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DRAMA Brings ‘Platonic Romance Tour’ to the Commodore Ballroom in Vancouver

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Chicago duo DRAMA brought their Platonic Romance tour to Vancouver’s Commodore Ballroom on March 2, turning the storied dance floor into a warm, late-night therapy session you could move your hips to.

The pair, producer Na’el Shehade and vocalist Via Rosa, are touring behind their third album, Platonic Romance, released Jan. 9. The record leans into what they’ve always done well: sleek Chicago house grooves under vocals that feel intimate and unguarded. The title, coined years ago while on tour with SG Lewis, speaks to deep friendship and chosen family.

They opened with the title track, setting the tone with Rosa’s soft but steady presence. DRAMA has built a reputation for their “happy sad” balance, and it was on full display. Songs like “Make It Look Easy” and “Dollar $hort” pulsed with club energy, yet there was always an emotional undercurrent running beneath the beat.

Rosa doesn’t oversell a lyric, she lets it land. On “Savannah” and “Here With Me,” her voice floated over Shehade’s house rhythms, creating that blurry space between a packed dance floor and a 2 a.m. confession. “Here With Me,” in particular, felt like the emotional centerpiece.

The duo’s chemistry is the anchor. There’s an ease between them that can’t be staged. Shehade stayed focused behind the decks, layering basslines with precision, then stepping forward to hype the crowd when the moment called for it. Rosa moved with a calm confidence, smiling at the front row, occasionally closing her eyes as if she were back in the studio.

Mid-set, they nodded to longtime fans with “Low Tide,” and “Drama,” reminding the room how far they’ve come since their early EP days. A cover of “Dancing On My Own” drew a singalong, and their take on “Nobody” and “You’ve Done Enough,” both tied to their history with Gorgon City, were a hit with the crowd.

There’s something satisfying about watching a duo that has stayed independent grow into rooms like this. DRAMA has supported arena acts like ODESZA, yet at the Commodore they felt right at home. The venue’s springy dance floor seemed built for their grooves, bouncing in time during “Billy,” “Long Night,” and “Hopes Up.”

They closed the main set with “You’ve Done Enough,” leaving the crowd buzzing before returning for an encore that included “Years” and “3AM.”

What makes DRAMA stand out is restraint. They don’t chase drops for the sake of it. They build moods and trust the tension. On this tour, that approach feels refined and confident, like artists who know exactly who they are.

Check out our favourite photos of the night or head to our Facebook page for the full gallery!

Upcoming Tour Dates:
March 3 – Seattle – The Showbox
March 4 – Portland – Roseland Theater
March 6 – Oakland – Fox Theater
March 7 – Los Angeles – The Wiltern
April 17-19 – Indio – Coachella
More information on DRAMA‘s website.

DRAMA

All Photo Credit: Caroline Charruyer

Concerts Photos

Joyce Manor Bring I Used To Go To This Bar Tour to the Commodore Ballroom in Vancouver

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On May 11th, American punk rock band Joyce Manor brought their I Used To Go To This Bar Tour to the Commodore Ballroom in Vancouver for a high-energy, jam-packed set.

The punk rock band from Torrance, California, was formed in 2008. Known for their fast, emotionally charged songs and energetic live shows, they became a major influence in modern emo and pop-punk with albums like Never Hungover Again and 40 oz. to Fresno.

Taking the stage at 9:45 pm, Joyce Manor ran through an impressive 24-song set, jumping into hit after hit, with little downtime. The band kept the energy in the room throughout the night, with lots of moshing and crowdsurfing, especially in their hits “Catalina Fight Song”, “Heart Tattoo,” and “Constant Headache.”

Between the mayhem, the band’s songs evoke a deep sense of nostalgia, capturing the feeling of past heartbreak and growing up. Barry Johnson’s emotionally charged vocals, paired with the band’s raw, unfiltered guitar sound, have a way of making you get into your feelings.

The 24-song set allowed Joyce Manor to premiere a lot of their new material from I Used To Go To This Bar, while ripping through some of their biggest hits on cult favourites, Never Hungover Again and Joyce Manor, leaving something for everyone to enjoy.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

JOYCE MANOR

All Photo Credit: Hunter Soo

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Concerts Photos

Good Kid Bring ‘Can We Hang Out?’ Tour to the Vogue Theatre in Vancouver

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On May 10th, Canadian indie rock band Good Kid brought their Can We Hang Out? Tour to the Vogue Theatre in Vancouver. The Toronto-born group, known for their high-energy performances and catchy melodies, kept the Vancouver crowd going all night long with their quirky personalities and interactions with the crowd.

The band is touring in support of their first full-length studio album, Can We Hang Out Sometime? — A bright, energetic indie rock record about the importance of staying connected when life feels chaotic.

Good Kid took to the stage around 9:00 pm, previewing the fresh sounds of Can We Hang Out Sometime? Opening with the catchy “Wall”. Instantly, the band had the crowd at their fingertips, singing along to every single lyric and getting the whole venue jumping up and down.

The Toronto group have built one of the strongest artist–fan relationships in modern indie rock by making their audience feel like an active part of the band’s world rather than just consumers of their music. There is an official Good Kid discord server, and they regularly engage with their fans on social media. They’ve also tapped into the gaming/streaming space, letting people use their music without aggressive copyright enforcement and have made a name for themselves in the Fortnite community.

Through the night, the band ran through their hits like “From the Start”, Mimi’s Delivery Service”, “Cicada”, “Summer” and “Bubbly.”

The show was full of antics with a wall of death, playing basketball with a giant beach ball and hula hoops, and even lead singer Nick Frosst at one point joining the moshpit. With a show of hands, it was about half of the venue’s first concert experience, and Good Kid definitely made it one to remember.

One thing is for sure — anytime Good Kid rolls into town, Vancouver is always down to hang out sometime.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

GOOD KID

All Photo Credit: Good Kid

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