Concerts Reviews
The Darkness Light Up Montreal with Old-School Rock and Roll
On Sunday night, British glam rock veterans The Darkness rolled through Montreal as part of their “Dreams on Toast” North American Tour. They’re on the road promoting their eighth studio album, and fans packed the iconic Club Soda for a night of old-school rock and roll with their signature touch of glam.
First on the bill was Ireland’s very own Mark Daly, along with a full backing band. Mark Daly and his band played unapologetic garage rock and roll. His voice was reminiscent of Eddie Vedder from Pearl Jam or the late Chris Cornell, and their music gave off heavy Led Zeppelin vibes. It was clear what their influences were, and the Montreal crowd was absolutely vibing with them. It was their first time in the city, and they were visibly shocked by the great response from the Montreal crowd. In an act I rarely see for an opening band, about halfway through their set, the classic “Oee oee oee” chants blasted through the venue. Daly, a bit in disbelief, said, “This is the first time that’s ever happened to us. This is insane. Thank you,” before finishing their set. They all grabbed a shot of whiskey and toasted the Montreal crowd. “You know how we Irish people don’t like to drink at all,” he joked, “but this is a special occasion.” It was a truly great opening act that I hope to catch again soon.
At 9 p.m. sharp, the stage flooded with smoke and red light, and in came The Darkness. Dan Hawkins (guitar) and Rufus Taylor (drums) came out first, arms raised and clapping to the cheering crowd, followed by Frankie Poullain (bass). Seconds later, their iconic frontman Justin Hawkins rushed in, rocking a full-on cowboy outfit: a black embroidered button-up shirt, slim black pants with metal studs down the sides, and, of course, a cowboy hat. He strapped on a grunged-up orange neon Stratocaster, and the rock and roll party aptly started with “Rock and Roll Party Cowboy,” the first single from their new album.
The band sounded fantastic and well-rehearsed throughout the night. Specially obvious during the second song of the set, “Get Your Hands Off My Woman,” a track I know front to back from their first album, Permission to Land. Hawkins’ signature falsetto just makes you want to go, “Hell yeah!” with every note. It’s pure glam rock and roll, something we no longer get to see very often, especially in mid-size venues.
The set list felt very well-crafted by a band that seemed to know most of the audience grew up listening to Permission to Land and that’s what we wanted to hear. They would play a couple of new songs, then go back to a banger from their first album like “Givin’ Up” and their iconic power ballad “Love Is Only a Feeling.” The band would then move on to play newer stuff like “Motorheart” or “Mortal Dread.” It was an unspoken exchange between the band and the audience: “We’ll give you what you want, but we’ll also play what we want in return.”
Even on the lesser-known songs, Hawkins knows full well how to command an audience. During “Walking Through Fire” he ran the audience through a line dance, doing a two-step to one side of the venue, then the other. I have to admit, seeing a bunch of metalheads line dancing on a Sunday night at a rock show wasn’t on my bingo card, and it’s the kind of energy the frontman is able to transmit to a crowd with ease, even after all these years.
Throughout the night, The Darkness had some great surprises to hype us up. They played a cover of “The Power of Love” by our own local treasure, Celine Dion. That, of course, might have been the loudest the crowd was all night. If you want a Montreal crowd to go crazy, just play Celine Dion; it will never fail. They also played a cover of “Fat Bottomed Girls” by Queen, which also never fails to hit at a metal show, with Hawkins hitting every note originally sung by the legend Freddie Mercury with ease.
The highlight, of course, was closing their main set with “I Believe in a Thing Called Love.” The song that gave them international recognition back in the early 2000s is a must-have on every glam-metal playlist around the world. We all sang along with Hawkins, who could not stop smiling through the entire song.
It was a night of pure rock and roll bliss. The Darkness proved they can still command a crowd, bringing their timeless glam-rock sound to a city ready to embrace both the nostalgia and the new. The Montreal crowd was more than happy to be a part of it, leaving no doubt that the band still has a great following on the other side of the world.
Check our our favourite photos of the night below or head to our Facebook page for the full gallery!
THE DARKNESS
MARK DALY
All Photo Credit: Andres Amaya
Concerts Reviews
LIVE REVIEW: Evan Honer Turns the Commodore Into a Living Room Singalong
On March 30, 2026, Commodore Ballroom felt less like a historic venue and more like someone’s packed house party with Evan Honer at the centre of it all.
The night opened with Sam Burchfield, whose warm, rootsy set eased the crowd in. His style leaned into folk and Southern textures, setting a tone that fit neatly with what was coming next.
Honer’s rise still feels a bit unreal when you line it up. A few years ago, he was balancing college life and Division I swimming. Then his cover of “Jersey Giant” by Tyler Childers exploded online, pulling in hundreds of millions of streams and flipping his life overnight. Fast forward to now, and he’s running his own label, recording out of a garage studio, and touring internationally with a catalogue that keeps growing.
That momentum showed up immediately on stage. Honer kicked off his set with a burst of energy (and yes, a backflip!) setting the tone for a night that bounced between chaos and quiet reflection. Backed by a 5-piece band, he moved easily between acoustic moments and full-band arrangements, switching guitars and moods easily.
A big part of the set leaned on his latest album, Everything I Wanted, which marks a shift in his sound. The Americana roots are still there, but there’s a stronger pull toward indie pop and mainstream country. Tracks like the title song turned into full-on crowd moments, with the audience shouting back every word.
What stood out most was how little it mattered whether a song was new or old. Fans knew everything. Tracks from West On I-10 landed just as loudly as newer material, and songs like “Foolin’ Ourselves” and “Too Far Gone” felt like staples rather than throwbacks.
Mid-set, Honer slowed things down and stripped it back. Alone on stage, he played “Brother” and “Mr. Meyers,” both heavy, personal songs. You could feel the room quiet. It’s a risky move in a high-energy set, but it paid off.
He didn’t let things stay heavy for long with “Jersey Giant.” It’s still the song that introduced him to a massive audience, and live, it feels like it belongs to both him and the crowd now.
The encore leaned unexpected, with a cover of “Sugar, We’re Goin Down” by Fall Out Boy that somehow worked perfectly. Honer closed with “IDK Shit About Cars,” sending the room out on a high.
Beyond the music, the night carried a bit more weight. Honer has partnered with PLUS1, with $1 from every ticket supporting the Schizophrenia & Psychosis Action Alliance. It’s a small detail, but it adds context to an artist who clearly thinks beyond the stage.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
March 31 – Seattle, Wash. @ Showbox
April 1 – Portland, Ore. @ Crystal Ballroom
April 3 – San Francisco, Calif. @ The Fillmore
April 4 – Los Angeles, Calif. @ El Rey Theatre
April 5 – San Diego, Calif. @ The Observatory North Park
April 7 – Flagstaff, Ariz. @ Orpheum Theater
April 10 – Tucson, Ariz. @ La Rosa
April 11 – Phoenix, Ariz. @ The Van Buren
April 15 – Tulsa, Okla. @ Cain’s Ballroom
April 16 – Dallas, Texas @ The Echo Lounge & Music Hall
April 18 – Georgetown, Texas @ Two Step Inn
More information on Evan Honer’s website.
EVAN HONER
SAM BURCHFIELD
All Photo Credit: Caroline Charruyer
Concerts Reviews
LIVE REVIEW: The Goo Goo Dolls Deliver Nostalgic Hit-Filled Night at Canada Life Centre in Winnipeg
When I arrived at the Canada Life Centre right before doors opened for The Goo Goo Dolls headlining concert on Saturday night (March 28th), the scene outside already said everything about what this night meant. The general admission line had completely wrapped around the block, and people were already lining up hours before the show. By the time the doors opened, I could see the excitement in people’s eyes, and you could feel the energy building even before stepping inside. It makes sense, though. The Goo Goo Dolls have quietly broken records, contributed a lot to the American rock songbook, and connected with millions of fans around the world over the years.
With Dashboard Confessional on the bill, the night started without any delays. At first, Chris Carrabba came out alone with his guitar and started singing, which gave the set a more intimate start. Then the rest of the band joined him, and once the full band was on stage and the lights came on, the entire band was seen performing with electrifying energy. They started with “The Best Deceptions” and “The Sharp Hint of New Tears,” followed by “Southbound” and “Sinking.” Everyone seemed to enjoy it, and people around me were talking about how incredible Chris sounded that night. The crowd was already warmed up by that point, singing along and reacting to every moment. They ended their set with all-time favorites like “Hands Down” and “Vindicated,” leaving the audience fully ready for the main act.
The Goo Good Dolls fans were so ready to sing with the band that day. Following the release of the Goo Goo Dolls’ 2025 EP, Summer Anthem, the band has been trending and it showed in the crowd’s reaction. They started with “Naked,” “Home,” followed by “Slide” which brought a wave of nostalgia. Few songs from Summer Anthem touched the hearts of audiences such as “Ocean,” “Run All Night,” and “Not Goodbye.” Things got little bit melodic when they played “Acoustic#3,” “Sympathy” and “Name”. With “Iris” dominating every social media post lately, it was refreshing to hear “Name”. During those songs, John shredded on his guitar and performed solos. The setlist jumped around quite a lot but whatever they did was the best. Later, “Better Days” followed by “Broadway” where they introduced the whole band. Everyone applauded and shouted when they introduced themselves.
Before “Iris” started, everyone turned on their flashlights. It was marvelous to see thousands of flashlights waving throughout the arena. Everyone sang along and didn’t miss a single note. What a great way to end the Saturday night. The band and all the crowd truly seemed to be relishing at the Canada Life Centre. The set list was solid that night.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
March 30, 2026 – Sault Ste. Marie, ON – GFL Memorial Gardens
April 1, 2026 – Oshawa, ON – Tribute Communities Centre
April 2, 2026 – Hamilton, ON – TD Coliseum
April 4, 2026 – London, ON – Canada Life Place
April 6, 2026 – Ottawa, ON – Canadian Tire Centre
April 8, 2026 – Laval, QC – Place Bell
April 10, 2026 – Halifax, NS – Scotiabank Centre
April 11, 2026 – Moncton, NB – Avenir Centre
April 18, 2026 – Georgetown, TX – Two Step Inn 2026
May 15, 2026 – Las Vegas, NV – The Venetian Theatre
May 16, 2026 – Las Vegas, NV – The Venetian Theatre
May 20, 2026 – Las Vegas, NV – The Venetian Theatre
May 22, 2026 – Las Vegas, NV – The Venetian Theatre
May 23, 2026 – Las Vegas, NV – The Venetian Theatre
More information here.
GOO GOO DOLLS
DASHBOARD CONFESSIONAL
All Photo Credit: Nischal Karki