother, R&B-leaning vibe that shifted the mood. His voice was on point, and the crowd warmed up fast, especially during the more familiar tracks. For the last song of his set, G-Eazy popped back out to join him on “Slide,” and the crowd lost it. The chemistry between the two was solid, and it gave the night a nice surprise before the main event.

When G-Eazy finally walked out (shades on, obviously), the place got louder. He opened with “One of Them” and didn’t slow down for the next 90-ish minutes. It was a mix of the bangers (“Me, Myself & I,” “Him & I”), some fan-only gems, and newer stuff like “Lady Killers II” that had the crowd losing their minds. TikTok may have revived that one in 2024, but it hit hard live. He kept yelling, “Do y’all remember this one?” and the screams that followed made it clear. Yes, yes they do.

At one point, bras flew onto the stage. He danced around like he owned the place, and still found a moment to get kind of sentimental. “Best thing in life is love,” he said. G-Eazy sounded good, confident, cool but still present. He asked for energy, and the crowd gave it. Vancouver was into it, G-Eazy was into it. It all worked.

Hopefully we don’t have to wait long for the next one. In the meantime, he will be on tour in North America until mid-May so get your tickets now. More tour info on his website.

Check out our favourite photos of the night or head to our Facebook page for the full gallery!

G-EAZY
MARC E. BASSY
GOODY GRACE

All Photo Credit: Caroline Charruyer

Concerts Photos

Ruel Brings His ‘Kicking My Feet’ Tour to Los Angeles

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Ruel

Ruel brought his Kicking My Feet tour to a close in Los Angeles on Wednesday, April 8th at the Hollywood Palladium. The tour covered 30 cities over the past two months.

Singer-songwriter Chelsea Jordan opened up the night with a high-energy set, performing some of her own songs to warm up the crowd for the rest of the evening.

Mercer Henderson took the stage next. She sang a handful of her songs that had a folk-pop feel to them as she jumped around the stage.

A little after 9:30, the venue went dark and cheers erupted from the audience. A spotlight flicked on, pouring light through a red door raised in the center of the stage. As the cheers grew louder, Ruel made his grand entrance, emerging through the door in a cloud of smoke while singing “Only Ever,” the first track on his latest album. Kicking My Feet is Ruel’s second studio album, released two years after his debut album back in 2023.

Throughout the night, Ruel took the crowd back to the beginning days of his music, playing some fan favorites such as “Dazed & Confused,” “Younger,” and “Painkiller.” The British-born Australian singer hyped up the audience even more by playing an unreleased song from his upcoming album, Kicking My Feet & Screaming, which is a continuation and second part of Kicking My Feet. The new album is set to release in June. 

Openers Chelsea Jordan and Mercer Henderson were brought back out on stage to sing a song with Ruel in a heartwarming tribute to the past eight shows they had done together. A bit later, Ruel surprised the crowd by bringing out Arthur Hill, who had previously joined Ruel as a supporting artist for the first half of the shows on this tour leg.

The night was a lively blur of laughter and dancing, a testament to Ruel’s incredible stage presence and vocals. It was the perfect closing night to the Kicking My Feet tour, no doubt leaving fans with memories that will last a lifetime.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

RUEL

MERCER HENDERSON

CHELSEA JORDAN

All Photo Credit: Mallory Snyder

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Concerts Photos

Jacob Collier Brings It Back to the Room at Vancouver’s Orpheum Theatre

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Jacob Collier

Jacob Collier traded spectacle for stillness on April 10 at Orpheum Theatre, and the result felt quietly powerful.

The Grammy-winning multi-instrumentalist has built a reputation on big, layered productions and dense harmonic worlds. This tour, The Light For Days Tour: A Series Of Solo Performances In Intimate Spaces, flips that idea. Alone onstage with a five-string guitar, piano, and his signature harmonizer, Collier leaned into restraint.

The set drew heavily from his latest album The Light For Days, a project written in just four days using a single instrument. That limitation carried into the live show. Songs felt more focused, more direct. There was still plenty of harmonic colour, but it never tipped into excess. Instead, it landed with warmth.

Collier’s real instrument, though, might be the crowd. True to form, he conducted the audience like a choir, splitting the room into harmonies that echoed through the Orpheum’s ornate interior. It turned a seated theatre into something communal, almost playful.

Opener Marie Dresselhuis set the tone early with a soft, intimate set that matched the evening’s mood, under the strong cheers of the crowd.

For longtime fans who came up on the sprawling Djesse era, this show was more like a reset. For everyone else, it was a reminder that Collier’s core strength is connection.

Head to Collier‘s website for more information on his upcoming tour dates.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

JACOB COLLIER

MARIE DRESSELHUIS

All Photo Credit: Caroline Charruyer

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