Concerts Photos
High Valley Bring ‘Paradise & Hurricanes Tour’ to the Commodore Ballroom in Vancouver
The Commodore Ballroom leaned fully into country mode on March 27 as High Valley ended their Paradise & Hurricanes Tour in Vancouver. The room filled early, a mix of denim, boots, and fans ready to sing every word.
Opening the night was Kelowna singer Dawson Gray, a rising name who’s been carving his own lane in country. Known for his songwriting and easy stage presence, Gray brought a confident, no-frills set that clicked right away with the early crowd. He performed recent releases like “Chevy Back,” as well as his new 2026 single “When We Die,” hinting at a shift in sound. The highlight was his Canadian Medley that included Avril lavigne. His set felt polished but still loose enough to keep things personal, setting a strong tone for the night ahead.
When High Valley hit the stage, the energy spiked fast. Frontman Brad Rempel led the charge with a mix of polish and pure enthusiasm. From the first song, the band leaned into their signature blend of pop-country hooks and bluegrass roots. Tracks like “She’s With Me” and “Make You Mine” had the floor bouncing, while newer material kept things fresh. Rempel even mentioned how Vancouver got going right away instead of having to ease the crowd into the night.
Midway through, the set took a turn. The band pulled things back for a stripped-down segment that felt closer to a campfire jam than a packed ballroom. Requests came flying in, and High Valley played along, delivering older fan favourites with tight harmonies and a loose, personal feel. It was a smart shift that gave the night some breathing room.
Rempel stayed in constant motion, even stepping into the crowd to high-five fans and grab a few quick selfies without missing a line.
They closed the night the same way they opened it, with high energy and big singalongs. The balance between full-throttle country and quieter moments held up all night.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HIGH VALLEY
DAWSON GRAY
All Photo Credit: Caroline Charruyer
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer