Concerts Photos
Lauren Spencer Smith at MTelus in Montreal
On February 24th, 2026, Lauren Spencer Smith’s The Art of Being a Mess tour made its stop in snowy Montreal, Canada, at MTELUS. As fans trickled into the venue, they were treated to a beautiful and fun opening performance by “fairy-princess” Maisy Kay. She wore a beautiful layered and whimsical dress, and sported her iconic butterfly microphone. It was an excellent start to the event, and set a tone of dancing, fun and good energy to the night.
Next up was a second opening performance by Sadie Jean, whose indie pop music easily had fans swaying and dancing along. Her set included songs such as “I Tried”, “Somebody’s Everything”, and “WYD Now?” She took the time to wave and interact with fans, even taking a few gifts such as a bedazzled cowboy hat, and a Quebec flag designed for her.
Finally, fans buzzed in excitement as the main act, Lauren Spencer Smith took the stage. Her stage design was intricate and fun, featuring a telephone booth, a bench and a “Sad Girl on a Bench” tissue box, and various “street signs” that had references to the themes of her music. Her set opened with “IF KARMA DOESN’T GET YOU (I WILL)”, an intensely upbeat song that every fan in the room knew the words to. A few balloons were thrown into the air as the set continued, where “28” was performed on the bench mentioned earlier. Smith’s setlist consisted of 20 songs, and it was truly an emotional rollercoaster between soft and heavy themes, which felt like a perfect reflection of her discography. During the set, she continued the tradition of taking a picture with the crowd, which serves as a wonderful memory for fans to look back on.
Closing with “Fingers Crossed” and “Sticks & Stones”, Lauren Spencer Smith thanked the crowd for the night, and headed off stage to the sound of adoring cheers, and the energy of a great night!
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
February 28—Detroit, MI—The Fillmore
March 2—Indianapolis, IN—Egyptian Room at Old National Centre
March 3—Chicago, IL—Byline Bank Aragon Ballroom
March 4—Madison, WI—The Sylvee
March 6—Kansas City, MO—Uptown Theater
March 7—Minneapolis, MN—The Fillmore
March 10—Denver, CO—The Fillmore
March 11—Salt Lake City, UT—The Union
March 13—Phoenix, AZ—The Van Buren
March 14—Anaheim, CA—House of Blues
March 17—Los Angeles, CA—The Wiltern
March 18—San Francisco, CA—The Masonic
March 19—Sacramento, CA—Ace of Spades
March 21—Portland, OR—Roseland Theatre
March 22—Vancouver, BC—The Orpheum
March 23—Seattle, WA—Moore Theatre
More information on the tour here.
LAUREN SPENCER SMITH
SADIE JEAN
MAISY KAY
All Photo Credit: Ashley Bellam
Concerts Photos
Arlo Parks Brings Her ‘Desire Tour’ to the Pearl in Vancouver
Arlo Parks brought her Desire Tour to Vancouver’s The Pearl on September 22, turning the intimate venue into something much bigger than its walls suggested. In support of her third album, Ambiguous Desire, Parks delivered a set that traded some of her earlier introspection for movement, warmth and a genuine sense of connection.
She opened with “Heaven,” immediately filling the room with energy. Parks moved across the small stage with an ease that matched her soft vocals, while low lighting and haze created the kind of atmosphere that has become part of her live identity. By the time the chorus arrived, the crowd was fully in it.
That sense of connection became the defining feature of the night. Parks was joined by just two musicians, yet the stripped-down setup never felt too small. During “Get Go,” the audience took over the vocals.
The shift in energy reflects Ambiguous Desire, Parks’ third album and the follow-up to 2023’s My Soft Machine. Her Mercury Prize-winning debut, Collapsed in Sunbeams, captured isolation, young love and the uncertainty of growing up. The new record keeps that emotional honesty but gives those feelings somewhere to move.
“2SIDED” brought the set to a fitting close, capturing the album’s push and pull between giving love and wondering if it is being returned.
Arlo Parks had given Vancouver a dance party, but more than that, she created a room where people could simply feel close to one another.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ARLO PARKS
BAIRD
All Photo Credit: Caroline Charruyer
Concerts Photos
Citizen and a Stacked Lineup Bring Chaos to the Hollywood Palladium
Many assume Thursday nights are quiet in Los Angeles, but Citizen’s show at The Hollywood Palladium on September 17th proved otherwise. The venue was filled with an exceptional crowd. Featuring a lineup of three fantastic opening bands, the evening was sure to entertain everyone. Joining Citizen on their North American leg of the Halcyon Blues tour are Cryogeyser, Hotline TNT, and Anxious.
Cryogeyser, an LA-based band, opened the night with tracks like “Sorry,” “Stargirl,” “Angry,” and “Leach” from their self-titled second album, “Cryogeyser.” Led by Shawn Marom on vocals and guitar, with Zach Capitti-Fenton on drums and Samson Klitsner on bass, the album explores themes of personal reflection, growth, difficult adjustments, relationship struggles, and supporting your past self, highlighting the tension between heat and ice. Monster Children praised Cryogeyser as “a band you should know.”
Soon after Cryogeyser’s set, Hotline TNT took over the stage, injecting new energy into the night. The crowd’s excitement grew, turning into a mosh pit. Security shifted from assisting sluggish fans to catching those crowdsurfing over the barricade. Frontman Will Anderson said their latest album, “Raspberry Moon,” reflects a more mature sound. Unlike their earlier work focusing on youthful heartbreak, this album explores themes of falling in love, family, friendships, and understanding others’ perspectives.
Before Citizen could take the stage, one last band needed to perform: Anxious. This American emo-hardcore-pop group from Fairfield County, Connecticut, electrified The Palladium! With Grady Allen on vocals, Sam Allen on bass, Tommy Harte on guitar, and Jonny Camner on drums, the crowd was either in the mosh pit or crowd surfing. I was amazed I managed to capture in-focus photos of the band, despite their energetic jumping and running across the stage. Their set included songs from their 2022 debut album, Little Green House, and their latest album, Bambi, released in 2025.
How could the night get any better? Three incredible bands had just entertained the crowd, yet the restless crowd seemed to want even more! I soon realized that at 9:45 pm, the evening was only just commencing. As I stood in front of the stage, the room was filled with fans chanting “Citizen!Citizen!Citizen!Citizen!Citizen!” As the lights began to dim, Citizen
had finally taken the stage.
The band performed most of their new songs, such as “Good Fortune,” “I Can See You From Here,” and “Is It My Brain,” from their sixth album, Halcyon Blues. Fans crowded together, whether they knew each other or not. No matter how close they got to the stage, it still wasn’t close enough. Again, fans climbed on top of one another, passing along the tops of others, yearning to be as close to the band as possible.
While creating Halcyon Blues, lead singer Mat Kerekes and band members Nick Hamm (lead guitar), Eric Hamm (bass), Mason Mercer (rhythm guitar), and Ben Russon (drums) aimed to make it markedly different from their previous work. The album features a mature theme. Unlike their earlier records, which often show a youthful ignorance of life’s struggles, Halcyon Blues shifts from youthful frustration to a more sophisticated, mature perspective on life’s compromises. One of the album’s biggest takeaways is that peace can exist amid life’s discomfort. Discover tranquility through introspection within a tumultuous world.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
CITIZEN
ANXIOUS
HOTLINE TNT
CRYOGEYSER
All Photo Credit: Taylor Blazer