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Royel Otis at the PNE Forum in Vancouver – Gallery

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On October 22, Royel Otis ended the North American leg of their Glory to Glory Tour at the PNE Forum in Vancouver, BC with a fun and energetic night.

The venue upgrade from the Commodore Ballroom to the PNE Forum showed just how much their fanbase has grown in the past year, and the crowd was definitely excited to be there.

With a 20-song setlist, the band kept the energy high throughout, playing their most-loved tracks like “Heading For The Door” and “Foam.” The crowd was into it, singing along and dancing. The band’s sound was a perfect mix of catchy indie pop and laid-back vibes, making it easy to enjoy every moment.

A highlight of the night was their cover of Sophie Ellis-Bextor‘s “Murder On The Dancefloor,” which brought some serious fun to the room. They also performed “Linger” by The Cranberries.

Royel Otis kept things relaxed and engaging, chatting with fans between songs, and the larger venue didn’t take away from the intimate vibe of the show. Overall, the concert was a blast, proving the band’s growing popularity and showing why fans love them.

Royel Otis will be on tour in Europe and Australia for until the end of 2024 and early 2025. Head to their website for more info.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

All Photo Credit: Aidan Cally

Concerts Photos

Joost Klein Brings World Tour With Chaos and Heart in Vancouver

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Joost Klein

Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.

From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.

The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.

Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.

This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.

Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

JOOST

All Photo Credit: Caroline Charruyer

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Concerts Photos

Wheatus Play their Debut Album in Full at The Pearl in Vancouver

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Wheatus

On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.

Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.

Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.

The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.

Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

WHEATUS

CHIEF STATE

All Photo Credit: Caroline Charruyer

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