Concerts Photos
Static-X & Sevendust at the Vogue Theatre in Vancouver, BC – Gallery
On May 5, Static-x and Sevendust brought their Machine Killer tour to the Vogue Theatre in Vancouver, BC, with support from Dope and Lines of Loyalty (who we sadly missed).
Dope kicked off the evening with a bang, led by frontman Edsel Dope, who seamlessly transitioned between his roles in both bands. With a stage adorned in LED lights against a backdrop of red and black, the atmosphere was set ablaze as the band tore through hits like “Bring It On” and “Debonair”. They closed with explosive renditions of “Die MF Die” and a lively cover of “You Spin Me Round”.
Then came time for Sevendust, co-headliner of the the night, greeted by chants from the crowd. Dressed in all black, the band launched into tracks from their latest album Truth Killer and dived into a dynamic set featuring fan-favourite deep cuts like “Hero”, “Denial”, and “Black”. With singer Lajon Witherspoon’s powerful vocals complemented by Morgan Rose’s drumming and Clint Lowery’s guitar work, the audience was swept into a frenzy, culminating in a haunting rendition of “Face to Face”.
Closing the night in grand fashion were the iconic figures of Evil Disco (described as “combines electronic elements influenced by industrial artists such as Ministry and Skinny Puppy with the harshness of bands like Pantera”), Static-X. Despite the tragic loss of lead singer Wayne Static years prior, the band roared back to life with Edsel Dope as the enigmatic Xer0. Adorned with a mask sporting glowing red eyes and spiked hair, Xer0 led the crowd through a spectacle filled with giant figures (incl. a giant skeleton with a pumpkin disco ball as a head) and pulsating energy. Drawing heavily from their album Wisconsin Death Trip, the band paid tribute to Wayne during “Cold” before igniting the crowd into a mosh pit with the timeless anthem “Push It”, capping off a night of unparalleled energy and emotion.
The Machine Killer tour will continue until May 18th in Minneapolis, MN so make sure to get a ticket before it’s too late. More info here.
Check out the galleries below!
STATIC-X
SEVENDUST
DOPE
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan