Concerts Reviews
Remember Girl Groups? FLO Does, And They’re Damn Good at It! – Live Review

Jorja Douglas, Stella Quaresma, and Renee Downer – you know them better as the breakout British girl group FLO – hit the iconic Commodore Ballroom last weekend for their first ever (and long awaited) headliner visit to Vancouver.
The first thing that struck me after FLO emerged from behind a trio of identical red backdrops was that I couldn’t remember the last time I had seen a decent girl group live and in their prime. I’m not suggesting that they don’t exist, and maybe it’s more of a British thing more than ever these days, but I am old. I remember. I remember the Sugababes (they reappeared for a minute there, recently) and B*Witched. Girls Aloud had their moment. But when was the last time you were at a show and thought “oh shit, I didn’t realize how much I missed the original Destiny’s Child.” I know, right? This really tried to fill that gap for me, and I’m not mad.
To make this FLO review entirely about Destiny’s Child for a moment, FLO reminds me of what I nostalgically remember Destiny’s Child being like before it became the Beyonce Show; Jorja, Stella, and Renee strutted back and forth, trading moments at center stage, coming in and out of the verses as needed. It was well choreographed, and I can only imagine a nightmare series of rehearsals to get it all memorized. It made my photographer head spin, but I assume it was incredible from the crowd! Great chemistry. Teamwork makes the dream work. No notes.
They played all their bangers, as one would expect. I hadn’t heard “Walk Like This” before, which makes me sad because it is catchy as fuck, but everyone else seemed to know all the words. That goes for “AAA” and “Fly Girl” as well, which people had clearly been waiting to hear. I think “In My Bag” was played before the show began, causing those already waiting on the dancefloor to lose their fucking minds, which I bet is always a pretty good thing to hear when your backstage and so far from home.
FLO strikes me as a group better suited to a festival or opening for a top 40 hitmaker in a huge arena. Anyone can rock the Commodore, the speakers are enormous, and the springy dancefloor is legend. I don’t know exactly what I felt was missing – backdrop production quality, maybe? FLO seems like the exact kind of group that would know what to do with a long catwalk splitting the crowd, you can have that one for free, FLO’s production team. The show was excellent, and it was clear that everyone enjoyed the show. So many people figured out the theme and wore red, and that was incredible, but something kept the show from being truly memorable, and I don’t know what it is. My age, again, probably. Maybe I shouldn’t watch clips of them at Coachella before seeing them locally? It could also be that.
Speaking of Coachella, I forgot they sang “Control Freak.” How did that not make it to Vancouver? Madness.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Here’s the setlist from this week’s show:
AAA
Walk Like This
Check
Fly Girl
Bending My Rules
Caught Up
IWH2BMX
Nocturnal
How Does It Feel?
Soft
On & On
Get It Till I’m Gone
Shoulda Woulda Coulda
‘The Pact’ Interlude
Losing You
In My Bag
Cardboard Box
Upcoming Tour Dates for FLO:
May 20, 2025: The Masonic, San Francisco, CA
May 22, 2025: Hollywood Palladium, Los Angeles, CA
Jul 12, 2025: Lollapalooza, Berlin, Germany
Jul 19, 2025: Somerset House. London, England
Sep 28, 2025: O2 Academy, Brixton, London
Sep 29, 2025: SWG3 Studio Warehouse, Glasgow, Scotland
Oct 1, 2025: Manchester Academy, Manchester
Oct 2, 2025: O2 Academy Birmingham, Birmingham
Oct 5, 2025: TivoliVredenburg, Utrecht, NL
Oct 6, 2025: De Roma, Antwerp






All Photo Credit: Jason Martin
Concerts Reviews
LIVE REVIEW: Goldfinger Keep the Pit Moving and the Shoes Flying in Vancouver
On April 17th, the Commodore Ballroom in Vancouver felt like a ska-punk time warp, with California punk legends Goldfinger supporting their new album, Nine Lives.
Sullvn got things rolling with a set that didn’t waste any time. Within minutes, hats were flying into the crowd like it was a merch-based game show, and the vibe quickly turned into organized chaos. They brought to the stage Dicky Barrett, former frontman of Mighty Mighty Bosstones for their hit “Raise a Glass”.
Next up was Broadway Calls, proving once again that a three-piece can absolutely shake a room. Their brand of fast, hooky punk tore through the crowd, with songs like “Call It Off” and “Back to Oregon” landing like instant jolts of energy. By the time they wrapped, the room was fully ready for Goldfinger.
Right away, frontman John Feldmann started doing crowd math. “How many of you are under 20?” A few scattered hands. “Over 40?” A lot more hands. He laughed and proudly stated that to still be doing this 32 years later as the best feeling in the world. This wasn’t a band clinging to nostalgia… but they also weren’t about to ignore it.
From there, it turned into the kind of chaos Goldfinger shows are known for, a non-stop blur of songs, crowd surfers, and, of course, the sacred tradition of shoes flying through the air. Somewhere along the way, footwear stopped being optional and started being part of the performance. Pairs were held up like trophies, launched across the room, or lost to the pit entirely. If you managed to leave with both shoes still accounted for, honestly, that’s a personal victory. The setlist leaned into exactly what people wanted. “Here in Your Bedroom,” “Chasing Amy” “Counting the Days”, all the hits, all loud, all sung back at the band like it was a group project. The floor barely stayed still for more than a few seconds, and the security team definitely got their steps in from the steady stream of crowd surfers.
During “Mable,” they pulled fans up on stage to dance, turning the whole thing into a slightly chaotic, very wholesome party. And then… “Superman.” The reaction was instant. Like, no hesitation, full-body nostalgia. The second it started, it felt like half the room got mentally transported back to playing Tony Hawk’s Pro Skater 2 in their living rooms. Suddenly, everyone knew every word (even the ones they probably didn’t know they knew), and the energy somehow went up another level. It wasn’t just a highlight, it was the moment.
When it wrapped at the Commodore Ballroom, the place was wrecked in the best way – sweaty, shoeless, and buzzing. Still, no one seemed in any hurry to leave.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
GOLDFINGER









BROADWAY CALLS



SULLVN



All Photo Credit: Heather Horncastle
Concerts Reviews
LIVE REVIEW: Face to Face with Sevendust in Riverside, Iowa
For close to thirty years, Hard Rock’s Sevendust has graced hundreds of stages all over the world, playing sell-out shows to rabid fans. The band, fronted by LaJon Witherspoon, has been recognized for its soulful vocals, hard-hitting riffs from Clint Lowery and John Connolly, thumping bass from Vince Hornsby, and monstrous drum sounds and screams from Morgan Rose. Riverside, Iowa was treated to the full Sevendust experience on Friday night.
The Riverside Casino Event Center has played host to events ranging from poker tournaments to keynote speakers, but on Friday it served as the setting for an amazing night of rock. The show started off with Iowa City–local band NonGrata. NonGrata has become very well known in the Eastern Iowa music scene, having opened for bands like Alien Ant Farm, Norma Jean, Archers, and will be opening for DED this summer. Blending groovy guitars with crisp clean vocals and harsh screams, the band delivers a sound that makes you want to jump out of your seat and stage dive. Although Sevendust was the main attraction on Friday night, everyone enjoyed NonGrata. They were a great choice to open the show and get people excited before Sevendust took the stage. NonGrata will be playing shows in Eastern Iowa throughout the year, and Midwest locals should take the chance to see a new band.
After an hour pre-show delay due to the weather, fans were itching to get out of their seats as anticipation for Sevendust taking the stage rose. Riverside was the second show of the One Tour, but there was no sign of early tour woes as the band broke right into Home. The 1999 track off the album of the same name was a great opener, carrying a hint of nostalgia and a whole lot of feeling. Witherspoon made an early effort to cross from side to side, ensuring every fan had the opportunity to interact with him. Stage presence is always among the highlights of a Sevendust show. Fans know they are going to get two things when they go to a Sevendust show: amazing music and plenty of interaction. The great music kept rolling as the second track of the night was a crowd favorite, Denial. The band was joined by hundreds of backup singers who knew every word, creating an ambiance that added essential energy to the environment.
The band seemed emotional in response to how well they were received by the Riverside crowd. After spending significant time in Europe to start the year, Sevendust said it was good to be home. Because these were among the first U.S. shows of the year, American fans had not yet had the opportunity to hear songs from the band’s upcoming album, One, live. The first chance came with the third song of the night, Is This the Real You. Although the Riverside crowd had never heard the song live, that did not stop them from singing along. Sevendust also played two other new tracks from the forthcoming album, Unbreakable and Threshold. Both sounded great live, and anticipation for the new album is high. Based on the reactions to the new material, the album will likely be well received when it comes out in two weeks on May 1.
The focus on new music did not stop Sevendust from breaking into its classics. The setlist was full of songs a Sevendust show would be incomplete without; Praise, Enemy, Waffle, and Black all had their place in the night. It truly was the complete Sevendust experience. The night could not end, however, without an encore of Rumble Fish and Face to Face. Even though the crowd was treated to a 15-song main set and a two-song encore, they still yearned for more. Unfortunately, all good shows must come to an end, but with 25 dates left on the One Tour, there will be plenty of opportunities to see Sevendust again this year.
One comes out May 1.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
Upcoming tour dates:
4/20 – Indianapolis, IN
4/21 – Lexington, KY
4/22 – Birmingham, AL
4/24 – Mobile, AL
4/25 – Destin, FL
4/26 – Atlanta, GA (supporting Alter Bridge)
4/28 – Dallas, TX
4/29 – Oklahoma City, OK
More information on the band’s website.
SEVENDUST







NONGRATA



All Photo Credit: Ryan Renger
