Concerts Photos
Sophie Ellis-Bextor at the Commodore Ballroom in Vancouver
Sophie Ellis-Bextor turned the Commodore Ballroom into a glittery time capsule of disco bliss on October 30, 2025. The British pop icon brought her world tour to Vancouver, and it was a night that shimmered from start to finish.
The evening opened with Australian singer Holiday Sidewinder, whose bold energy and dance-ready pop set the mood perfectly. By the time Ellis-Bextor appeared around 9 p.m., the crowd was already buzzing. Dressed in a black-and-pink coatdress that later revealed a sparkling silver mini, she launched into “Relentless Love,” the opener from her new album Perimenopop. Her voice was clear and strong, her charm effortless.
Between songs, she chatted with fans, sharing fun facts and stories about the Vancouver and the Commodore’s history and grinning as if she were among old friends. The mood stayed light and joyful as she moved through tracks like “Dolce Vita” and “Hypnotized,” the latter paired with visuals from its music video projected behind her. Midway through the set, she added a playful twist: a big silver “push button” that she pressed to randomly pick surprise songs for the night. Vancouver’s lucky draws were “Catch You” and “Vertigo.”
The night’s highlights came when she leaned into her classics. “Groovejet (If This Ain’t Love)” flowed seamlessly into ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight),” sending the floor into full disco fever. And of course, “Murder on the Dancefloor” got the loudest cheers. The ultimate reminder of why her resurgence after Saltburn feels so right.
For the encore, she took things to another literal level (literally) as she appeared on the Commodore’s balcony for a haunting version of “Don’t Know What You’ve Got Until It’s Gone,” her voice floating over the silent crowd.
Ellis-Bextor’s show was pure joy: no spectacle, no overproduction, just charisma, sequins, and songs that make you move.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SOPHIE ELLIS-BEXTOR
HOLIDAY SIDEWINDER
All Photo Credit: Caroline Charruyer
Concerts Photos
Alabama Shakes Bring the Soul Back to Vancouver
After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.
The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.
At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.
The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.
Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ALABAMA SHAKES
All Photo Credit: Caroline Charruyer
Concerts Photos
Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver
Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.
The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.
At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.
The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.
Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.
At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OF MONSTERS AND MEN
AUGUST PONTHIER
All Photo Credit: Caroline Charruyer