Concerts Photos
Peach PRC in New York City – Review & Gallery
It’s Pride month in New York City so it was only natural to spend two nights with Australia’s glittering (self-dubbed) Lesbian Popstar Peach PRC.
Every aspect of the stage was curated to Peach’s bubblegum pop Y2k aesthetic— from her full body pink glitter and extravagant makeup and stage outfits to the lighting and visuals. Shoutout to makeup artists Stirling Tull and Linnea Sumner who crafted these glittery looks. Their artwork makes for a striking appearance in the best way. The looks felt like a nod to Peach’s pink and sparkling essence and the aesthetics of drag performers and made both Peach and Chloe on guitar absolutely magnetic and eye-catching. In addition to the makeup looks, Peach continued to sparkle at the center of my attention from the artful lighting by Jackson Sto.
Fans of Peach PRC are incredibly involved and dedicated to the artist, both nights I attended there were fan projects that filled the floor during specific songs. Night one at Warsaw fans held up paper hearts that read “Peach PRC saved me” and on the second night at Irving Plaza they filled the audience with rainbow flags during “God is a Freak.” There was a clear bond between the artist and her fans that was palpable even from the side of the stage, Peach’s smiles to the audience told all. She received many pigeon and pink themed gifts throughout the show from fans. The crowd was so loud and excited and most came for both nights— some fans coming from as far as Canada for the sold out Irving Plaza show.
Peach performed solo with Chloe Dadd on guitar. Peach is a captivating performer and her vocals across these two performances were some of her best. Between the dynamic Chloe and sparkling Peach on stage you’d be hard pressed to choose who to look at. The on-stage chemistry between the pair creates a sense of comfort, allowing them to tap into the emotions of the audience during what Peach dubbed the “sad section of the concert where we’re all gonna cry.” The pair sat on stage and performed Peach’s newest single, “Touchy Subject” to an audience that all certainly had to dab at their eyes. Her songwriting style is raw and vulnerable and they are well-suited to being performed live to a receptive audience who come in ready to feel. During this part of the set the audience sang along, harmonizing at times, captivated by the storytelling.
I think what makes Peach PRC such a compelling artist both on and off the stage is her authenticity to herself. She makes music about the deepest of emotions and puts so much of herself into each song that they take the listener on an emotional journey. Her performance celebrates the highs and lows of life and she is unafraid to be authentic to herself on stage. Her songs about her lesbian identity reflect this and the live show created a space for her concert attendees to also feel celebrated in their sexualities or gender identities. Peach was given a lesbian flag during the Pride flag fan project and the singer danced and proudly held up the flag, waving it for all to see. She also incorporates a stripper pole into the set, an ode to her previous profession. The audience loved the moments where she stepped out in 7 inch clear platforms and did tricks on the pole. She celebrates the journey that brought her to the glittery pop performances she puts on today. It was such a moving show to be at during Pride Month.
Check out our favorite photos of the night below. Full gallery will be up on our Facebook Page shortly.
All Photo Credit: Anya Tucker
Concerts Photos
Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver
British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.
Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.
When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.
The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.
One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.
Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.
The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.
For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
bôa
JIA
All Photo Credit: Caroline Charruyer
Concerts Photos
Holly Humberstone Brings ‘Cruel World’ Tour to Commodore Ballroom in Vancouver
On June 25th, English indie-pop singer-songwriter Holly Humberstone brought her Cruel World North American Tour to a sold-out Commodore Ballroom in Vancouver.
After Humberstone enthralled the Commodore with her emotional and delicate vocals and created a warm atmosphere, keeping it personal, sharing stories with the audience.
The Grantham native is touring in support of her newest album, Cruel World, of which we got a sneak peek of during her performance at All Things Go early June. While her music remains deeply introspective, the new material carries a greater sense of confidence, shifting between quiet vulnerability and soaring choruses that the audience, getting to hear it live for the first time, can’t help but sing along.
Mixing songs into the set from Cruel World, Humberstone performed the instantly catchy “White Noise,” the gothic-inspired “Die Happy,” and fan favourite “To Love Somebody,” among many other tunes.
Throughout the night, she also sprinkled in career-defining tracks like “Falling Asleep At The Wheel,” “Scarlett,” “Deep End,” and “The Walls Are Way Too Thin”.
Holly Humberstone balanced a raw, commanding vocal delivery with the tight musicianship of her band, expanding familiar tracks into a fuller live sound that made the most of the Commodore Ballroom’s rich acoustics.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HOLLY HUMBERSTONE IN VANCOUVER
All Photo Credit: Hunter Soo