Concerts Photos
LIVE REVIEW: Goldie Boutilier In Vancouver Is That Artist You Wish You Found Sooner
There is a very good chance we are in love with Goldie Boutilier.
Are we trying to hook you into reading a concert review with a strong opening statement? Yes. Are we telling the absolute, no-nonsense truth? Also, yes.
One of the least appreciated perks of seeing a favourite band or singer live is finding a new artist that you might not have discovered on your own. Theres a lot of music out there! This is how we found Goldie Boutilier last year: casually cool, confident, and opening for Orville Peck. You can’t say she stole the show – Orville is a Big Voice with Big Feels – but she didn’t just fill out the timeslot, either. That’s why we waited for her return so patiently ever since, and honestly? Worth it.
Goldie Boutilier, now headlining her own tour in support of her most recent album Goldie Boutilier Presents… Goldie Montana, sold out Vancouver’s Hollywood Theatre this week. And we don’t mean “no more tickets” sold out. We mean “the floor was packed for the opener” sold out. People got dressed up and through the doors early sold out. It’s the most crowded I’ve seen The Hollywood Theatre as everyone cleared the upper bar and were pressed together on the floor. People wanted to get close.
We don’t think Goldie is hard to describe, exactly, but we’re having a hard time find the words to get our feelings across. If you were there, you know! Maybe photographers should stick to their medium? Deep thoughts.
The best we can do is say that Goldie, above all else, is effortlessly cool. “The Angel and the Saint” has an “Oceans 11” vibe going on, and is easily our favourite song. It will make you put sunglasses on and drive slow. You’ll lean back and feel the sun on your face. It’s just an incredible song, part rock, part pop, part jazz, maybe.
Must Hear Songs by Goldie Boutilier (In Our Humble Opinion):
– The Angel and the Saint (The Actress (EP), 2024)
– King of Possibilities (Goldie Montana, 2025)
– Pretending (Emerald Year (EP), 2023)
Her songs have a beat, and are smooth, and they hit you. On stage she becomes something… other. She leans back, strikes a pose, and flirts unabashedly with the audience. She has that Kylie Minogue allure that draws you in, begging you to see past the glasses. Then she switches it up and turns into a pop-rock variation of Carly Rae. Or maybe Lauren Mayberry, from Chvrches, as she spins and spins her way across the stage from outfit to outfit? It’s wild. Check out our photos below, and you’ll see what we mean.
Goldie has a presence when she speaks. She’s Canadian, which we appreciate, and lived in Vancouver, which we loved to hear, and everything seems to come natural to her. She engages with her fans, and every song is part of a story, more than anything else. We will always, always find a way to her shows and we hope she returns again soon – she’d kill on a larger stage, just think of what she could do at the Orpheum! To dream.
Goldie Boutilier Setlist (Probably Mostly):
At the End of the War
The Angel and the Saint
Snake Eyes
Body Heat
Terrible Things
Favorite Fear
Penthouse in the Sky
King of Possibilities
Pretending
I Am the Rich Man
The Actress
The Ways I Punish Myself
Neon Nuptials
Cowboy Gangster Politician
Check out our favourite photos of the night below, or head to our Facebook page for the full gallery! Thanks for attending the show with us, and for checking out our review!
GOLDIE BOUTILIER IN VANCOUVER
All Photo Credit: Jason Martin
Concerts Photos
Rise Against Deliver a No-Frills, High-Impact Set in Vancouver
Rise Against rolled into the PNE Forum on March 28 with a clear plan: keep things loud, and keep fans on their toes. After more than two decades as a band, the Chicago punk veterans are switching things up on this tour, leaning into smaller rooms and digging deeper into their catalogue instead of relying on a greatest hits autopilot.
The night opened with Speed of Light, 3 siblings who wasted no time setting a fast pace. The set was short and punchy, and got the crowd moving early. Destroy Boys followed with more intensity. Their mix of sharp riffs and blunt, politically charged commentary hit hard. Frontwoman Alexia Roditis led the charge with a mix of chaos and purpose, turning songs like “Shadow (I’m Breaking Down)” into full-on statements.
Rise Against took the stage through smoke and noise, kicking things off with “Re-Education (Through Labor)” From there, it barely let up. “Under The Knife” and “Give It All” had the floor shaking, with the crowd yelling every word back at Tim McIlrath’s face directly from the pit like it was muscle memory. The set balanced fan favourites with newer material from Ricochet, their 2025 release that leans a bit bigger in sound but keeps the same message intact: connection matters, especially right now.
There were a few surprises tucked in, including deeper cuts that don’t always make the setlist. Not every moment was perfectly polished, but that looseness worked in their favour. It felt real. The emotional swing hit during “Hero of War” and “Swing Life Away,” giving the room a breather before ramping back up. By the time “Savior” closed things out, the entire venue was locked in.
Last night, Rise Against built a space where anger, hope, and community all made sense together, and made it loud enough that no one could ignore it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
03/30 – Spokane, WA @ Knitting Factory
03/31 – Boise, ID @ Treefort Music Hall
04/03 – Reno, NV @ Grand Theatre at Grand Sierra Resort
04/04 – Wheatland, CA @ Hard Rock Live
05/10 – Daytona Beach, FL @ Welcome to Rockville
05/14 – Columbus, OH @ Sonic Temple
More information on the band’s website.
RISE AGAINST
DESTROY BOYS
SPEED OF LIGHT
All Photo Credit: Caroline Charruyer
Concerts Photos
High Valley Bring ‘Paradise & Hurricanes Tour’ to the Commodore Ballroom in Vancouver
The Commodore Ballroom leaned fully into country mode on March 27 as High Valley ended their Paradise & Hurricanes Tour in Vancouver. The room filled early, a mix of denim, boots, and fans ready to sing every word.
Opening the night was Kelowna singer Dawson Gray, a rising name who’s been carving his own lane in country. Known for his songwriting and easy stage presence, Gray brought a confident, no-frills set that clicked right away with the early crowd. He performed recent releases like “Chevy Back,” as well as his new 2026 single “When We Die,” hinting at a shift in sound. The highlight was his Canadian Medley that included Avril lavigne. His set felt polished but still loose enough to keep things personal, setting a strong tone for the night ahead.
When High Valley hit the stage, the energy spiked fast. Frontman Brad Rempel led the charge with a mix of polish and pure enthusiasm. From the first song, the band leaned into their signature blend of pop-country hooks and bluegrass roots. Tracks like “She’s With Me” and “Make You Mine” had the floor bouncing, while newer material kept things fresh. Rempel even mentioned how Vancouver got going right away instead of having to ease the crowd into the night.
Midway through, the set took a turn. The band pulled things back for a stripped-down segment that felt closer to a campfire jam than a packed ballroom. Requests came flying in, and High Valley played along, delivering older fan favourites with tight harmonies and a loose, personal feel. It was a smart shift that gave the night some breathing room.
Rempel stayed in constant motion, even stepping into the crowd to high-five fans and grab a few quick selfies without missing a line.
They closed the night the same way they opened it, with high energy and big singalongs. The balance between full-throttle country and quieter moments held up all night.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HIGH VALLEY
DAWSON GRAY
All Photo Credit: Caroline Charruyer