Concerts Photos
Snail Mail Took Over Le Trabendo in Paris for ‘Ricochet’ Tour
Snail Mail, Lindsay Jordan’s indie rock solo project, took over Le Trabendo in Paris, France on June 23.
As fans slowly made their way to the venue, they were welcomed by the bedroom pop sounds of singer-songwriter Unflirt. The emerging London-based artist, whose real name is Christine Senorin, performed both new and old songs. From her first single “Crush” to a few songs from her album Fleeting, fans were lucky enough to also hear her new unreleased song, “New York.”
At 9pm, it was then time for Snail Mail to hit the stage. Four years since their last headline show in France, fans were so excited to see them again that many braved the heat wave—fittingly also the title of one of the songs performed that evening. By the first song, the venue was crowded and buzzing, and Snail Mail delivered a high-energy show despite the melting heat.
Ricochet, the band’s third album, was released in March of this year, and fans got to hear it in its entirety throughout a carefully crafted setlist. Starting with “Tractor Beam,” Snail Mail performed a mix of songs from their entire discography, from the critically acclaimed single “Valentine” to “Thinning,” the opening track of her debut EP. The night ended with “Pristine,” jokingly called “Paris-tine” for the night.
The Ricochet Tour, started in April in America, is now coming to an end with its last shows in the United Kingdom. Snail Mail will then embark on a co-headline tour with Soccer Mommy across the United States next fall.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
SNAIL MAIL
UNFLIRT
All Photo Credit: Manon Pothin
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer