Concerts Photos
Peach Pit & Briston Maroney at Deer Lake Park in Burnaby
You couldn’t have asked for a better night. The sky was blue, the grass was dry, and the vibes were dialed in as Briston Maroney and Peach Pit co-headlined the Long Hair, Long Life Tour at Deer Lake Park. If the show had any flaws, no one noticed. Everyone was too busy dancing, yelling lyrics, and taking mental screenshots of a night that just felt good.
BNNY set the tone with a short set, mixing softness with sharpness. It felt like the calm before the storm, and sure enough, Briston Maroney came charging onstage like someone had dropped a Mentos into his Coke. “Real Good Swimmer” cracked the night open with a rockier edge than fans might expect from his records. The crowd responded with instantly, dancing, clapping, and feeding off Maroney’s everything-all-at-once stage presence.
From there, he bounced between rock ragers and slow-burn heart-tuggers. A mid-set breather brought out Pacoustic version of “Land of Light” and “Caroline”. It was an unexpected but welcome mood shift that hit especially hard as golden hour started to lit up the park. Later, he closed his set with “Freakin’ Out on the Interstate,” which turned into a massive, arms-in-the-air chorus.
Peach Pit followed and never let the energy dip. The Vancouver hometown heroes got a hero’s welcome, especially when they kicked off with a cover of Black Sabbath’s “War Pigs” before sliding into the groove of “Magpie.” Neil Smith was his usual goofy, charming self, trading jokes with the audience, dancing like no one was watching, and somehow managing to make chaos feel effortless.
Their setlist hit all the fan-favourite checkpoints: “Give Up Baby Go,” “Alrighty Aphrodite,” “Shampoo Bottles.” And the crowd was all in, singing every word, jumping along, and forming little dance pits across the lawn. The newer tracks from Magpie landed strong too.
The encore was more than just an extra song. Smith came out solo to share how the band started and played the original version of “Peach Pit.” Then came “Tommy’s Party,” with both Smith and Wilton’s dads joining in. A great ending to the set.
Briston Maroney and Peach Pit are very different performers, but that’s what made the show work. One brings the whirlwind, the other brings the sway. Together, they turned a warm, beautiful night at Deer Lake Park into something unforgettable.
Upcoming Tour Dates:
Sat Jun 07 – Troutdale OR – McMenamins Edgefield
Tue Jun 10 – San Francisco CA – Bill Graham Civic Auditorium
Wed Jun 11 – Los Angeles CA – Greek Theatre
Fri Jun 13 – San Diego CA – Park at the Park – Petco Park
Sat Jun 14 – Phoenix AZ – Arizona Financial Theatre
Mon Jun 16 – Austin TX – Moody Amphitheater
Tue Jun 17 – Dallas TX – South Side Ballroom
Wed Jun 18 – Houston TX – 713 Music Hall
Fri Jun 20 – Atlanta GA – Cadence Bank Amphitheatre at Chastain Park
Sat Jun 21 – Charlotte NC – Skyla Credit Union Amphitheatre
Sun Jun 22 – Washington D.C. – The Anthem
Tue Jun 24 – Boston MA – MGM Music Hall at Fenway
Wed Jun 25 – Shelburne VT – The Green at Shelburne Museum
Thu Jun 26 – Toronto ON – Budweiser Stage
More info about the tour here!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BRISTON MARONEY
PEACH PIT
All Photo Credit: Bailey Morgan
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer