Concerts Photos
Tori Kelly at the Queen Elizabeth Theatre in Vancouver, BC – Gallery
On September 23, Tori Kelly brought her Purple Skies Tour to the Queen Elizabeth Theatre in Vancouver, BC.
Rising British singer-songwriter, Maisy Kay, opened the night with her upbeat dance-pop melodies, setting an energetic tone. She performed tracks from her Metamorphosis EP as well as her most recent single “Love Is A God,” and a new unreleased song.
In the room, many of the fans present, including dedicated Toraays, have followed Tori Kelly from her YouTube cover days and American Idol appearance in 2010—prepared to welcome their favourite artist. Having tracked her career, they were excited to see the 31-year-old singer’s evolution with her latest self-titled album Tori. A young girl even handmade a sign that read “You’re my role model” to show the singer.
When Tori Kelly took the stage, the crowd erupted into applause. Dressed in purple pants and arm gloves, she kicked off the set with “thing u do” and “unbelievable,” instantly getting the audience on their feet.
With a minimalist stage setup, Kelly’s performance highlighted her voice, as she hit every high note without a hitch. Even backed by a full live band, her vocals remained the focal point. The setlist featured a mix of new tracks like “diamonds,” “spruce,” “high water,” and “shelter,” offering fans a taste of her most recent work.
Midway through the concert, Kelly took a break from the full-band sound for a more intimate segment. Armed with just her acoustic guitar, she invited the crowd to shout out requests. To wrap up the show, she closed with “alive if i die” and “missin’ u.”
Tori Kelly will continue her Purple Skies Tour on the road until early November. More info on tickets and tour dates here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
TORI KELLY
MAISY KAY
All Photo Credit: Caroline Charruyer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer