Concerts Photos
Skillet: Revolution Tour 2025 Concludes in Argentina After a Decade-Long Wait
To close out their South American tour “Revolution Tour 2025,” which visited Mexico, Peru, Brazil, Chile, and Argentina, American band Skillet made their long-awaited return to the country after a ten-year absence. The concert took place on Thursday, October 30th, at the “Arena Sur” Cultural Center in Buenos Aires, where it sold out with 2,500 tickets. The show also featured the opening act, Boanerges.
At 8:15 PM, Boanerges took the stage. This power metal band, formed in 1993, has released eight albums, and just a few months ago, they dropped their fifth studio album. They had been touring across America with their “Parte de la Historia Tour 2024,” a South American tour that included dates in Mexico City, Guatemala City, San José (Costa Rica), Bogotá (Colombia), Quito and Riobamba (Ecuador), and Santiago (Chile), where they also performed new tracks from their latest album, InconsciencIA.
By 9:15 PM, after the hype generated by Boanerges, Skillet kicked off their set with “Surviving the Game,” a track from their album Dominion: Day of Destiny.
The setlist featured some of their most iconic anthems, including “Monster” (5x Platinum), “Awake and Alive,” “Hero” (with over one billion streams), “Comatose” (Rock Song of the Year at the GMA Dove Awards), “Not Gonna Die,” “Whispers in the Dark” (the most-played song on Christian rock radio), and many more.
For the grand finale, after a brief interval during which the lights were dimmed and the band left the stage, the crowd was stunned when John Cooper returned, wearing an Argentina national team jersey, number 10, in tribute to Lionel Messi.
Check out our favorite photos of the night below or head to our Facebook page for the full gallery!
SKILLET
BOANERGES
All Photo Credit: Alan Canale
Concerts Photos
Bôa Brings ‘Whiplash’ Tour to the Commodore Ballroom in Vancouver
British alternative rock band Bôa closed out the North American leg of their Whiplash tour with a memorable sold-out performance at Vancouver’s Commodore Ballroom on June 27. Making their long-awaited Vancouver debut, the trio was welcomed by an enthusiastic crowd that had clearly been waiting years for this moment.
Opening the evening was Vancouver-based Taiwanese-Canadian singer-songwriter Jia. Blending dream pop, indie rock, earthy Americana, and cinematic influences, her set created the perfect atmosphere before the night’s headliner. Songs from her album Technicolour showcased her haunting vocals and thoughtful songwriting, earning warm applause from an audience that quickly settled into the evening.
When Bôa took the stage, the room erupted. Frontwoman Jasmine Rodgers immediately drew the audience in with her effortlessly expressive vocals, balancing softness and strength throughout the band’s set. Her voice remains the defining element of Bôa‘s sound, carrying emotional weight that translated beautifully in a live setting.
The band moved through fan favourites including “Twilight,” “Fool,” “Drinking,” and newer material from Whiplash, proving that their recent resurgence is built on far more than nostalgia. During “Drinking,” phone lights illuminated the Commodore, creating one of the night’s most memorable moments as fans swayed together.
One of the night’s biggest surprises came when legendary classic rock singer Paul Rodgers, best known as the frontman of Free and Bad Company, made a brief appearance on stage. Joining his daughter Jasmine Rodgers for a touching father-daughter moment, the special guest appearance was met with loud cheers from the Commodore Ballroom crowd.
Despite it being the final stop of a lengthy North American tour, the band played with remarkable energy. Smiles were constant across the stage, and it was clear they were enjoying every minute of their Vancouver debut.
The encore delivered exactly what fans had hoped for. As the opening notes of “Duvet” rang out, the entire venue seemed to sing in unison. The song’s renewed popularity may have introduced a new generation to Bôa, but hearing hundreds of voices fill the Commodore proved its emotional impact has never faded.
For a first visit to Vancouver, Bôa left a lasting impression. Their final North American show was equal parts intimate and powerful, ending the tour on a high note while leaving fans hoping they won’t wait as long before returning.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
bôa
JIA
All Photo Credit: Caroline Charruyer
Concerts Photos
Holly Humberstone Brings ‘Cruel World’ Tour to Commodore Ballroom in Vancouver
On June 25th, English indie-pop singer-songwriter Holly Humberstone brought her Cruel World North American Tour to a sold-out Commodore Ballroom in Vancouver.
After Humberstone enthralled the Commodore with her emotional and delicate vocals and created a warm atmosphere, keeping it personal, sharing stories with the audience.
The Grantham native is touring in support of her newest album, Cruel World, of which we got a sneak peek of during her performance at All Things Go early June. While her music remains deeply introspective, the new material carries a greater sense of confidence, shifting between quiet vulnerability and soaring choruses that the audience, getting to hear it live for the first time, can’t help but sing along.
Mixing songs into the set from Cruel World, Humberstone performed the instantly catchy “White Noise,” the gothic-inspired “Die Happy,” and fan favourite “To Love Somebody,” among many other tunes.
Throughout the night, she also sprinkled in career-defining tracks like “Falling Asleep At The Wheel,” “Scarlett,” “Deep End,” and “The Walls Are Way Too Thin”.
Holly Humberstone balanced a raw, commanding vocal delivery with the tight musicianship of her band, expanding familiar tracks into a fuller live sound that made the most of the Commodore Ballroom’s rich acoustics.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
HOLLY HUMBERSTONE IN VANCOUVER
All Photo Credit: Hunter Soo