Concerts Photos
Peach Pit & Briston Maroney at Deer Lake Park in Burnaby
You couldn’t have asked for a better night. The sky was blue, the grass was dry, and the vibes were dialed in as Briston Maroney and Peach Pit co-headlined the Long Hair, Long Life Tour at Deer Lake Park. If the show had any flaws, no one noticed. Everyone was too busy dancing, yelling lyrics, and taking mental screenshots of a night that just felt good.
BNNY set the tone with a short set, mixing softness with sharpness. It felt like the calm before the storm, and sure enough, Briston Maroney came charging onstage like someone had dropped a Mentos into his Coke. “Real Good Swimmer” cracked the night open with a rockier edge than fans might expect from his records. The crowd responded with instantly, dancing, clapping, and feeding off Maroney’s everything-all-at-once stage presence.
From there, he bounced between rock ragers and slow-burn heart-tuggers. A mid-set breather brought out Pacoustic version of “Land of Light” and “Caroline”. It was an unexpected but welcome mood shift that hit especially hard as golden hour started to lit up the park. Later, he closed his set with “Freakin’ Out on the Interstate,” which turned into a massive, arms-in-the-air chorus.
Peach Pit followed and never let the energy dip. The Vancouver hometown heroes got a hero’s welcome, especially when they kicked off with a cover of Black Sabbath’s “War Pigs” before sliding into the groove of “Magpie.” Neil Smith was his usual goofy, charming self, trading jokes with the audience, dancing like no one was watching, and somehow managing to make chaos feel effortless.
Their setlist hit all the fan-favourite checkpoints: “Give Up Baby Go,” “Alrighty Aphrodite,” “Shampoo Bottles.” And the crowd was all in, singing every word, jumping along, and forming little dance pits across the lawn. The newer tracks from Magpie landed strong too.
The encore was more than just an extra song. Smith came out solo to share how the band started and played the original version of “Peach Pit.” Then came “Tommy’s Party,” with both Smith and Wilton’s dads joining in. A great ending to the set.
Briston Maroney and Peach Pit are very different performers, but that’s what made the show work. One brings the whirlwind, the other brings the sway. Together, they turned a warm, beautiful night at Deer Lake Park into something unforgettable.
Upcoming Tour Dates:
Sat Jun 07 – Troutdale OR – McMenamins Edgefield
Tue Jun 10 – San Francisco CA – Bill Graham Civic Auditorium
Wed Jun 11 – Los Angeles CA – Greek Theatre
Fri Jun 13 – San Diego CA – Park at the Park – Petco Park
Sat Jun 14 – Phoenix AZ – Arizona Financial Theatre
Mon Jun 16 – Austin TX – Moody Amphitheater
Tue Jun 17 – Dallas TX – South Side Ballroom
Wed Jun 18 – Houston TX – 713 Music Hall
Fri Jun 20 – Atlanta GA – Cadence Bank Amphitheatre at Chastain Park
Sat Jun 21 – Charlotte NC – Skyla Credit Union Amphitheatre
Sun Jun 22 – Washington D.C. – The Anthem
Tue Jun 24 – Boston MA – MGM Music Hall at Fenway
Wed Jun 25 – Shelburne VT – The Green at Shelburne Museum
Thu Jun 26 – Toronto ON – Budweiser Stage
More info about the tour here!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BRISTON MARONEY
PEACH PIT
All Photo Credit: Bailey Morgan
Concerts Photos
Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver
British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.
Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.
When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.
The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.
One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.
Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.
The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.
For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
bôa
JIA
All Photo Credit: Caroline Charruyer
Concerts Photos
Holly Humberstone Brings ‘Cruel World’ Tour to Commodore Ballroom in Vancouver
On June 25th, English indie-pop singer-songwriter Holly Humberstone brought her Cruel World North American Tour to a sold-out Commodore Ballroom in Vancouver.
After Humberstone enthralled the Commodore with her emotional and delicate vocals and created a warm atmosphere, keeping it personal, sharing stories with the audience.
The Grantham native is touring in support of her newest album, Cruel World, of which we got a sneak peek of during her performance at All Things Go early June. While her music remains deeply introspective, the new material carries a greater sense of confidence, shifting between quiet vulnerability and soaring choruses that the audience, getting to hear it live for the first time, can’t help but sing along.
Mixing songs into the set from Cruel World, Humberstone performed the instantly catchy “White Noise,” the gothic-inspired “Die Happy,” and fan favourite “To Love Somebody,” among many other tunes.
Throughout the night, she also sprinkled in career-defining tracks like “Falling Asleep At The Wheel,” “Scarlett,” “Deep End,” and “The Walls Are Way Too Thin”.
Holly Humberstone balanced a raw, commanding vocal delivery with the tight musicianship of her band, expanding familiar tracks into a fuller live sound that made the most of the Commodore Ballroom’s rich acoustics.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HOLLY HUMBERSTONE IN VANCOUVER
All Photo Credit: Hunter Soo