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Noah Rinker at the Troubadour in Los Angeles

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Noah Rinker sold out his first ever headline show at the Troubadour in Los Angeles this past Tuesday, October 21st. 

The night began with an impressive opening act from Aiden Kroll. Kroll kickstarted his career posting guitar covers online, which helped him build up a strong social media following and eventually led to him releasing his own music. Kroll effortlessly got the crowd pumped for the rest of the evening by performing some originals, along with a few hit covers. 

The already-packed venue got even more lively when Rinker finally took the stage. The 22-year-old singer-songwriter started off strong with his new song “Tumbleweed,” one of the tracks featured on his EP, The Pines, which is dropping this Friday. Rinker’s musical style is a perfect blend of folk-pop with a touch of country that had fans completely hooked. 

Rinker continued to blow the audience away with his musical talent as he moved around the stage, switching between playing the guitar, harmonica, and piano. He spoke with the crowd in between songs, humbly thanking them for supporting his first headliner and expressing his astonishment at performing in such a historic and iconic music venue in LA. 

The evening slowly came to an end as Rinker sang one of his most popular songs, “Save My Soul,” which had the entire crowd singing along and cheering for more. It’s safe to say that Rinker had an incredibly successful first headline show, and there’s no doubt that he’ll sell out many more venues in the future.

Noah Rinker will on tour with Wyatt Flores in November. More information on his website.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

NOAH RINKER

AIDEN KROLL

All Photo Credit: Mallory Snyder

Concerts Photos

The Charlatans at the Commodore Ballroom in Vancouver

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The Charlatans

There is something special about watching a band that has been doing this for decades step onstage and look like they are having just as much fun as the people watching them. That was The Charlatans at the Commodore Ballroom in Vancouver on September 11.

Frontman Tim Burgess remains one of the most naturally charismatic figures in British alternative rock. From the opening moments, he was constantly connecting with the crowd, arms raised, dancing across the stage and soaking in every response. There was no sense of going through the motions. The joy looked genuine.

The set balanced the band’s latest album, We Are Love, with a deep run through their back catalogue. “We Are Love,” “Deeper and Deeper” and “For the Girls” sat comfortably beside classics like “North Country Boy,” “Weirdo,” “Tellin’ Stories,” “One to Another” and “Just When You’re Thinkin’ Things Over.”

Tony Rogers’ Hammond organ remained one of the band’s secret weapons, adding that unmistakable swirl to the songs, while Mark Collins’ guitar and Martin Blunt’s bass gave the set its groove. The chemistry between the musicians was just as enjoyable as the songs themselves. At times, it felt less like watching a tightly scripted rock show and more like being invited into a really good studio jam.

“North Country Boy” and “One to Another” produced some of the biggest reactions of the night, but “The Only One I Know” was the obvious crowd-pleaser. They closed the encore with “Sproston Green.”

More than 30 years into their career, The Charlatans are not simply selling nostalgia. They are still making new music, still taking chances onstage and, perhaps most importantly, still look like they genuinely love playing together. Vancouver got a reminder that some bands age, but the Charlatans just keep playing.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

THE CHARLATANS

All Photo Credit: Caroline Charruyer

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Concerts Photos

Kaleo Brings Icelandic Fire to History Ottawa

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Kaleo-Ottawa-16

Icelandic blues rock band Kaleo played History Ottawa on Tuesday night, headlining a bill that also introduced the city to opening act the Pernikoff Brothers in the duo’s first-ever Ottawa performance.

Pernikoff Brothers Open with Storytelling Performance

The Pernikoff Brothers took the stage first, tasked with winning over a crowd that had never seen them play live in the city. The band built its set around a strong narrative thread, framing songs with between-song storytelling.

A highlight of the night came from their drummer, whose solos punctuated the show and drew some of the loudest reactions of the opening slot.

Kaleo Headlines with Focus on Music Over Spectacle

When Kaleo walked out, there was no need for spectacle, the band let the music do essentially all of the talking. Just a tight, focused set built around the thing that’s made them a global name: those vocals.

Guitar work added a bluesy edge throughout, and the band’s dynamic range, moving between restrained verses and full-band choruses, kept the audience engaged without relying on elaborate production or extended stage talk.

The Icelandic band will finish their Canadian leg of the tour in Prince Edward Island September 11th, before continuing their international tour into 2027.

New Venue

The show also served as an early test for History, Ottawa’s newest live music venue. The room handled both acts well, supporting the Pernikoff Brothers‘ more stripped-down sound as well as Kaleo‘s fuller electric set. Based on this performance, the venue appears well-positioned to become a regular stop for touring acts.

Tuesday’s show paired a promising Ottawa debut from the Pernikoff Brothers with a focused, vocal-driven headline set from Kaleo, all inside a new venue that proved itself capable of hosting both.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

KALEO

PERNIKOFF BROTHERS

All Photo Credit: Kieran Delport

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