Concerts Photos
Joy Oladokun at Commodore Ballroom in Vancouver
On March 6, American singer-songwriter Joy Oladokun brought her deeply personal and emotional Blackbird Tour to the Commodore Ballroom in Vancouver, delivering a night that felt equal parts intimate and triumphant.
Opening the evening was Luke Tyler Shelton, whose warm stage presence and heartfelt songwriting set the tone for the night. With a voice that carried a quiet strength, Shelton’s performance resonated with the crowd, offering a perfect lead-in to the main event as he shard songs form his latest album Hell of A Ride.
Taking the stage to an enthusiastic welcome, Oladokun kicked off her set with “Am I?” from her latest album, Observations from a Crowded Room. The track’s ‘90s alt-rock energy and raw lyrics immediately pulled the audience into her orbit. Oladokun’s ability to balance vulnerability with humour was on full display throughout the night.
She shared a story about her bandmates getting denied entry into Canada. Despite the setback, she played with a temporary bassist and keyboardist, both of whom fit effortlessly into her sound. She also joked about a team member reminding her to finish her weed before crossing the border to Canada, earning big laughs from the audience.
The setlist was a well-curated mix of old favourites and newer material. “Taking Things for Granted” had the crowd cheering from the first chord, while “We’re All Gonna Die” turned existential dread into a sing-along moment of catharsis. Halfway through her set, she launching into an acoustic set that ended with The Beatles’ “Blackbird.” The emotional peak of the night came with “Flowers”. The room fell into a reverent hush, hanging on every word.
Her show left everyone a little lighter, a little more understood. If you haven’t seen Joy Oladokun live yet, do yourself a favour—her music hits different in a packed room full of love. More tour info on her website.
Check out our favourites photos of the night or head to our Facebook page for the full gallery!
JOY OLADOKUN
LUKE TYLER SHELTON
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan