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Noah Rinker at the Troubadour in Los Angeles

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Noah Rinker sold out his first ever headline show at the Troubadour in Los Angeles this past Tuesday, October 21st. 

The night began with an impressive opening act from Aiden Kroll. Kroll kickstarted his career posting guitar covers online, which helped him build up a strong social media following and eventually led to him releasing his own music. Kroll effortlessly got the crowd pumped for the rest of the evening by performing some originals, along with a few hit covers. 

The already-packed venue got even more lively when Rinker finally took the stage. The 22-year-old singer-songwriter started off strong with his new song “Tumbleweed,” one of the tracks featured on his EP, The Pines, which is dropping this Friday. Rinker’s musical style is a perfect blend of folk-pop with a touch of country that had fans completely hooked. 

Rinker continued to blow the audience away with his musical talent as he moved around the stage, switching between playing the guitar, harmonica, and piano. He spoke with the crowd in between songs, humbly thanking them for supporting his first headliner and expressing his astonishment at performing in such a historic and iconic music venue in LA. 

The evening slowly came to an end as Rinker sang one of his most popular songs, “Save My Soul,” which had the entire crowd singing along and cheering for more. It’s safe to say that Rinker had an incredibly successful first headline show, and there’s no doubt that he’ll sell out many more venues in the future.

Noah Rinker will on tour with Wyatt Flores in November. More information on his website.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

NOAH RINKER

AIDEN KROLL

All Photo Credit: Mallory Snyder

Concerts Photos

Buffalo Traffic Jam at the Danforth Music Hall in Toronto

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Buffalo Traffic Jam-Toronto-4

There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.

Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.

Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age. 

Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy. 

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

BUFFALO TRAFFIC JAM

COLIN LYNCH

LYDIA MAES

All Photo Credit: Bailey Morgan

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Concerts Photos

Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale

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Sabaton

After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.

Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.

Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.

Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.

The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.

The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.

After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

SABATON

POP EVIL

All Photo Credit: Caroline Charruyer

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