Concerts Photos
Peach Pit & Briston Maroney at Deer Lake Park in Burnaby

You couldn’t have asked for a better night. The sky was blue, the grass was dry, and the vibes were dialed in as Briston Maroney and Peach Pit co-headlined the Long Hair, Long Life Tour at Deer Lake Park. If the show had any flaws, no one noticed. Everyone was too busy dancing, yelling lyrics, and taking mental screenshots of a night that just felt good.
BNNY set the tone with a short set, mixing softness with sharpness. It felt like the calm before the storm, and sure enough, Briston Maroney came charging onstage like someone had dropped a Mentos into his Coke. “Real Good Swimmer” cracked the night open with a rockier edge than fans might expect from his records. The crowd responded with instantly, dancing, clapping, and feeding off Maroney’s everything-all-at-once stage presence.

From there, he bounced between rock ragers and slow-burn heart-tuggers. A mid-set breather brought out Pacoustic version of “Land of Light” and “Caroline”. It was an unexpected but welcome mood shift that hit especially hard as golden hour started to lit up the park. Later, he closed his set with “Freakin’ Out on the Interstate,” which turned into a massive, arms-in-the-air chorus.
Peach Pit followed and never let the energy dip. The Vancouver hometown heroes got a hero’s welcome, especially when they kicked off with a cover of Black Sabbath’s “War Pigs” before sliding into the groove of “Magpie.” Neil Smith was his usual goofy, charming self, trading jokes with the audience, dancing like no one was watching, and somehow managing to make chaos feel effortless.
Their setlist hit all the fan-favourite checkpoints: “Give Up Baby Go,” “Alrighty Aphrodite,” “Shampoo Bottles.” And the crowd was all in, singing every word, jumping along, and forming little dance pits across the lawn. The newer tracks from Magpie landed strong too.

The encore was more than just an extra song. Smith came out solo to share how the band started and played the original version of “Peach Pit.” Then came “Tommy’s Party,” with both Smith and Wilton’s dads joining in. A great ending to the set.
Briston Maroney and Peach Pit are very different performers, but that’s what made the show work. One brings the whirlwind, the other brings the sway. Together, they turned a warm, beautiful night at Deer Lake Park into something unforgettable.
Upcoming Tour Dates:
Sat Jun 07 – Troutdale OR – McMenamins Edgefield
Tue Jun 10 – San Francisco CA – Bill Graham Civic Auditorium
Wed Jun 11 – Los Angeles CA – Greek Theatre
Fri Jun 13 – San Diego CA – Park at the Park – Petco Park
Sat Jun 14 – Phoenix AZ – Arizona Financial Theatre
Mon Jun 16 – Austin TX – Moody Amphitheater
Tue Jun 17 – Dallas TX – South Side Ballroom
Wed Jun 18 – Houston TX – 713 Music Hall
Fri Jun 20 – Atlanta GA – Cadence Bank Amphitheatre at Chastain Park
Sat Jun 21 – Charlotte NC – Skyla Credit Union Amphitheatre
Sun Jun 22 – Washington D.C. – The Anthem
Tue Jun 24 – Boston MA – MGM Music Hall at Fenway
Wed Jun 25 – Shelburne VT – The Green at Shelburne Museum
Thu Jun 26 – Toronto ON – Budweiser Stage
More info about the tour here!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BRISTON MARONEY






PEACH PIT






All Photo Credit: Bailey Morgan
Concerts Photos
Arlo Parks Brings Her ‘Desire Tour’ to the Pearl in Vancouver
Arlo Parks brought her Desire Tour to Vancouver’s The Pearl on September 22, turning the intimate venue into something much bigger than its walls suggested. In support of her third album, Ambiguous Desire, Parks delivered a set that traded some of her earlier introspection for movement, warmth and a genuine sense of connection.
She opened with “Heaven,” immediately filling the room with energy. Parks moved across the small stage with an ease that matched her soft vocals, while low lighting and haze created the kind of atmosphere that has become part of her live identity. By the time the chorus arrived, the crowd was fully in it.
That sense of connection became the defining feature of the night. Parks was joined by just two musicians, yet the stripped-down setup never felt too small. During “Get Go,” the audience took over the vocals.
The shift in energy reflects Ambiguous Desire, Parks’ third album and the follow-up to 2023’s My Soft Machine. Her Mercury Prize-winning debut, Collapsed in Sunbeams, captured isolation, young love and the uncertainty of growing up. The new record keeps that emotional honesty but gives those feelings somewhere to move.
“2SIDED” brought the set to a fitting close, capturing the album’s push and pull between giving love and wondering if it is being returned.
Arlo Parks had given Vancouver a dance party, but more than that, she created a room where people could simply feel close to one another.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ARLO PARKS







BAIRD



All Photo Credit: Caroline Charruyer
Concerts Photos
Citizen and a Stacked Lineup Bring Chaos to the Hollywood Palladium
Many assume Thursday nights are quiet in Los Angeles, but Citizen’s show at The Hollywood Palladium on September 17th proved otherwise. The venue was filled with an exceptional crowd. Featuring a lineup of three fantastic opening bands, the evening was sure to entertain everyone. Joining Citizen on their North American leg of the Halcyon Blues tour are Cryogeyser, Hotline TNT, and Anxious.
Cryogeyser, an LA-based band, opened the night with tracks like “Sorry,” “Stargirl,” “Angry,” and “Leach” from their self-titled second album, “Cryogeyser.” Led by Shawn Marom on vocals and guitar, with Zach Capitti-Fenton on drums and Samson Klitsner on bass, the album explores themes of personal reflection, growth, difficult adjustments, relationship struggles, and supporting your past self, highlighting the tension between heat and ice. Monster Children praised Cryogeyser as “a band you should know.”
Soon after Cryogeyser’s set, Hotline TNT took over the stage, injecting new energy into the night. The crowd’s excitement grew, turning into a mosh pit. Security shifted from assisting sluggish fans to catching those crowdsurfing over the barricade. Frontman Will Anderson said their latest album, “Raspberry Moon,” reflects a more mature sound. Unlike their earlier work focusing on youthful heartbreak, this album explores themes of falling in love, family, friendships, and understanding others’ perspectives.
Before Citizen could take the stage, one last band needed to perform: Anxious. This American emo-hardcore-pop group from Fairfield County, Connecticut, electrified The Palladium! With Grady Allen on vocals, Sam Allen on bass, Tommy Harte on guitar, and Jonny Camner on drums, the crowd was either in the mosh pit or crowd surfing. I was amazed I managed to capture in-focus photos of the band, despite their energetic jumping and running across the stage. Their set included songs from their 2022 debut album, Little Green House, and their latest album, Bambi, released in 2025.
How could the night get any better? Three incredible bands had just entertained the crowd, yet the restless crowd seemed to want even more! I soon realized that at 9:45 pm, the evening was only just commencing. As I stood in front of the stage, the room was filled with fans chanting “Citizen!Citizen!Citizen!Citizen!Citizen!” As the lights began to dim, Citizen
had finally taken the stage.
The band performed most of their new songs, such as “Good Fortune,” “I Can See You From Here,” and “Is It My Brain,” from their sixth album, Halcyon Blues. Fans crowded together, whether they knew each other or not. No matter how close they got to the stage, it still wasn’t close enough. Again, fans climbed on top of one another, passing along the tops of others, yearning to be as close to the band as possible.
While creating Halcyon Blues, lead singer Mat Kerekes and band members Nick Hamm (lead guitar), Eric Hamm (bass), Mason Mercer (rhythm guitar), and Ben Russon (drums) aimed to make it markedly different from their previous work. The album features a mature theme. Unlike their earlier records, which often show a youthful ignorance of life’s struggles, Halcyon Blues shifts from youthful frustration to a more sophisticated, mature perspective on life’s compromises. One of the album’s biggest takeaways is that peace can exist amid life’s discomfort. Discover tranquility through introspection within a tumultuous world.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
CITIZEN






ANXIOUS



HOTLINE TNT



CRYOGEYSER



All Photo Credit: Taylor Blazer
