Concerts Photos
Max McNown at the Commodore Ballroom in Vancouver
There was an easy warmth running through the Commodore Ballroom on October 15, when Oregon singer-songwriter Max McNown brought his Forever Isn’t Long Enough Tour to Vancouver for the first of two nights in the city.
Jack Wharff opened the night with a solo set that leaned into rootsy rock and grit. His voice carried a lived-in charm, and tracks like “Ole Virginia” and “Picture Perfect” showed why he’s one to keep an eye on. A surprise highlight came when he covered Pink Floyd’s “Time,” turning the classic into a soulful, acoustic moment that drew loud cheers. By the end of his set, the audience was warmed up and ready for more stories set to melody.
When McNown stepped into the light, BC Lions jersey on his back, and strummed the first notes of “Forever Ain’t Long Enough,” the room stilled. His voice, steady and slightly rough around the edges, filled every corner of the venue. Songs like “Hotel Bible” and “Turned Into Missing You” hit with emotional clarity, the kind that makes you stop talking and just listen. He spoke often between songs, cracking jokes and thanking fans for showing up, his humility landing as easily as his lyrics.
The night’s peak came during “Marley,” where McNown slipped into a quick cover of “Three Little Birds.” The crowd sang it back, smiling. He closed with “Better Me For You (Brown Eyes),” a soft finish.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
MAX MCNOWN
JACK WHARFF
All Photo Credit: Bailey Morgan
Concerts Photos
The Charlatans at the Commodore Ballroom in Vancouver
There is something special about watching a band that has been doing this for decades step onstage and look like they are having just as much fun as the people watching them. That was The Charlatans at the Commodore Ballroom in Vancouver on September 11.
Frontman Tim Burgess remains one of the most naturally charismatic figures in British alternative rock. From the opening moments, he was constantly connecting with the crowd, arms raised, dancing across the stage and soaking in every response. There was no sense of going through the motions. The joy looked genuine.
The set balanced the band’s latest album, We Are Love, with a deep run through their back catalogue. “We Are Love,” “Deeper and Deeper” and “For the Girls” sat comfortably beside classics like “North Country Boy,” “Weirdo,” “Tellin’ Stories,” “One to Another” and “Just When You’re Thinkin’ Things Over.”
Tony Rogers’ Hammond organ remained one of the band’s secret weapons, adding that unmistakable swirl to the songs, while Mark Collins’ guitar and Martin Blunt’s bass gave the set its groove. The chemistry between the musicians was just as enjoyable as the songs themselves. At times, it felt less like watching a tightly scripted rock show and more like being invited into a really good studio jam.
“North Country Boy” and “One to Another” produced some of the biggest reactions of the night, but “The Only One I Know” was the obvious crowd-pleaser. They closed the encore with “Sproston Green.”
More than 30 years into their career, The Charlatans are not simply selling nostalgia. They are still making new music, still taking chances onstage and, perhaps most importantly, still look like they genuinely love playing together. Vancouver got a reminder that some bands age, but the Charlatans just keep playing.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE CHARLATANS
All Photo Credit: Caroline Charruyer
Concerts Photos
Kaleo Brings Icelandic Fire to History Ottawa
Icelandic blues rock band Kaleo played History Ottawa on Tuesday night, headlining a bill that also introduced the city to opening act the Pernikoff Brothers in the duo’s first-ever Ottawa performance.
Pernikoff Brothers Open with Storytelling Performance
The Pernikoff Brothers took the stage first, tasked with winning over a crowd that had never seen them play live in the city. The band built its set around a strong narrative thread, framing songs with between-song storytelling.
A highlight of the night came from their drummer, whose solos punctuated the show and drew some of the loudest reactions of the opening slot.
Kaleo Headlines with Focus on Music Over Spectacle
When Kaleo walked out, there was no need for spectacle, the band let the music do essentially all of the talking. Just a tight, focused set built around the thing that’s made them a global name: those vocals.
Guitar work added a bluesy edge throughout, and the band’s dynamic range, moving between restrained verses and full-band choruses, kept the audience engaged without relying on elaborate production or extended stage talk.
The Icelandic band will finish their Canadian leg of the tour in Prince Edward Island September 11th, before continuing their international tour into 2027.
New Venue
The show also served as an early test for History, Ottawa’s newest live music venue. The room handled both acts well, supporting the Pernikoff Brothers‘ more stripped-down sound as well as Kaleo‘s fuller electric set. Based on this performance, the venue appears well-positioned to become a regular stop for touring acts.
Tuesday’s show paired a promising Ottawa debut from the Pernikoff Brothers with a focused, vocal-driven headline set from Kaleo, all inside a new venue that proved itself capable of hosting both.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
KALEO
PERNIKOFF BROTHERS
All Photo Credit: Kieran Delport