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Lauren Spencer Smith at MTelus in Montreal

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On February 24th, 2026, Lauren Spencer Smith’s The Art of Being a Mess tour made its stop in snowy Montreal, Canada, at MTELUS. As fans trickled into the venue, they were treated to a beautiful and fun opening performance by “fairy-princess” Maisy Kay. She wore a beautiful layered and whimsical dress, and sported her iconic butterfly microphone. It was an excellent start to the event, and set a tone of dancing, fun and good energy to the night.

Next up was a second opening performance by Sadie Jean, whose indie pop music easily had fans swaying and dancing along. Her set included songs such as “I Tried”, “Somebody’s Everything”, and “WYD Now?” She took the time to wave and interact with fans, even taking a few gifts such as a bedazzled cowboy hat, and a Quebec flag designed for her.

Finally, fans buzzed in excitement as the main act, Lauren Spencer Smith took the stage. Her stage design was intricate and fun, featuring a telephone booth, a bench and a “Sad Girl on a Bench” tissue box, and various “street signs” that had references to the themes of her music. Her set opened with “IF KARMA DOESN’T GET YOU (I WILL)”, an intensely upbeat song that every fan in the room knew the words to. A few balloons were thrown into the air as the set continued, where “28” was performed on the bench mentioned earlier. Smith’s setlist consisted of 20 songs, and it was truly an emotional rollercoaster between soft and heavy themes, which felt like a perfect reflection of her discography. During the set, she continued the tradition of taking a picture with the crowd, which serves as a wonderful memory for fans to look back on.
Closing with “Fingers Crossed” and “Sticks & Stones”, Lauren Spencer Smith thanked the crowd for the night, and headed off stage to the sound of adoring cheers, and the energy of a great night!

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
February 28—Detroit, MI—The Fillmore
March 2—Indianapolis, IN—Egyptian Room at Old National Centre
March 3—Chicago, IL—Byline Bank Aragon Ballroom
March 4—Madison, WI—The Sylvee
March 6—Kansas City, MO—Uptown Theater
March 7—Minneapolis, MN—The Fillmore
March 10—Denver, CO—The Fillmore
March 11—Salt Lake City, UT—The Union
March 13—Phoenix, AZ—The Van Buren
March 14—Anaheim, CA—House of Blues
March 17—Los Angeles, CA—The Wiltern
March 18—San Francisco, CA—The Masonic
March 19—Sacramento, CA—Ace of Spades
March 21—Portland, OR—Roseland Theatre
March 22—Vancouver, BC—The Orpheum
March 23—Seattle, WA—Moore Theatre
More information on the tour here.

LAUREN SPENCER SMITH

SADIE JEAN

MAISY KAY

All Photo Credit: Ashley Bellam

Concerts Photos

Buffalo Traffic Jam at the Danforth Music Hall in Toronto

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Buffalo Traffic Jam-Toronto-4

There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.

Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.

Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age. 

Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy. 

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

BUFFALO TRAFFIC JAM

COLIN LYNCH

LYDIA MAES

All Photo Credit: Bailey Morgan

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Concerts Photos

Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale

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Sabaton

After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.

Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.

Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.

Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.

The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.

The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.

After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

SABATON

POP EVIL

All Photo Credit: Caroline Charruyer

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