Concerts Photos
The Vamps at Eventim Apollo in London – Gallery

On October 22nd, The Vamps took the stage for the second night at London’s iconic Eventim Apollo as part of their anniversary tour, celebrating the 10th anniversary of their debut album Meet The Vamps. Support from SOAP and Talia Mar had the crowd hyped from the start. The excitement was palpable, with fans eagerly anticipating the moment the lights would dim. As the crowd’s heartbeat seemed to synchronize with the rising tension, chants for the band echoed throughout the venue, building up a wave of anticipation.
The Vamps treated their fans to a full performance of Meet The Vamps, playing the entire album from start to finish. With their hits like “Somebody To You” and “Wild Heart” keeping the crowd in their feet and lovely acoustic versions of their songs, it was a beautiful night. To the delight of the crowd, they also threw in some extra tracks, including the unreleased fan-favorite, “Jack,” which sparked a wave of excitement. The band—Bradley Simpson, James McVey, Connor Ball, and Tristan Evans—were full of energy, delivering an electric performance. Their crowd interaction was top-notch, with Bradley even making his way into the audience, sending the crowd into a frenzy. It was clear that they were feeding off the audience’s enthusiasm, and the connection between band and fans felt truly special.
The evening was a nostalgic trip down memory lane for many, with fans—both new and old—dancing, singing, and even starting a conga line as they relived the songs that shaped their childhoods. Every track was met with cheers, but hearing those beloved hits live added a whole new dimension to the experience. The environment was warm and welcoming, with sweet moments of fan interaction throughout the night. It was a celebration of not just the music, but the memories and the community The Vamps have built over the years. Fans left the venue buzzing, eager for what the future holds for the band.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE VAMPS







All Photo Credit: Jazzie Gannon
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS






CHIEF STATE



All Photo Credit: Caroline Charruyer
Concerts Photos
Ruel Brings His ‘Kicking My Feet’ Tour to Los Angeles
Ruel brought his Kicking My Feet tour to a close in Los Angeles on Wednesday, April 8th at the Hollywood Palladium. The tour covered 30 cities over the past two months.
Singer-songwriter Chelsea Jordan opened up the night with a high-energy set, performing some of her own songs to warm up the crowd for the rest of the evening.
Mercer Henderson took the stage next. She sang a handful of her songs that had a folk-pop feel to them as she jumped around the stage.
A little after 9:30, the venue went dark and cheers erupted from the audience. A spotlight flicked on, pouring light through a red door raised in the center of the stage. As the cheers grew louder, Ruel made his grand entrance, emerging through the door in a cloud of smoke while singing “Only Ever,” the first track on his latest album. Kicking My Feet is Ruel’s second studio album, released two years after his debut album back in 2023.
Throughout the night, Ruel took the crowd back to the beginning days of his music, playing some fan favorites such as “Dazed & Confused,” “Younger,” and “Painkiller.” The British-born Australian singer hyped up the audience even more by playing an unreleased song from his upcoming album, Kicking My Feet & Screaming, which is a continuation and second part of Kicking My Feet. The new album is set to release in June.
Openers Chelsea Jordan and Mercer Henderson were brought back out on stage to sing a song with Ruel in a heartwarming tribute to the past eight shows they had done together. A bit later, Ruel surprised the crowd by bringing out Arthur Hill, who had previously joined Ruel as a supporting artist for the first half of the shows on this tour leg.
The night was a lively blur of laughter and dancing, a testament to Ruel’s incredible stage presence and vocals. It was the perfect closing night to the Kicking My Feet tour, no doubt leaving fans with memories that will last a lifetime.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
RUEL






MERCER HENDERSON



CHELSEA JORDAN



All Photo Credit: Mallory Snyder
