Concerts Photos
Palaye Royale at the Vogue Theatre in Vancouver
On February 4, American rock band Palaye Royale brought their Death or Glory World Tour and their signature chaos and glam-rock energy to the Vogue Theatre in Vancouver, BC.
Kicking things off was Johnnie Guilbert, who set the tone with his brooding yet infectious energy, warming up the crowd with a mix of raw emotion and dark, alternative vibes.
The moment the lights dimmed and the LED “Death or Glory” sign illuminated the stage, the crowd erupted. Opening with the thunderous “Death or Glory,” Palaye Royale wasted no time, immediately showcasing the raw energy and theatricality they’re known for. Remington Leith, in his signature bold makeup, moved like a lightning bolt, climbing stage structures, jumping into the crowd and dancing with the fans and engaging all night long. Guitarist Sebastian Danzig leaned over the barricade, shredding on his guitar as fans reached out to him, while Emerson Barrett’s drumming kept the momentum relentless, seamlessly blending glam rock, punk, and cinematic influences into a performance that felt larger than life.
The setlist was a perfect mix of old and new, featuring “Little Bastards,” “Dying in a Hot Tub,” and “Just My Type,” alongside tracks from their latest album like “Addicted to the Wicked & Twisted.” One of the most emotional moments of the night came when Remington started “Fever Dream” on the piano.
Visually, the show was just as striking. Between neon lighting, inflatable balls and theatrical stage design, the Vogue Theatre felt like the perfect setting for Palaye Royale’s chaotic, immersive world. The band has always been known for their connection with their fans, and this night was no exception. From heartfelt thank-yous to reckless stage antics, they gave everything they had, proving why their live shows are unmatched.
By the time they closed with “Mr. Doctor Man,” the entire venue was buzzing. If there’s one thing certain about this band, it’s that they never hold back—and Vancouver got the full experience.
Palaye Royale will be on tour in North America until early March so get your tickets now! More info on the band’s website.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
PALAYE ROYALE
JOHNNIE GUILBERT
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan