Concerts Photos
Noah Rinker at the Troubadour in Los Angeles
Noah Rinker sold out his first ever headline show at the Troubadour in Los Angeles this past Tuesday, October 21st.
The night began with an impressive opening act from Aiden Kroll. Kroll kickstarted his career posting guitar covers online, which helped him build up a strong social media following and eventually led to him releasing his own music. Kroll effortlessly got the crowd pumped for the rest of the evening by performing some originals, along with a few hit covers.
The already-packed venue got even more lively when Rinker finally took the stage. The 22-year-old singer-songwriter started off strong with his new song “Tumbleweed,” one of the tracks featured on his EP, The Pines, which is dropping this Friday. Rinker’s musical style is a perfect blend of folk-pop with a touch of country that had fans completely hooked.
Rinker continued to blow the audience away with his musical talent as he moved around the stage, switching between playing the guitar, harmonica, and piano. He spoke with the crowd in between songs, humbly thanking them for supporting his first headliner and expressing his astonishment at performing in such a historic and iconic music venue in LA.
The evening slowly came to an end as Rinker sang one of his most popular songs, “Save My Soul,” which had the entire crowd singing along and cheering for more. It’s safe to say that Rinker had an incredibly successful first headline show, and there’s no doubt that he’ll sell out many more venues in the future.
Noah Rinker will on tour with Wyatt Flores in November. More information on his website.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
NOAH RINKER
AIDEN KROLL
All Photo Credit: Mallory Snyder
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer