Concerts Photos
Korn at the Canada Life Centre in Winnipeg
On September 25, the Canada Life Centre shook under the weight of two giants of heavy music: Korn and Gojira. The stop marked part of Korn’s Kanada Tour 2025, and Winnipeg fans showed up loud, ready, and in full force.
French metal powerhouse Gojira opened the night with their brand of crushing, technical riffs and eco-conscious fury. Tracks like “Stranded” and “Silvera” set a relentless pace, with Mario Duplantier’s drumming pounding like artillery fire. Their set felt surgical, the kind of precision that leaves your chest rattling long after the amps go quiet. The band has steadily risen from cult heroes to festival staples, and their Winnipeg set proved why. “Mea culpa (Ah! Ça ira!)” got the most cheers.
Then came Korn, walking out to an eruption of screams. Jonathan Davis, with his trademark bagpipes and guttural growls, reminded the crowd that nearly three decades in, Korn’s sound is as feral as ever. The setlist leaned on classics: “Blind,” “Got the Life,” and “Freak on a Leash,” but lesser know tracks slid in seamlessly, showing the band hasn’t lost their bite. The Canada Life Centre floor turned into a sea of movement, bodies bouncing and moshing in sync with Fieldy’s bass slaps and Head and Munky’s grinding guitar lines.
Korn delivered a night of chaos, and pairing them with Gojira made for a one-two punch of modern and legacy metal.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
KORN
GOJIRA
All Photo Credit: Michelle Westman
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan