Concerts Photos
Minus The Bear at the Belasco in Los Angeles
Minus The Bear stopped at the Belasco in Los Angeles for 2 nights of their 20th anniversary Menos el oso tour. This was their first tour since 2018, and to say the band played like it never stopped is short sighting how amazing they are live.
Opening the show on Night 2 was Disheveled Cuss, a softer side project from guitarist / vocalist Nick Reinhart. The band was what one might just called Americana, blending hard rock, alternative, and shoegazy elements to create this lush landscape of power, precision, and catchiness. Definitely the kind of band, while built for bigger stages like the Belasco, would have no issues melting faces, albeit a gentle melt, in smaller, more intimate venues.
Minus The Bear stepped onto the stage, their first time in Los Angeles in quite awhile, and got right to business, playing the entirety of their 2005 studio album Menos El Oso, in it’s entirety. Opening with “The Game Needed Me.” The band moves sonically between lush, staccato melodies, and light and airy guitars, where nothing feels forced, even though live, they are an unreal force. Moving through and into “Memphis & 53rd,” the band’s guitarist / vocalist Jake Snider lush voice with light raspy tones live, showcased what this band and it’s fanbase have known all these years: A band that should not be slept on, especially after 20 years. The band rocked into a slightly heavier version of “Drilling,” keeping the integrity of the sound, with slightly chunkier guitars to add depth and punch live.
Minus The Bear is in the middle of their Menos El Oso tour. Make sure to catch the band playing this landmark album in its entirety, near you.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
MINUS THE BEAR
DISHEVELD CUSS
All Photo Credit: John McCrary
Concerts Photos
Marianas Trench Pack History Ottawa, With Fionn Opening
Vancouver acts on both ends of the bill. Fionn opened and Marianas Trench headlined at History Ottawa on October 24, 2026.
Fionn, a pair of twins, had a room that was already nearly full by the time they hit the stage, which isn’t always a given for an opener. They made the most of it with a high-energy set that never let up, and with the two working well together, and feeding off each other’s energy. They were rocking out the whole way through, and it set the tone for the night.
Marianas Trench took the stage to a crowd that was loud from the start and sang along throughout, often seeming to carry the songs as much as the band did.
The set covered a wide range of their discography, from newer hits like “Down to You” to older fan favourites like “Stutter” and “Cross My Heart.” Longtime fans and newer ones got their moments, and the crowd knew every word either way.
Frontman Josh Ramsey, on lead vocals and guitar, controlled the room from start to finish. He was engaging and constantly connected with the audience, and his vocals were fantastic. Midway through the night he left the stage and walked through the crowd, a staple of his at many shows. It brought him face to face with the fans singing back at him, a moment I’m sure they’ll never forget.
It was a strong night for Vancouver music in Ottawa: an opener that came to play and a headliner that had the whole room with them.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
MARIANAS TRENCH
FIONN
All Photo Credit: Kieran Delport
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim