Concerts Photos
High Valley Bring ‘Paradise & Hurricanes Tour’ to the Commodore Ballroom in Vancouver
The Commodore Ballroom leaned fully into country mode on March 27 as High Valley ended their Paradise & Hurricanes Tour in Vancouver. The room filled early, a mix of denim, boots, and fans ready to sing every word.
Opening the night was Kelowna singer Dawson Gray, a rising name who’s been carving his own lane in country. Known for his songwriting and easy stage presence, Gray brought a confident, no-frills set that clicked right away with the early crowd. He performed recent releases like “Chevy Back,” as well as his new 2026 single “When We Die,” hinting at a shift in sound. The highlight was his Canadian Medley that included Avril lavigne. His set felt polished but still loose enough to keep things personal, setting a strong tone for the night ahead.
When High Valley hit the stage, the energy spiked fast. Frontman Brad Rempel led the charge with a mix of polish and pure enthusiasm. From the first song, the band leaned into their signature blend of pop-country hooks and bluegrass roots. Tracks like “She’s With Me” and “Make You Mine” had the floor bouncing, while newer material kept things fresh. Rempel even mentioned how Vancouver got going right away instead of having to ease the crowd into the night.
Midway through, the set took a turn. The band pulled things back for a stripped-down segment that felt closer to a campfire jam than a packed ballroom. Requests came flying in, and High Valley played along, delivering older fan favourites with tight harmonies and a loose, personal feel. It was a smart shift that gave the night some breathing room.
Rempel stayed in constant motion, even stepping into the crowd to high-five fans and grab a few quick selfies without missing a line.
They closed the night the same way they opened it, with high energy and big singalongs. The balance between full-throttle country and quieter moments held up all night.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HIGH VALLEY
DAWSON GRAY
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan