Concerts Photos
Peach PRC in New York City – Review & Gallery

It’s Pride month in New York City so it was only natural to spend two nights with Australia’s glittering (self-dubbed) Lesbian Popstar Peach PRC.

Every aspect of the stage was curated to Peach’s bubblegum pop Y2k aesthetic— from her full body pink glitter and extravagant makeup and stage outfits to the lighting and visuals. Shoutout to makeup artists Stirling Tull and Linnea Sumner who crafted these glittery looks. Their artwork makes for a striking appearance in the best way. The looks felt like a nod to Peach’s pink and sparkling essence and the aesthetics of drag performers and made both Peach and Chloe on guitar absolutely magnetic and eye-catching. In addition to the makeup looks, Peach continued to sparkle at the center of my attention from the artful lighting by Jackson Sto.

Fans of Peach PRC are incredibly involved and dedicated to the artist, both nights I attended there were fan projects that filled the floor during specific songs. Night one at Warsaw fans held up paper hearts that read “Peach PRC saved me” and on the second night at Irving Plaza they filled the audience with rainbow flags during “God is a Freak.” There was a clear bond between the artist and her fans that was palpable even from the side of the stage, Peach’s smiles to the audience told all. She received many pigeon and pink themed gifts throughout the show from fans. The crowd was so loud and excited and most came for both nights— some fans coming from as far as Canada for the sold out Irving Plaza show.

Peach performed solo with Chloe Dadd on guitar. Peach is a captivating performer and her vocals across these two performances were some of her best. Between the dynamic Chloe and sparkling Peach on stage you’d be hard pressed to choose who to look at. The on-stage chemistry between the pair creates a sense of comfort, allowing them to tap into the emotions of the audience during what Peach dubbed the “sad section of the concert where we’re all gonna cry.” The pair sat on stage and performed Peach’s newest single, “Touchy Subject” to an audience that all certainly had to dab at their eyes. Her songwriting style is raw and vulnerable and they are well-suited to being performed live to a receptive audience who come in ready to feel. During this part of the set the audience sang along, harmonizing at times, captivated by the storytelling.

I think what makes Peach PRC such a compelling artist both on and off the stage is her authenticity to herself. She makes music about the deepest of emotions and puts so much of herself into each song that they take the listener on an emotional journey. Her performance celebrates the highs and lows of life and she is unafraid to be authentic to herself on stage. Her songs about her lesbian identity reflect this and the live show created a space for her concert attendees to also feel celebrated in their sexualities or gender identities. Peach was given a lesbian flag during the Pride flag fan project and the singer danced and proudly held up the flag, waving it for all to see. She also incorporates a stripper pole into the set, an ode to her previous profession. The audience loved the moments where she stepped out in 7 inch clear platforms and did tricks on the pole. She celebrates the journey that brought her to the glittery pop performances she puts on today. It was such a moving show to be at during Pride Month.
Check out our favorite photos of the night below. Full gallery will be up on our Facebook Page shortly.






All Photo Credit: Anya Tucker
Concerts Photos
Alabama Shakes Bring the Soul Back to Vancouver
After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.
The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.
At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.
The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.
Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ALABAMA SHAKES














All Photo Credit: Caroline Charruyer
Concerts Photos
Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver
Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.
The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.
At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.
The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.
Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.
At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OF MONSTERS AND MEN








AUGUST PONTHIER



All Photo Credit: Caroline Charruyer
