Concerts Photos
Max McNown at the Commodore Ballroom in Vancouver
There was an easy warmth running through the Commodore Ballroom on October 15, when Oregon singer-songwriter Max McNown brought his Forever Isn’t Long Enough Tour to Vancouver for the first of two nights in the city.
Jack Wharff opened the night with a solo set that leaned into rootsy rock and grit. His voice carried a lived-in charm, and tracks like “Ole Virginia” and “Picture Perfect” showed why he’s one to keep an eye on. A surprise highlight came when he covered Pink Floyd’s “Time,” turning the classic into a soulful, acoustic moment that drew loud cheers. By the end of his set, the audience was warmed up and ready for more stories set to melody.
When McNown stepped into the light, BC Lions jersey on his back, and strummed the first notes of “Forever Ain’t Long Enough,” the room stilled. His voice, steady and slightly rough around the edges, filled every corner of the venue. Songs like “Hotel Bible” and “Turned Into Missing You” hit with emotional clarity, the kind that makes you stop talking and just listen. He spoke often between songs, cracking jokes and thanking fans for showing up, his humility landing as easily as his lyrics.
The night’s peak came during “Marley,” where McNown slipped into a quick cover of “Three Little Birds.” The crowd sang it back, smiling. He closed with “Better Me For You (Brown Eyes),” a soft finish.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
MAX MCNOWN
JACK WHARFF
All Photo Credit: Bailey Morgan
Concerts Photos
The Midnight Bring ‘Time Machines’ Tour to the Queen Elizabeth Theatre in Vancouver
The Midnight turned the Queen Elizabeth Theatre into a glowing neon escape on May 10 as part of their Time Machines tour. Backed by sweeping synths and plenty of saxophone solos, the duo delivered a warm cinematic show.
By the time The Midnight hit the stage at 8pm, the Quennie was packed with fans spanning multiple generations. What stood out right away was how present everyone seemed. Phones stayed mostly down as the crowd soaked in every synth line, beat drop, and saxophone run.
Tyler Lyle was calm and conversational throughout the night, often encouraging singalongs that the audience happily delivered. The setlist balanced older fan favourites with newer tracks from 2025’s Syndicate. Songs like “Friction,” “Jason” performed with Harlee Case of New Constellations, and “Change Your Heart or Die” gave the show an energetic pulse, while “Los Angeles” and “Vampires” brought out the emotional core that has made the band so beloved in the synthwave world.
Visually, the show leaned into rich blues, purples, and neon pinks without going overboard. The production never distracted from the music itself. Instead, it amplified the feeling that The Midnight creates so well: nostalgia for a place that maybe never existed at all.
By the encore, the crowd was singing every word back as the band closed out a night that felt heartfelt and immersive.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE MIDNIGHT
All Photo Credit: Caroline Charruyer
Concerts Photos
Fit For A King Brings ‘Lonely God’ Tour to Commodore Ballroom in Vancouver
Texas metalcore veterans Fit For A King turned the Commodore Ballroom into absolute chaos on May 8, bringing their Lonely God tour through Vancouver with support from Invent Animate, TEN56, and Acres. From the first breakdown of the night to the final crowdsurfer during “Witness The End,” the packed ballroom barely had a second to breathe.
Acres kicked things off. The UK group managed to pull the crowd in almost immediately. Tracks from their latest album The Host landed well, especially during the massive singalong sections that had even casual listeners joining in. By the end of their set, the first wave of crowdsurfers was already moving toward the barricade.
TEN56 followed with one of the heaviest sets of the night. The Paris band delivered punishing breakdowns and thick bass lines that rattled the Commodore floor. The pit only grew more chaotic with every song.
Invent Animate brought a completely different energy, leaning into atmosphere, but without sacrificing heaviness. The band sounded incredibly tight live, creating huge walls of sound that filled every corner of the room.
Then came Fit For A King. Opening with “Begin The Sacrifice,” the Texas band wasted no time sending the crowd into chaos. Frontman Ryan Kirby commanded the stage with nonstop energy, while bassist Ryan O’Leary drew huge reactions with his wild stage presence. Songs like “No Tomorrow,” “Breaking The Mirror,” and “When Everything Means Nothing” triggered deafening singalongs, while “God of Fire” and “Backbreaker” kept the pit spinning.
By the time Fit For A King closed with “Witness The End,” the Commodore looked exhausted but completely satisfied. Heavy metal music in Vancouver is alive and well.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
05/10 Billings, MT @ Pub Station
05/12 Lincoln, NE @ Bourbon Theatre
05/13 Wichita, KS @ The Cotillion
05/15 Little Rock, AR @ The Hall
05/16 Huntsville, AL @ Mars Music Hall
05/17 North Myrtle Beach, SC @ House of Blues
05/19 Knoxville, TN @ The Mill & Mine
05/20 Norfolk, VA @ The NorVa
05/22 Stroudsburg, PA @ Sherman Theater
05/23 Albany, NY @ Empire Live
05/24 Quebec City, QC @ Theatre Capitole
05/26 Ottawa, ON @ The Bronson
05/27 London, ON @ London Music Hall
05/29 Rochester, NY @ Anthology
05/30 Harrisburg, PA @ Capitol City Music Hall
05/31 Lexington, KY @ Manchester Music Hall
More information on the band’s website.
FIT FOR A KING
INVENT ANIMATE
All Photo Credit: Caroline Charruyer