Concerts Photos
Livingston at the Vogue Theatre in Vancouver

Last night, Livingston, rising pop singer-songwriter from Denton, TX, took over the Vogue Theatre in Vancouver as part of The Story Continues Tour.
Braden Bales opened the night. The Toronto-born indie-pop artist has a knack for making people feel seen, thanks to lyrics that tackle anxiety and heartbreak without sugarcoating it. Highlights included “ME MYSELF AND YOU” and the viral “Chronically Cautious,” which had the crowd shouting every word.
At the start of the set, Bales shared that he’d been interrogated at the Canadian border for four hours and arrived just 15 minutes before his set. With no time for a proper soundcheck, he rolled with a stripped-down setup—two mics and one guitar—and apologized for the change. Honestly, it worked. The rough-around-the-edges vibe gave the set charm, and his banter more than made up for the tech limitations. Bonus laughs came when his guitarist, now dubbed “Jakadia” (not Jake), donned a blonde wig for “that final number.”YOU LIED.”
Livingston kicked off his hour-long show with “Half Life,” instantly setting the tone with strong vocals and a magnetic presence. At just 21, he’s already got the stage command of someone who’s been touring for a while. Songs like “Surprise!” and “Architect” brought the energy up, while “Brainstorm” slowed things down and gave everyone a moment to reflect.
He also got in on the border story fun, joking about being held up for hours because he had CBD in his suitcase—unaware that it’s not allowed in Canada. It was a lighthearted moment that got a big laugh.
He spent some time of the set at the barricade, receiving friendship bracelets, and singing face-to-face with fans, some of whom were clearly seeing their favourite artist live for the first time. There was a family vibe in the room, from groups of teens singing in unison to parents dancing in the back.
After a brief exit, he returned for a two-song encore, ending with the sweeping “Godspeed.” If this tour is any indication, Livingston isn’t just “one to watch,” he’s already here.
Upcoming Tour Dates:
6/6 – Seattle, WA – Showbox
6/7 – Spokane, WA – Knitting Factory
6/9 – Portland, OR – Roseland Ballroom
6/11 – San Francisco, CA – August Hall
6/12 – Los Angeles, CA – Fonda Theatre
More info on his website.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
LIVINGSTON








BRADEN BALES



All Photo Credit: Caroline Charruyer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST









All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS






CHIEF STATE



All Photo Credit: Caroline Charruyer
