Concerts Photos
YUNGBLUD at Uber Eats Music Hall in Berlin
On October 20, Berlin’s Uber Eats Music Hall was packed to capacity as YUNGBLUD brought his IDOLS tour to the city.
Fans filled every corner of the venue long before the lights went down, and when the first notes hit, the energy in the room exploded. Kicking off with “Hello Heaven, Hello,” the 28-year-old firecracker was already sprinting across the stage before the lights had fully settled. Shirtless by the second song (“The Funeral”), he was all adrenaline and grin: rock star chaos wrapped around a very human core.
The set pulled heavy from his latest album Idols, a record that sees YUNGBLUD (a.k.a. Dominic Harrison) embracing his contradictions: loud, jagged, vulnerable, and completely unfiltered. Tracks like “Lovesick Lullaby” and “Fire” hit like open-heart surgery with guitars, while “Fleabag,” performed solo, burned with a rare, focused intensity.
Over the years, YUNGBLUD has grown from an unpredictable newcomer into a confident performer who knows exactly how to command a stage. He’s still that same punk kid railing against expectation, but now with sharper intent and a voice that’s matured without losing its snarl. Between songs, he spoke directly to the audience, about the importance of individuality, self-expression, and staying true to who you are. It’s a message that has followed him throughout his career, and in Berlin, it clearly resonated.
Midway through, his cover of Black Sabbath’s “Changes” brought the chaos to a halt. The crowd stood silent, some visibly emotional, as he dedicated it to Ozzy Osbourne, a promise he’s kept since the icon’s passing. From there, he tore through “Lowlife” and “War” like he was exorcising demons. The show ended with his emotional ballad “Zombie,” leaving the audience chanting for more.
By the end, YUNGBLUD had nothing left to give which is exactly why people love him. It’s not perfection he’s chasing. It’s truth. And in Berlin, he found it.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
Oct 22 – Esch-sur-Alzette, LU, Rockhal Main Hall
Oct 24 – Copenhagen, DK, KB Hallen
Oct 25 – Stockholm, SE, Annexet
Oct 27 – Hamburg, DE, Sporthalle
Oct 29 – Vienna, AT, Wiener Stadthalle
Oct 31 – Bergamo, IT, ChorusLife Arena
More information on his website.
YUNGBLUD
All Photo Credit: Fran Schmid
Concerts Photos
Elevate Music Project 2026 Semi-Finals
Elevate Music Project made its return to Vancouver with a stacked semi-finals night at the Biltmore Cabaret. Six acts, six very different sounds, and a room full of people ready to back local music on a cold January night.
The lineup moved briskly, starting with Carmine. The Victoria-based, female-fronted alt-rock band sounded tight and confident, leaning into sharp hooks and emotional swings. Their songs hit that sweet spot between grit and melody, and the crowd locked in fast. Knowing this band formed almost immediately after a breakup makes their chemistry even more impressive.
Tasavoor followed and flipped the vibe completely. The three-piece blended western textures, funk rhythms, blues grit, and eastern melodies into long, winding songs that felt loose in the best way. They shared that they refuse to play songs the same way twice, and gave their set an unpredictable edge.
The Canyon Riders brought the night back to roots-driven rock. Their sound leaned hard into blues and country rock, powered by a driving rhythm section and duelling guitars that nodded to Southern rock traditions. The band played like they’d been road-tested, and the crowd responded to that honest, no-frills energy.
Snowchild Edge was one of the night’s most magnetic performers. Blending alt-hip hop, R&B, and Afro-fusion, he owned the room with ease. Mid-set, he jumped into the crowd to hype people up, breaking any remaining barrier between stage and floor. His songs carried weight, touching on identity and connection. It was definitely a set that made you stop talking and just watch.
Then came Dani Black, who made it very clear why her name carries so much buzz. Her songwriting stood out immediately, sharp and emotional, delivered with a voice that cut straight through the room. She sang like someone who’s been through it and came back stronger. There was a calm confidence to her presence that felt effortless, the kind you expect from a pop artist with serious range. The audience listened closely, and the applause said it all. We can’t wait to see what she does next!
Closing the night was Summer’s Brother, who leaned fully into art-rock theatrics. With fuzzy guitars, synths, and bold visuals, their set felt like a late-night art show wrapped in indie pop and psych-rock. They weren’t afraid to get weird, and that commitment paid off. The band’s chemistry was tight, and their genre-blurring approach gave the night a fittingly unpredictable ending.
Elevate Music Project has always been about giving Vancouver artists real opportunities, and this semi-finals night proved why the format works. If this is the level heading into the finals, the competition is wide open, and Vancouver music fans are the real winners.
The Finals will be held at the Vogue Theatre on January 22, 2026. Get your tickets here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
CARMINE
TASAVOOR
CANYON RIDERS
SNOWCHILD EDGE
DANI BLACK
SUMMER’S BROTHER
All Photo Credit: Caroline Charruyer
Concerts Photos
The Academy Is… Bring ‘Almost Here’ 20th Anniversary Tour to Los Angeles
Attention! Attention! All your eyes and ears are turned towards the Belasco Theater on a cold Friday night in Downtown Los Angeles in December, as The Academy Is… comes to Los Angeles in front of a capacity crowd at this historic 1926 venue. TIA were playing a huge set on this tour, with a lot of songs coming off the album Almost Here, which was celebrating its 20th anniversary.
The band was joined by Slow Joy, fronted by mastermind Esteban Flores. The band was energetic and really got the crowd moving and interacting. Their live set is punchy pop rock mixed in with heavy rock, emo, and bit shoegazy at times. Definitely something the crowd at this show could easily get behind. The band played with nothing to lose, making sure to remind everyone that while you came to see TAI, you would not forget Slow Joy. Not one bit.
The Academy Is… stepped onto the stage, only to be illuminated into light once “ATTENTION ATTENTION” kicked in to a much higher gear, and the crowd really started to chant and sing along with singer William Beckett making sure to ask the crowd if they were here to have fun and get involved in singing as loudly as humanly possible.
The band moved into “Seasons,” which got the crowd dancing with its sublimely fun guitar harmonic parts, and danceable drum beat that moves into a soaring chorus that you’d sing at the top of your lungs. Beckett moved onstage with such ferocity and suave, as he danced and preened his way into the crowd that was clearly having the best times of their lives, and we’ve only just started.
The band moved into “Slow Down,” with its ambient sound, absolute pristine, and heavier live. Beckett moves onstage like a pied piper, singing “kiss me like an over dramatic actor, that’s starving work”, perhaps a simple nod to the nature of the not so simple lives of Hollywood and the industry as a whole.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
THE ACADEMY IS…
SLOW JOY
All Photo Credit: John McCrary