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Porter Robinson at the Doug Mitchell Thunderbird Sports Centre in Vancouver

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On November 1, American DJ Porter Robinson SMILE! šŸ˜€ World Tour brought serious energy and nostalgia to the Doug Mitchell Thunderbird Sports Centre in Vancouver, BC, with a mix of new tracks, throwbacks, and eye-popping visuals.
This tour’s special twist? It’s the first time Porter’s performing with a full band, which gave his set a fresh, fuller sound that hit a different level of intensity.

But before Robinson took the stage, American hyperpop and digicore artist, Ericdoa, opened the night, performing tracks on his three albums COA, Things with Wings, and DOA.

Shortly before 9pm, Porter Robinson kicked things off with “Knock Yourself Out XD” from his latest album, Smile! šŸ˜€, transforming the venue into a trippy, neon-lit skyline. The stage was set with a massive pink billboard that doubled as a screen for lyrics and visuals, so everyone could sing along while getting lost in the virtual city. A giant inflatable anime-style cat sat off to the side, adding a playful vibe. During the high-energy track “Russian Roulette,” Robinson had the whole crowd raising their hands just before confetti cannons launched heart-shaped confetti everywhere, in a big, joyful moment.

The show flowed into the Nurture section, where he took us back with hits like “Something Comforting” and “Look at the Sky.” The visuals and colourful lights matched the emotional depth of these tracks, creating a mix of nostalgia and excitement. It was clear Robinson was having a blast on stage, dancing around, and sharing his energy with the crowd.

The third act was all about Worlds, celebrating the album’s 10-year anniversary. Hearing “Sad Machine” and “Divinity” live felt like stepping into a time machine for longtime fans, while new fans got a taste of Robinson’s roots. Just when you thought it might be over, the screen lit up with Rin, the character from the “Shelter” video, drawing a massive cheer. For the final song, Robinson came back out with his signature red and black wings, ending the night with “Cheerleader” as the crowd went wild and confetti rained down again.

This show had something for everyone—whether you’re into EDM, pop, rock, or just love a crazy light show. The Smile! šŸ˜€ World Tour was a full-on celebration of Robinson’s career.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

PORTER ROBINSON
ERICDOA

All Photo Credit: Caroline Charruyer

Concerts Photos

Marianas Trench Pack History Ottawa, With Fionn Opening

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Vancouver acts on both ends of the bill. Fionn opened and Marianas Trench headlined at History Ottawa on October 24, 2026.

Fionn, a pair of twins, had a room that was already nearly full by the time they hit the stage, which isn’t always a given for an opener. They made the most of it with a high-energy set that never let up, and with the two working well together, and feeding off each other’s energy. They were rocking out the whole way through, and it set the tone for the night.

Marianas Trench took the stage to a crowd that was loud from the start and sang along throughout, often seeming to carry the songs as much as the band did.
The set covered a wide range of their discography, from newer hits like ā€œDown to Youā€ to older fan favourites like ā€œStutterā€ and ā€œCross My Heart.ā€ Longtime fans and newer ones got their moments, and the crowd knew every word either way.

Frontman Josh Ramsey, on lead vocals and guitar, controlled the room from start to finish. He was engaging and constantly connected with the audience, and his vocals were fantastic. Midway through the night he left the stage and walked through the crowd, a staple of his at many shows. It brought him face to face with the fans singing back at him, a moment I’m sure they’ll never forget.

It was a strong night for Vancouver music in Ottawa: an opener that came to play and a headliner that had the whole room with them.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

MARIANAS TRENCH

FIONN

All Photo Credit: Kieran Delport

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Concerts Photos

Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party

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Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.

BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for ā€œHigh Technology,ā€ followed by ā€œOne.ā€

The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.

That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.

The music never took a back seat. Tracks such as ā€œANTIHERO,ā€ ā€œRosarioā€ and ā€œBURJ KHALIFAā€ kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including ā€œ1 Minute, 1 Secondā€ and Mithra Jin’s solo ā€œWill I Be Okay?,ā€ showing a more vulnerable side to the performers.

The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave ā€œBorn Haterā€ an extra punch.

The trio closed with an encore of ā€œEPIKISMā€ and ā€œDon’t Hate Me,ā€ sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

EPIK HIGH

BOBO.XX

All Photo Credit: Chaehyun Lim

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