Concerts Photos
Sophie Ellis-Bextor at the Commodore Ballroom in Vancouver
Sophie Ellis-Bextor turned the Commodore Ballroom into a glittery time capsule of disco bliss on October 30, 2025. The British pop icon brought her world tour to Vancouver, and it was a night that shimmered from start to finish.
The evening opened with Australian singer Holiday Sidewinder, whose bold energy and dance-ready pop set the mood perfectly. By the time Ellis-Bextor appeared around 9 p.m., the crowd was already buzzing. Dressed in a black-and-pink coatdress that later revealed a sparkling silver mini, she launched into “Relentless Love,” the opener from her new album Perimenopop. Her voice was clear and strong, her charm effortless.
Between songs, she chatted with fans, sharing fun facts and stories about the Vancouver and the Commodore’s history and grinning as if she were among old friends. The mood stayed light and joyful as she moved through tracks like “Dolce Vita” and “Hypnotized,” the latter paired with visuals from its music video projected behind her. Midway through the set, she added a playful twist: a big silver “push button” that she pressed to randomly pick surprise songs for the night. Vancouver’s lucky draws were “Catch You” and “Vertigo.”
The night’s highlights came when she leaned into her classics. “Groovejet (If This Ain’t Love)” flowed seamlessly into ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight),” sending the floor into full disco fever. And of course, “Murder on the Dancefloor” got the loudest cheers. The ultimate reminder of why her resurgence after Saltburn feels so right.
For the encore, she took things to another literal level (literally) as she appeared on the Commodore’s balcony for a haunting version of “Don’t Know What You’ve Got Until It’s Gone,” her voice floating over the silent crowd.
Ellis-Bextor’s show was pure joy: no spectacle, no overproduction, just charisma, sequins, and songs that make you move.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SOPHIE ELLIS-BEXTOR
HOLIDAY SIDEWINDER
All Photo Credit: Caroline Charruyer
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan
Concerts Photos
Sabaton Bring Fire and Fury to Vancouver on North American Tour Finale
After many many years away from Vancouver, Sabaton returned to the PNE Forum on October 8 for a fiery night of heavy metal, military-themed theatrics and massive sing-alongs. The Swedish metal band chose the city to close out its North American tour, and it went out with a bang.
Opening the night was Pop Evil, whose modern hard rock offered a different sound from the headliner’s power metal. Tracks like “Trenches” brought plenty of energy, giving the crowd a reason to get moving before the main event. Their heavier riffs and commanding stage presence made for a solid start to the evening despite the low lighting.
Sabaton wasted little time making its return count. Kicking off with “Ghost Division,” the band delivered a wall of sound backed by pounding drums, sharp guitar riffs and bursts of fire that lit up the Forum. The stage, complete with military-inspired hardware, gave the performance the feel of a full-scale production rather than a standard metal concert.
Frontman Joakim Brodén led the charge with his unmistakable voice and natural sense of showmanship. Songs like “The Last Stand,” “Stormtroopers” and “Night Witches” showcased the band’s knack for turning historical stories into anthems built for thousands of voices. The crowd happily did its part, singing along throughout the night.
The spectacle never distracted from the music. Flames punctuated the band’s heaviest moments, adding extra intensity to “Bismarck,” “Fields of Verdun” and “The Attack of the Dead Men.” For the latter, the band leaned into the song’s subject matter with gas masks, adding another theatrical touch to an already explosive set.
The closing stretch was pure Sabaton. “Swedish Pagans” brought another huge audience sing-along before “Primo Victoria” and “To Hell and Back” sent the Forum into the night at full volume.
After seven years, Sabaton gave Vancouver plenty of reasons to welcome them back. Closing the North American tour with a performance this tight, loud and entertaining was a fitting end to the run. With commanding vocals, memorable choruses and enough pyro to warm the entire Forum, the band left little doubt that its next visit cannot come soon enough.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SABATON
POP EVIL
All Photo Credit: Caroline Charruyer