Concerts Reviews
A Cinematic Odyssey: Hans Zimmer Live at Rogers Arena in Vancouver – Live Review
“Vancouver is THE place!” exclaimed Hans Zimmer. And he was right. On Sunday night, Vancouver was the place to be as Zimmer brought his Hans Zimmer Live tour to Rogers Arena, delivering an unforgettable evening of cinematic music magic. With a nearly sold-out crowd eagerly awaiting the legendary composer, Zimmer and his ensemble of virtuoso musicians transported the audience through some of the most iconic soundtracks in film history. From the intense depths of Dune to the rousing swells of Pirates of the Caribbean and the emotional highs of The Lion King, this was not just a concert—it was a symphonic spectacle.
Opening the night with Dune’s “House Atreides,” the piercing, haunting voice of Loire Cotler filled the arena, immediately captivating the audience. As Cotler’s soaring vocals gave way to the pulsating rhythms of Zimmer‘s ensemble, the mood was set for an evening that would oscillate between serenity and chaos, intensity and beauty. The incredible lighting and visuals on the LED screen only heightened the experience, making each moment feel cinematic in its own right.
Zimmer’s ability to blend genres was on full display. The transition from the powerful and dissonant Wonder Woman theme—driven by Tina Guo’s fierce cello performance—to the delicate, heartbreaking notes of Interstellar kept the audience on the edge of their seats. Guo, a standout performer throughout the night, played with raw emotion summoning the energy of the entire arena.
Zimmer’s humor and charisma shone in his frequent interactions with the audience, whether recounting funny stories from his time in Hollywood or lavishing praise on his bandmates, like guitarist Guthrie Govan, whose blistering solo during Man of Steel drew thunderous applause.
Zimmer also made sure to give space for each of his talented musicians to shine. Pedro Eustache’s woodwinds and Lisa Gerrard’s voice added an ethereal quality to Gladiator‘s suite, while the Ukrainian Odessa Opera Orchestra’s lush strings enriched the emotional depth of the night. The ensemble, representing a mosaic of international talent, brought an authenticity and human touch. It was clear that this concert was as much about celebrating the talents of his collaborators as it was about Zimmer himself.
One of the night’s most touching moments came during The Lion King suite, led by the iconic vocals of Lebo M. Performing “Circle of Life” alongside his daughter Refi, the duo filled the arena with the warmth of their voices, as golden light cascaded down from the stage. It was a nostalgic moment for many, transporting the audience back to childhood memories of the beloved film.
Highlights of the second act included the tense, relentless suite from The Dark Knight, where Zimmer’s three-bassist arrangement rattled the arena in a way that was felt as much as it was heard. Zimmer joked about the extravagance of having three bassists afterward. The audience laughed, but it was moments like these that made the show so unforgettable—Zimmer’s blending of virtuosity, playfulness, and power.
As the concert neared its end, the crowd was treated to Interstellar’s “Cornfield Chase,” with its shimmering piano and expansive crescendos, and Inception’s “Time” where Zimmer’s introduced Nile Marr, guitarist and son of Johnny Marr.
Hans Zimmer’s performance in Vancouver was a demonstration of how a live concert can transcend expectations. For over two-and-half hours, Zimmer and his extraordinary band created a experience that left the audience spellbound. As the final notes faded and the audience roared in approval, it was clear why Zimmer is one of the greatest composers of our time.
Check out more photos of the night below or head to our Facebook page for the full gallery!
HANS ZIMMER
All Photo Credit: Caroline Charruyer
Concerts Reviews
LIVE REVIEW: Benee Brings Her ‘Particule Tour’ to the Hollywood Theatre in Vancouver
The Hollywood Theatre, Vancouver | March 4, 2026
BAYLI
Opening for BENEE was singer, songwriter, and rapper Bayli! Formerly part of “The Skins,” Bayli has been touring as a solo act since 2019, reaping acclaim for songs like “Passenger Princess” and “SUGARCOAT.” The first thing we thought when dipping our toe through her back catalog this week was how much she encapsulated Robyn’s recent line that “The purpose of [her] life is to stay horny.” That’s very much Bayli’s vibe; her songs are sexy, bordering on erotic. Her brand of EDM-pop is rooted in “explicit queerness” and while she has rejected any one label, her music is for and relatable to everyone. Also, again, very, very, horny.
If You Only Listen by One Song by Bayli:
“Sushi For Breakfast” (Stories from New York, 2020)
Here are a few photos of Bayli that we hope you enjoy!
BENEE
On Wednesday, March 4, BENEE returned to Vancouver to support her 2026 headlining Particles Tour which began earlier this month. A mind-blowing five years after the release of her debut album, BENEE is once again on the road and hitting 23 cities in North America. We were lucky enough to shoot her June 2022 show at The Vogue, and we’ve been patiently waiting for another chance to see her live ever since! We waited through COVID for that show to be rescheduled, we waited 5 years to see her again and, hand to heart, we’ll happily wait until she returns again!
Must Hear Songs by BENEE (In Our Respectful Opinion):
Wishful Thinking (Fire on Marzz, 2019)
Soaked (Fire on Marzz, 2019)
One of BENEE’s more endearing traits is her comfortability and overall contentment on the stage. Still rocking oversized boots and long sleeves, she seemed at home in front of the crowd, dancing through the shadows the minimal lighting provided. And smiling! Always smiling. Whether it was thanking her fans for taking the time to make an adorable sign or – and I’m not saying I understand how we got here – speaking about Canada and leading the entire venue through an impromptu round of “Oh Canada” she cleared enjoyed her time in Vancouver.
BENEE’s latest album continues to experiment with genres, mixing upbeat pop with lighter, more experimental melodies. Perhaps unsurprisingly, her shows are never one-note as she moves back and forth between these sounds, creating a “what’s next” situation where it’s beyond difficult to get bored or into anything resembling a sleepy rhythm. Her show is visually dark, and moody, and there is smoke! But there is a lot coming at you, and a lot to love.
Benee Setlist:
Sad Boiii
Cinnamon
Vegas
Beach Boy
Wishful Thinking
Soaked
Doomsday
Demons
Prey4U
Animal
Heaven
Make You Sick (Snippet)
Glitter
Princess
Underwater
Afterthought (Joji cover)
Supalonely
Off The Rails
Play Video
Green Honda
Once again, we had an incredible night at The Hollywood Theatre and loved every moment of the show. Thank you, BENEE! Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
All Photo Credit: Jason Martin
Concerts Reviews
LIVE REVIEW: A Sold-Out Night of Performance Art With Sudan Archives
Words by Kali Moreno
Photos by Kelli Rothwell
A sold-out night at The Pearl set the tone for a show that felt half concert, half art installation. Sudan Archives brought her genre-blurring world to Vancouver following the release of The BPM in 2025, with support from Cain Culto.
Cain Culto confidently navigated an energetic, multi-media set backed by Indigenous, Latin American, and Bluegrass influences – what he calls Kentucky Latin Art-Pop. As he gradually shed layers of clothing, he added homemade props to deliver his song’s messages of empowerment and resistance in both Spanish and English. His musical skills as a vocalist and violinist, paired with his artistic expression as a visual artist, created a riveting piece of performance art.
Dressed in a skin-tight, full body suit and wearing otherworldly grey contact lenses, Sudan Archives commanded a sold-out stage for her one-woman set at The Pearl. The deeply human themes of her songs, which sit in genre around house, techno, and R&B, were shared with the rowdy audience alongside recurring mechanical sounds and choreographed robotic movements. This examination of technology and humanity reminded that her artistry and expression transcend her talents as a singer, violinist, and beat-maker. Sudan Archives performed three encore songs, jumping off the stage to dance with the screaming crowd before leaving Vancouver with the parting words: “y’all are fucking lit.”
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
02-18 San Francisco, CA – Regency Ballroom
02-19 San Diego, CA – Music Box
02-20 Los Angeles, CA – The Fonda Theatre
More info on Sudan Archives’ website.
SUDAN ARCHIVES
CAIN CULTO
All Photo Credit: Kelli Rothwell