Concerts Reviews
Spiritbox Turns Vancouver Into A Tsunami Sea

May 6th marked a highly anticipated moment for metal fans in Vancouver, the return of Spiritbox. The “hometown” heroes, originally from Victoria, BC, performed their Tsunami Sea Tour to a nearly sold-out PNE Forum. The tour celebrates Tsunami Sea, Spiritbox’s sophomore studio album which released this past March to rave reviews. As a longtime fan, the announcement of the Forum as the tour stop felt significant as it signaled the group had grown exponentially since their last show in the city in 2023 at the Commodore Ballroom. Their impressive trajectory comes to no fan’s surprise as the past few years have been nothing but an uphill climb. From multiple Grammy nominations to major festival appearances, and most recently, Courtney LaPlante’s performance alongside Megan Thee Stallion at Coachella, Spiritbox has firmly established themselves as a major force in the modern music world.
Well before doors opened, hundreds, if not thousands, of fans wrapped around the Forum’s walls. Many of whom were spotted sporting Eternal Blue era merch, which was soon to be joined by Tsunami Sea designs. Once doors opened, energy surged immediately. The merch lines filled quickly, and fans rushed toward the barricade to secure the closest possible spot to the stage. Even for myself, a sense of energy blasted like lighting as my near six month wait for the show was finally ending. The night kicked off with a behemoth trio of opening acts: Poor Sport, Dying Wish, and LOATHE.
Poor Sport and Dying Wish tag-teamed the night with back-to-back sonic uppercuts, ramping up the chaos. Circle-pits were whirlwinds and heads banged with powerful fury. Once the baton was passed to Liverpool juggernauts LOATHE, the fuse hit the powder, and Vancouver erupted. As their set opened with “Gifted Every Strength”, a brooding atmosphere settled over the Forum. The only light came from the moody side-stage fixtures, like a prelude to a storm. Like lightning, LOATHE yanked the crowd into a whirlpool of distortion and disarray, shifting the energy from slow burn to full detonation. Vocalist Kadeem France and co. delivered a rollercoaster of emotion and brutality across an 8-song set that made one thing clear, this performance was a statement.
“Hello Vancouver! We’ve been waiting so long to say that,” Kadeem declared mid-set, signalling the band’s long-overdue debut in the city. Fans, some of whom had waited nearly a decade for this moment, responded in erupting cheers, especially during cult-favourites “Two-Way Mirror” and “Is It Really You?”. If this was anyone’s first time seeing LOATHE, they probably walked out a fan. If they were already one, they walked out grinning. Either way, the Liverpool prog-metal crew left their mark, and thankfully, it won’t be long until round two, as they return this October. This time, at Vancouver’s staple venue Rogers Arena, as they’ll be opening for none other than metal gods Korn.
Though only minutes passed between LOATHE and Spiritbox, it felt like the air itself was holding its breath. Around me, fans swapped stories, revisiting earlier sets, reliving Spiritbox’s last time in town, and speculating nervously about what might unfold. The room buzzed with a tension that no stage light could touch. Then, just after 9 p.m., the lights dimmed and time snapped back into motion. A low, pulsing bass crept in like a heartbeat, and on screen, an image of a burning ship appeared. That was the moment the crowd went silent, the collective anticipation crashing inward. This was it, the moment we’ve waited months for finally arrived.

The set kicked off with “Fata Morgana,” the opening track from Tsunami Sea, and Spiritbox wasted no time. Guitarist Mike Stringer, bassist Josh Gilbert, and drummer Zev Rose unleashed a tidal wave of sound, distorting the stage with unapologetic force. With it, fans answered by turning the Forum floor into a literal Tsunami Sea of crowd-surfers. While the instrumental trio held command, it was singer Courtney LaPlante’s arrival that detonated the room. One moment, anticipation; the next, ignition. A single line, “Sorrow follows me” ripped through the atmosphere, and with it, Vancouver surrendered their sanity.
Courtney’s vocals defy easy description, guttural and feral one moment, hauntingly angelic the next. On tracks like “Soft Spine”and “Holy Roller,” her screams felt ripped from another dimension, only to dissolve into ethereal tones of chilling beauty. It’s this duality, violence and grace, that sets her apart in the metal world. The night’s 16-track setlist was a showcase of the band’s evolution while celebrating their latest release, Tsunami Sea. Spiritbox left little room for breath as they moved with intention through their catalog, each track bleeding seamlessly into the next. Fan-favourites like “No Love, No Loss,” “Secret Garden,” and “Jaded”drew thunderous reactions. Visually, the black-and-white aesthetic of Tsunami Sea took center stage, and transformed the Forum into a monochrome fever dream. At times, the stage visuals verged on eerie, even nightmarish, casting an almost horror-film filter over the performance. Spiritbox’s set wasn’t without its surprises, with two standout guest appearances that elevated an already electrifying performance.

Midway through the night, Noah Edwards of Poor Sport took the stage to join Courtney on vocals for “Circle With Me,” giving the fan-favourite track an added jolt of intensity. Later, Jessie Grace of Don’t Deserve A Grave stepped in for “No Love, No Loss,” her contribution added grit to the already hard-hitting number. While LaPlante’s vocal versatility was front and centre throughout the night, guitarist Mike Stringer delivered a standout performance of his own. Nowhere was this more evident than on “Black Rainbow,” where his precision and force cut through the venue like a blade. Working in perfect tandem with drummer Zev and bassist Josh, the trio built a breakdown that felt cinematic in scale. A thunderous, tightly-wound moment that echoed the intensity of Mick Gordon’s Doom soundtrack.
Spiritbox closed the night with “Ride the Wave,” a track that began with a haunting elegance reminiscent of Evanescence’s The Open Door era, before erupting into a thunderous, full-scale finale. The crowd, far from weary, left the venue visibly buzzing, many already clamouring for more. For a band known for intensity, Spiritbox exceeded even their own reputation, delivering a performance many fans were calling flawless.
With Tsunami Sea representing what may be the band’s most cohesive and ambitious work to date, expectations for this show were sky-high. Yet, by the final note, those expectations were obliterated. The set was sharp, emotionally charged, and showcased a band fully stepping into their prime. For years, it’s been clear Spiritbox had the potential to break through. With a near-capacity crowd at Vancouver’s PNE Forum, that potential is no longer a prediction, it’s reality. At this pace, it’s not hard to imagine their next Vancouver stop being a headlining slot at Rogers Arena.
I’d like to thank Spiritbox and their incredible team for allowing me to capture the magic that was the Tsunami Sea Tour. If you’d like to catch a future date, or find out more info on the band, visit here.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SPIRITBOX







LOATHE


All Photo Credit: Marquise Monno
Concerts Reviews
LIVE REVIEW: Benee Brings Her ‘Particule Tour’ to the Hollywood Theatre in Vancouver
The Hollywood Theatre, Vancouver | March 4, 2026
BAYLI
Opening for BENEE was singer, songwriter, and rapper Bayli! Formerly part of “The Skins,” Bayli has been touring as a solo act since 2019, reaping acclaim for songs like “Passenger Princess” and “SUGARCOAT.” The first thing we thought when dipping our toe through her back catalog this week was how much she encapsulated Robyn’s recent line that “The purpose of [her] life is to stay horny.” That’s very much Bayli’s vibe; her songs are sexy, bordering on erotic. Her brand of EDM-pop is rooted in “explicit queerness” and while she has rejected any one label, her music is for and relatable to everyone. Also, again, very, very, horny.
If You Only Listen by One Song by Bayli:
“Sushi For Breakfast” (Stories from New York, 2020)
Here are a few photos of Bayli that we hope you enjoy!




BENEE
On Wednesday, March 4, BENEE returned to Vancouver to support her 2026 headlining Particles Tour which began earlier this month. A mind-blowing five years after the release of her debut album, BENEE is once again on the road and hitting 23 cities in North America. We were lucky enough to shoot her June 2022 show at The Vogue, and we’ve been patiently waiting for another chance to see her live ever since! We waited through COVID for that show to be rescheduled, we waited 5 years to see her again and, hand to heart, we’ll happily wait until she returns again!
Must Hear Songs by BENEE (In Our Respectful Opinion):
Wishful Thinking (Fire on Marzz, 2019)
Soaked (Fire on Marzz, 2019)
One of BENEE’s more endearing traits is her comfortability and overall contentment on the stage. Still rocking oversized boots and long sleeves, she seemed at home in front of the crowd, dancing through the shadows the minimal lighting provided. And smiling! Always smiling. Whether it was thanking her fans for taking the time to make an adorable sign or – and I’m not saying I understand how we got here – speaking about Canada and leading the entire venue through an impromptu round of “Oh Canada” she cleared enjoyed her time in Vancouver.
BENEE’s latest album continues to experiment with genres, mixing upbeat pop with lighter, more experimental melodies. Perhaps unsurprisingly, her shows are never one-note as she moves back and forth between these sounds, creating a “what’s next” situation where it’s beyond difficult to get bored or into anything resembling a sleepy rhythm. Her show is visually dark, and moody, and there is smoke! But there is a lot coming at you, and a lot to love.
Benee Setlist:
Sad Boiii
Cinnamon
Vegas
Beach Boy
Wishful Thinking
Soaked
Doomsday
Demons
Prey4U
Animal
Heaven
Make You Sick (Snippet)
Glitter
Princess
Underwater
Afterthought (Joji cover)
Supalonely
Off The Rails
Play Video
Green Honda
Once again, we had an incredible night at The Hollywood Theatre and loved every moment of the show. Thank you, BENEE! Check out our favourite photos of the night below or head to our Facebook page for the full gallery!




All Photo Credit: Jason Martin
Concerts Reviews
LIVE REVIEW: A Sold-Out Night of Performance Art With Sudan Archives
Words by Kali Moreno
Photos by Kelli Rothwell
A sold-out night at The Pearl set the tone for a show that felt half concert, half art installation. Sudan Archives brought her genre-blurring world to Vancouver following the release of The BPM in 2025, with support from Cain Culto.

Cain Culto confidently navigated an energetic, multi-media set backed by Indigenous, Latin American, and Bluegrass influences – what he calls Kentucky Latin Art-Pop. As he gradually shed layers of clothing, he added homemade props to deliver his song’s messages of empowerment and resistance in both Spanish and English. His musical skills as a vocalist and violinist, paired with his artistic expression as a visual artist, created a riveting piece of performance art.

Dressed in a skin-tight, full body suit and wearing otherworldly grey contact lenses, Sudan Archives commanded a sold-out stage for her one-woman set at The Pearl. The deeply human themes of her songs, which sit in genre around house, techno, and R&B, were shared with the rowdy audience alongside recurring mechanical sounds and choreographed robotic movements. This examination of technology and humanity reminded that her artistry and expression transcend her talents as a singer, violinist, and beat-maker. Sudan Archives performed three encore songs, jumping off the stage to dance with the screaming crowd before leaving Vancouver with the parting words: “y’all are fucking lit.”
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
02-18 San Francisco, CA – Regency Ballroom
02-19 San Diego, CA – Music Box
02-20 Los Angeles, CA – The Fonda Theatre
More info on Sudan Archives’ website.
SUDAN ARCHIVES







CAIN CULTO



All Photo Credit: Kelli Rothwell
