Concerts Photos
Raveena at the Commodore Ballroom in Vancouver
Raveena kicked off her Where The Butterflies Go In The Rain tour at the Commodore Ballroom, and the vibe was clear from the start: dreamy, gentle, and deeply connected. Vancouver got the first taste of this new era, and she gave us something close to magic.
Opening the night was local artist Bukola, whose blend of jazzy guitar and honest R&B warmed the room. She shared tracks from her latest EP The Confessions of An Antisocial Butterfly. Her voice was steady and strong, and her stories hit close to home for the crowd.
Around 9pm, the lights dimmed and soft keys signaled Raveena’s entrance. Raveena, dressed in a flowing blue-greenish gown, and her two dancers moved gracefully across the stage, carrying flowing sheets of fabric. Hidden behind them, they slowly emerged, dancing in time with the music before stepping fully into view. She opened het set with ” We Should Move Somewhere Beautiful” and “Pluto.”
Raveena’s set was full of standout moments. She danced with joyful defiance to the flirtatious groove of “Temptation”. Overall, her voice was light but commanding, threading heavy themes with softness. She paused for a quiet moment of breath and reflection, inviting the crowd into stillness, a signature part of her shows. Then she closed with shimmering strength of “Stronger.” The crowd erupted, not just for the song, but for her presence.
Raveena didn’t just perform, she held space. The night felt like a ceremony, and the fans left glowing.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
RAVEENA
BUKOLA
All Photo Credit: Caroline Charruyer
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer