Concerts Photos
YUNGBLUD at Uber Eats Music Hall in Berlin
On October 20, Berlin’s Uber Eats Music Hall was packed to capacity as YUNGBLUD brought his IDOLS tour to the city.
Fans filled every corner of the venue long before the lights went down, and when the first notes hit, the energy in the room exploded. Kicking off with “Hello Heaven, Hello,” the 28-year-old firecracker was already sprinting across the stage before the lights had fully settled. Shirtless by the second song (“The Funeral”), he was all adrenaline and grin: rock star chaos wrapped around a very human core.
The set pulled heavy from his latest album Idols, a record that sees YUNGBLUD (a.k.a. Dominic Harrison) embracing his contradictions: loud, jagged, vulnerable, and completely unfiltered. Tracks like “Lovesick Lullaby” and “Fire” hit like open-heart surgery with guitars, while “Fleabag,” performed solo, burned with a rare, focused intensity.
Over the years, YUNGBLUD has grown from an unpredictable newcomer into a confident performer who knows exactly how to command a stage. He’s still that same punk kid railing against expectation, but now with sharper intent and a voice that’s matured without losing its snarl. Between songs, he spoke directly to the audience, about the importance of individuality, self-expression, and staying true to who you are. It’s a message that has followed him throughout his career, and in Berlin, it clearly resonated.
Midway through, his cover of Black Sabbath’s “Changes” brought the chaos to a halt. The crowd stood silent, some visibly emotional, as he dedicated it to Ozzy Osbourne, a promise he’s kept since the icon’s passing. From there, he tore through “Lowlife” and “War” like he was exorcising demons. The show ended with his emotional ballad “Zombie,” leaving the audience chanting for more.
By the end, YUNGBLUD had nothing left to give which is exactly why people love him. It’s not perfection he’s chasing. It’s truth. And in Berlin, he found it.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
Oct 22 – Esch-sur-Alzette, LU, Rockhal Main Hall
Oct 24 – Copenhagen, DK, KB Hallen
Oct 25 – Stockholm, SE, Annexet
Oct 27 – Hamburg, DE, Sporthalle
Oct 29 – Vienna, AT, Wiener Stadthalle
Oct 31 – Bergamo, IT, ChorusLife Arena
More information on his website.
YUNGBLUD
All Photo Credit: Fran Schmid
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer