Concerts Photos
The Band Camino + Almost Monday Bring the Never Always Tour to the Hollywood Palladium in Los Angeles
Last Thursday night at the Hollywood Palladium, rising artist ALINA, along with Almost Monday, helped kick off the evening as co-openers for The Band Camino on their North American Never Always 2025 tour.
Between each song, ALINA interacted with the crowd, sharing real-life stories behind each track. Her bubbly personality eased the tension between the artist and the audience, making it feel like you were on FaceTime with your best friend.The young artist kicked off her set with singles like “Look Bad,” “Get A Grip,” and “Second
Guessing,” along with many other amazing songs. After eight fantastic concerts from the east to the west coast, ALINA wrapped up her set, thanking the crowd for a great night filled with love and energy.
Back in August, the Almost Monday crew —Dawson, Luke, and Cole —sat down with Zach Sang for an interview to discuss their songwriting process. The bassist, Luke Fabry, stated, “To songwriting, there’s a magic and there’s a science. You can get good at the science, but the magic just has to come.” He goes on to compare songwriting to the skills required for surfing, saying, “you can’t really control the conditions, but you can control where you sit [on the board] and where you go, but at the end of the day, [the perfect wave] it has to come to you.” As a fan of Almost Monday, I’ve gone from seeing them for the first time in 2024, when they co-opened for Beach Weather, to taking photos of them in February as headliners for their 2025 The Dive tour, and now as they tour with The Band Camino. Their future looks incredibly bright. The energy Dawson and his crew bring to the stage is simply unmatched. I remember leaving their show in 2024 with several of their songs downloaded to my playlist. Moving from smaller venues like The Teragram Ballroom and EchoPlex to larger ones like The Hollywood Palladium, their hit song “Can’t Slow Down” perfectly captures Almost Monday‘s momentum.
As Almost Monday finished their set, the stage crew began to set up for The Band Camino. The Never Always tour includes 19 shows across North America and six across Europe. Camino started their set with “Daphne Blue,” “Infinity,” and Hush Hush.” The inspiration for their new album, Never Always, signifies the space between extremes such as “never” and “always,” representing the in-between moments of life, especially after a breakup. It highlights the contradictions in relationships, oscillating between holding on and letting go, and seeking a balance between intense emotions and life’s messy reality. Never Always is an album dedicated to finding steadiness while dealing with emotions that exist within the gray areas. The album explores themes of vulnerability, self-sabotage, overthinking, and life’s cyclical patterns, ultimately fostering a sense of growth and authenticity. Although solutions exist for dealing with the black-and-white issues, the gray areas remain the most confusing. The Band Camino’s songs and lyrics resonate with you in unexpected ways. Their music expresses emotions that are hard to put into words. There was a sense of community amongst the crowd as each fan connected individually to the lyrics. Raw emotion was palpable throughout the venue.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
THE BAND CAMINO
ALMOST MONDAY
ALINA
All Photo Credit: Taylor Blazer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer