Concerts Photos
Peach PRC in New York City – Review & Gallery

It’s Pride month in New York City so it was only natural to spend two nights with Australia’s glittering (self-dubbed) Lesbian Popstar Peach PRC.

Every aspect of the stage was curated to Peach’s bubblegum pop Y2k aesthetic— from her full body pink glitter and extravagant makeup and stage outfits to the lighting and visuals. Shoutout to makeup artists Stirling Tull and Linnea Sumner who crafted these glittery looks. Their artwork makes for a striking appearance in the best way. The looks felt like a nod to Peach’s pink and sparkling essence and the aesthetics of drag performers and made both Peach and Chloe on guitar absolutely magnetic and eye-catching. In addition to the makeup looks, Peach continued to sparkle at the center of my attention from the artful lighting by Jackson Sto.

Fans of Peach PRC are incredibly involved and dedicated to the artist, both nights I attended there were fan projects that filled the floor during specific songs. Night one at Warsaw fans held up paper hearts that read “Peach PRC saved me” and on the second night at Irving Plaza they filled the audience with rainbow flags during “God is a Freak.” There was a clear bond between the artist and her fans that was palpable even from the side of the stage, Peach’s smiles to the audience told all. She received many pigeon and pink themed gifts throughout the show from fans. The crowd was so loud and excited and most came for both nights— some fans coming from as far as Canada for the sold out Irving Plaza show.

Peach performed solo with Chloe Dadd on guitar. Peach is a captivating performer and her vocals across these two performances were some of her best. Between the dynamic Chloe and sparkling Peach on stage you’d be hard pressed to choose who to look at. The on-stage chemistry between the pair creates a sense of comfort, allowing them to tap into the emotions of the audience during what Peach dubbed the “sad section of the concert where we’re all gonna cry.” The pair sat on stage and performed Peach’s newest single, “Touchy Subject” to an audience that all certainly had to dab at their eyes. Her songwriting style is raw and vulnerable and they are well-suited to being performed live to a receptive audience who come in ready to feel. During this part of the set the audience sang along, harmonizing at times, captivated by the storytelling.

I think what makes Peach PRC such a compelling artist both on and off the stage is her authenticity to herself. She makes music about the deepest of emotions and puts so much of herself into each song that they take the listener on an emotional journey. Her performance celebrates the highs and lows of life and she is unafraid to be authentic to herself on stage. Her songs about her lesbian identity reflect this and the live show created a space for her concert attendees to also feel celebrated in their sexualities or gender identities. Peach was given a lesbian flag during the Pride flag fan project and the singer danced and proudly held up the flag, waving it for all to see. She also incorporates a stripper pole into the set, an ode to her previous profession. The audience loved the moments where she stepped out in 7 inch clear platforms and did tricks on the pole. She celebrates the journey that brought her to the glittery pop performances she puts on today. It was such a moving show to be at during Pride Month.
Check out our favorite photos of the night below. Full gallery will be up on our Facebook Page shortly.






All Photo Credit: Anya Tucker
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST









All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS






CHIEF STATE



All Photo Credit: Caroline Charruyer
