Concerts Photos
Evan Honer at El Rey Theatre in Los Angeles
Evan Honer is a country artist who auditioned for American Idol in 2023, and the judges gave him three no’s. Obviously, they made a huge mistake. With 2.7 million monthly listeners on Spotify, a song with 125 million streams, and a huge spring tour, it could have been a blessing in disguise. As an independent artist, he has made his way to a bigger venue in LA each time he tours. On the last tour, he performed at the legendary Troubadour.
After performing in CA cities from San Diego all the way to Bakersfield, Evan Honer made his way to Los Angeles on March 6, 2025. As he flipped onto the stage, he opened up the night with his new single “Everything I Wanted”. The audience went wild as they started to sing along to the upbeat song, which seems to take inspiration from the pop punk genre in the 2000s.
He then noted later in the night that most of his music is much more sad. Evan writes music that connects with people as vulnerability resonates with his fans. Some more songs of the night included: “Take Me As I Come”, “idk shit about cars”, “Wake up, Come Down,” and his most streamed song, “Jersey Giant”, a Tyler Childers’ cover. The atmosphere in the El Rey Theatre was unbeatable. Fans were dancing around, rocking out, and shedding tears.
He opened up and gave us insight into his songs multiple times throughout the night. One that stuck with me after the show was “Brother” and “Mr. Meyers”. Before performing “Brother”, he shared how he wrote the song for his brother who lives with schizoeffective disorder. This moment was highly vulnerable to share, yet telling these stories in your songs matters. Evan is a true songwriter. I got teary eyed when he sang the lyrics:
“Oh brother I don’t see what you see and it kills me not to know”
“Oh brother I don’t feel what you feel but it’s eating at your bones”
Being able to verbalize one’s feelings so effectively keeps fans coming back for more. I can’t wait to see where he performs next in Los Angeles, as it was a great night of music in our city.
Jacob Wright opened the night with his song “New Jersey”, a somber but freeing song about self-reflection after the end of a relationship.
Check out our favourite photos of the night or head to our Facebook page for the full gallery!
EVAN HONER
JACOB WRIGHT
All Photo Credit: Colin Hancock
Concerts Photos
Marianas Trench Pack History Ottawa, With Fionn Opening
Vancouver acts on both ends of the bill. Fionn opened and Marianas Trench headlined at History Ottawa on October 24, 2026.
Fionn, a pair of twins, had a room that was already nearly full by the time they hit the stage, which isn’t always a given for an opener. They made the most of it with a high-energy set that never let up, and with the two working well together, and feeding off each other’s energy. They were rocking out the whole way through, and it set the tone for the night.
Marianas Trench took the stage to a crowd that was loud from the start and sang along throughout, often seeming to carry the songs as much as the band did.
The set covered a wide range of their discography, from newer hits like “Down to You” to older fan favourites like “Stutter” and “Cross My Heart.” Longtime fans and newer ones got their moments, and the crowd knew every word either way.
Frontman Josh Ramsey, on lead vocals and guitar, controlled the room from start to finish. He was engaging and constantly connected with the audience, and his vocals were fantastic. Midway through the night he left the stage and walked through the crowd, a staple of his at many shows. It brought him face to face with the fans singing back at him, a moment I’m sure they’ll never forget.
It was a strong night for Vancouver music in Ottawa: an opener that came to play and a headliner that had the whole room with them.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
MARIANAS TRENCH
FIONN
All Photo Credit: Kieran Delport
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim