Concerts Photos
High Valley Bring ‘Paradise & Hurricanes Tour’ to the Commodore Ballroom in Vancouver
The Commodore Ballroom leaned fully into country mode on March 27 as High Valley ended their Paradise & Hurricanes Tour in Vancouver. The room filled early, a mix of denim, boots, and fans ready to sing every word.
Opening the night was Kelowna singer Dawson Gray, a rising name who’s been carving his own lane in country. Known for his songwriting and easy stage presence, Gray brought a confident, no-frills set that clicked right away with the early crowd. He performed recent releases like “Chevy Back,” as well as his new 2026 single “When We Die,” hinting at a shift in sound. The highlight was his Canadian Medley that included Avril lavigne. His set felt polished but still loose enough to keep things personal, setting a strong tone for the night ahead.
When High Valley hit the stage, the energy spiked fast. Frontman Brad Rempel led the charge with a mix of polish and pure enthusiasm. From the first song, the band leaned into their signature blend of pop-country hooks and bluegrass roots. Tracks like “She’s With Me” and “Make You Mine” had the floor bouncing, while newer material kept things fresh. Rempel even mentioned how Vancouver got going right away instead of having to ease the crowd into the night.
Midway through, the set took a turn. The band pulled things back for a stripped-down segment that felt closer to a campfire jam than a packed ballroom. Requests came flying in, and High Valley played along, delivering older fan favourites with tight harmonies and a loose, personal feel. It was a smart shift that gave the night some breathing room.
Rempel stayed in constant motion, even stepping into the crowd to high-five fans and grab a few quick selfies without missing a line.
They closed the night the same way they opened it, with high energy and big singalongs. The balance between full-throttle country and quieter moments held up all night.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HIGH VALLEY
DAWSON GRAY
All Photo Credit: Caroline Charruyer
Concerts Photos
The Charlatans at the Commodore Ballroom in Vancouver
There is something special about watching a band that has been doing this for decades step onstage and look like they are having just as much fun as the people watching them. That was The Charlatans at the Commodore Ballroom in Vancouver on September 11.
Frontman Tim Burgess remains one of the most naturally charismatic figures in British alternative rock. From the opening moments, he was constantly connecting with the crowd, arms raised, dancing across the stage and soaking in every response. There was no sense of going through the motions. The joy looked genuine.
The set balanced the band’s latest album, We Are Love, with a deep run through their back catalogue. “We Are Love,” “Deeper and Deeper” and “For the Girls” sat comfortably beside classics like “North Country Boy,” “Weirdo,” “Tellin’ Stories,” “One to Another” and “Just When You’re Thinkin’ Things Over.”
Tony Rogers’ Hammond organ remained one of the band’s secret weapons, adding that unmistakable swirl to the songs, while Mark Collins’ guitar and Martin Blunt’s bass gave the set its groove. The chemistry between the musicians was just as enjoyable as the songs themselves. At times, it felt less like watching a tightly scripted rock show and more like being invited into a really good studio jam.
“North Country Boy” and “One to Another” produced some of the biggest reactions of the night, but “The Only One I Know” was the obvious crowd-pleaser. They closed the encore with “Sproston Green.”
More than 30 years into their career, The Charlatans are not simply selling nostalgia. They are still making new music, still taking chances onstage and, perhaps most importantly, still look like they genuinely love playing together. Vancouver got a reminder that some bands age, but the Charlatans just keep playing.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
THE CHARLATANS
All Photo Credit: Caroline Charruyer
Concerts Photos
Kaleo Brings Icelandic Fire to History Ottawa
Icelandic blues rock band Kaleo played History Ottawa on Tuesday night, headlining a bill that also introduced the city to opening act the Pernikoff Brothers in the duo’s first-ever Ottawa performance.
Pernikoff Brothers Open with Storytelling Performance
The Pernikoff Brothers took the stage first, tasked with winning over a crowd that had never seen them play live in the city. The band built its set around a strong narrative thread, framing songs with between-song storytelling.
A highlight of the night came from their drummer, whose solos punctuated the show and drew some of the loudest reactions of the opening slot.
Kaleo Headlines with Focus on Music Over Spectacle
When Kaleo walked out, there was no need for spectacle, the band let the music do essentially all of the talking. Just a tight, focused set built around the thing that’s made them a global name: those vocals.
Guitar work added a bluesy edge throughout, and the band’s dynamic range, moving between restrained verses and full-band choruses, kept the audience engaged without relying on elaborate production or extended stage talk.
The Icelandic band will finish their Canadian leg of the tour in Prince Edward Island September 11th, before continuing their international tour into 2027.
New Venue
The show also served as an early test for History, Ottawa’s newest live music venue. The room handled both acts well, supporting the Pernikoff Brothers‘ more stripped-down sound as well as Kaleo‘s fuller electric set. Based on this performance, the venue appears well-positioned to become a regular stop for touring acts.
Tuesday’s show paired a promising Ottawa debut from the Pernikoff Brothers with a focused, vocal-driven headline set from Kaleo, all inside a new venue that proved itself capable of hosting both.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
KALEO
PERNIKOFF BROTHERS
All Photo Credit: Kieran Delport