Concerts Photos
SuperSonic at the Commodore Ballroom in Vancouver
It may not have been actually Oasis at the Commodore Ballroom, but SuperSonic came pretty damn close. The Toronto-based tribute band, billed as North America’s best Oasis experience, brought a loud and nostalgic night to Vancouver on June 28.
Star Collector opened the evening with a set of sharp, jangly rock that nodded to Britpop without ever copying it. Local and clearly thrilled to be there, they were a solid warm-up.
Then SuperSonic hit the stage, and it felt like 1996 all over again. The guys channeling Liam and Noel Gallagher nailed the postures, the squints, the stares, and even the attitude. It was more tribute than cosplay, and it worked. They’re a bit older than the real Gallaghers were in their heyday, but that made it feel like we were watching a dream reunion.
The set was packed with the essentials: “Live Forever,” “Wonderwall”, “Don’t Look Back in Anger,” and “Champagne Supernova,” but they didn’t stop there. Tracks like “She’s Electric,” and “The Masterplan,” hit a sweet spot that got the crowd fully locked in.
By the end, the singalongs were loud and the smiles wide. If you can’t afford or get tickets to the Oasis reunion, this might be the closest thing ; and honestly, it’s not a bad deal at all.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
SUPERSONIC
STAR COLLECTOR
All Photo Credit: Caroline Charruyer
Concerts Photos
Alabama Shakes Bring the Soul Back to Vancouver
After nearly a decade away, Alabama Shakes returned to Vancouver on June 26 for a night that was both a reunion and a revival. Performing at the new Freedom Mobile Arch, the Alabama band wasted little time reminding the crowd why their blend of blues, rock, soul, and gospel made such an impact in the first place.
The band opened shortly after 8p.m. with immediate force, locking into the familiar rhythms that have defined their sound since their 2012 debut, Boys & Girls. As the daylight decreased, “Another Life” brought a warm shift to the rainy evening, with the crowd swaying together before “Hang Loose” kept the mood loose and upbeat.
At the centre of it all was Brittany Howard, whose voice remains as commanding as ever. Her ability to move from a delicate falsetto on “Future People” to a full-throated roar gave the songs a fresh edge without losing what made them special. “I Found You” brought out the band’s gospel and blues roots, while “Hold On” turned the venue into one massive singalong.
The set’s emotional high point came with “Gimme All Your Love,” as Howard and the band leaned into every groove. “Don’t Wanna Fight” followed with equal parts tension and release before the band left the stage.
Alabama Shakes‘ return showed that, after all these years, this band can still make a crowd rise.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
ALABAMA SHAKES
All Photo Credit: Caroline Charruyer
Concerts Photos
Of Monsters and Men Bring ‘The Mouse Parade’ Tour to the Queen Elizabeth Theatre in Vancouver
Of Monsters and Men returned to Vancouver on June 25 with a packed show at the Queen Elizabeth Theatre, bringing their mix of indie folk, rock and cinematic pop to a crowd that was more than ready to welcome them back. After years away from the live stage, the Icelandic band showed no signs of rust, delivering a performance that moved easily between quiet, atmospheric moments and full-room singalongs.
The evening opened with American indie folk singer-songwriter, August Ponthier, who shared songs from their debut album Everywhere Isn’t Texas, as well as new unreleased material.
At 9p.m., the lights dropped and Of Monsters And Men emerged from the shadows, surrounded by haze and an eerie wash of light that matched the darker mood of their newer material.
The set leaned heavily on songs from their latest album, All Is Love and Pain in the Mouse Parade, giving fans a chance to hear how the band’s sound has developed since their breakthrough. Tracks like “The Actor” and “Ordinary Creature” brought a more layered, reflective side of the group, yet they fit comfortably alongside older favourites.
Of course, the biggest reactions came when the band reached back into their catalogue. Both “King and Lionheart” and “Dirty Paws” had the audience singing along. Then came “Little Talks,” still one of the band’s biggest hits and an undeniable highlight of the night. The familiar opening instantly brought the room together, with the crowd handling a lot of the vocals.
At the centre of it all were Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson, whose voices remain the band’s greatest strength. Their harmonies, paired with the group’s dynamic musicianship, made the long-awaited return feel completely worth the wait.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
OF MONSTERS AND MEN
AUGUST PONTHIER
All Photo Credit: Caroline Charruyer