Concerts Photos
Pixies at the Orpheum Theatre in Vancouver
On June 26, Pixies kicked off their two-night stand at Vancouver’s Orpheum Theatre with a full run-through of Bossanova and Trompe Le Monde, giving longtime fans a dense, gloriously weird trip through their early ‘90s catalog with 30+ tracks of unrelenting, cosmic noise.
Kurt Vile & the Violators opened with a loose, hazy set that somehow made perfect sense. Vile’s drawl and winding guitar lines felt like a psychedelic preamble to the chaos that would follow. “Wakin’ on a Pretty Day” turned into a 10-minute trance, and the crowd, already heavy with nostalgia, swayed in sync.
Then came Pixies. Bossanova opened as it should with “Cecilia Ann” washing over the room in all its surf-rock glory. Black Francis barked and wailed through “Rock Music” and “Velouria,” while Joey Santiago shredded with surgical precision. Emma Richardson (of Band of Skulls), now on bass, slotted right in with her backing vocals adding layers to tracks like “The Happening” and “Down to the Well.”
After a short breather, they dove into Trompe Le Monde. If Bossanova felt dreamy, this was pure adrenaline. “Planet of Sound” shook the venue. “U-Mass” was brilliant. By the time they hit “The Navajo Know,” the Orpheum was fully converted.
They ended the show with a 4-song encore, and judging by the cheers from fans young and old, it hit the mark.
Night two will be the “Classic Pixies” set, so expect Doolittle bangers, newer tracks from The Night the Zombies Came, and probably that one song you’re thinking of.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Pixies Tour dates:
JULY 2025
8-9 MTELUS, Montreal, QC
12 Ottawa Bluesfest, Ottawa, ONT
15-16 Brooklyn Paramount, Brooklyn, NY
18-19 MGM Music Hall at Fenway, Boston, MA
22-23 The Fillmore, Philadelphia, PA
25-26 The Anthem, Washington, DC
28-29 The Fillmore, Detroit, MI
31 Palace Theatre, St. Paul, MN
AUGUST 2025
1 Palace Theatre, St. Paul, MN
22 Rogers Centre, Toronto, ON (with My Chemical Romance)
27 Gallagher Square, San Diego, CA
28 The Greek Theatre, Berkeley, CA
30 McMenamins Edgefield, Troutdale, OR
31 Kettlehouse Amphitheater, Bonner, MT
SEPTEMBER 2025
2 Red Rocks Amphitheatre, Morrison, CO
4 Zoo Amphitheatre, Oklahoma City, OK
5 ACL Live at the Moody Theater, Austin, TX
6 White Oak Music Hall, Houston, TX
8 Avondale Brewing Company, Birmingham, AL
9 Red Hat Amphitheater, Raleigh, NC
10 Asheville Yards Amphitheater, Asheville, NC
12 Stage AE, Pittsburgh, PA
13 Bourbon & Beyond Festival, Louisville, KY
15 The Salt Shed – Fairgrounds, Chicago, IL
17 The Pinnacle, Nashville, TN
19 Shaky Knees Festival, Atlanta, GA
More info on their website.
PIXIES
KURT VILE
All Photo Credit: Caroline Charruyer
Concerts Photos
Epik High Turns Vancouver’s Orpheum Into a Hip-Hop Party
Epik High brought its 3.0 Tour 2026 to Vancouver’s Orpheum on October 20, delivering a night of sharp lyricism, ridiculous humour and plenty of crowd interaction. With BOBO.XX opening the show, the Korean hip-hop trio proved that more than two decades into their career, they still know how to make a concert feel like a party among friends.
BOBO.XX, a musician and photographer who works on Epik High’s video and content, warmed up the audience with a taste of his own sound before handing the stage over to the headliners. Anticipation grew during the break, and the theatre erupted when Tablo, Mithra Jin and DJ Tukutz appeared for “High Technology,” followed by “One.”
The group’s chemistry was clear to everyone. Their introductions quickly turned into a comedy routine, complete with DJ Tukutz’s sound effects and playful jabs at one another. Tablo might be the trio’s longtime leader, but Tukutz had recently claimed the title through a band competition, giving the three plenty of material to work with.
That humour carried through the night. Fan-submitted Post-it challenges put the members on the spot, leading to dance covers, awkwardly adorable aegyo and plenty of laughter. The challenges often involved bending the rules, with multiple notes taped together and presented as a single request. The trio’s willingness to make fools of themselves made the audience feel like part of the show rather than spectators.
The music never took a back seat. Tracks such as “ANTIHERO,” “Rosario” and “BURJ KHALIFA” kept the room moving, with the group’s tight delivery matched by DJ Tukutz’s work behind the turntables. The mood shifted for more emotional performances, including “1 Minute, 1 Second” and Mithra Jin’s solo “Will I Be Okay?,” showing a more vulnerable side to the performers.
The most meaningful moment came when Tablo spoke about the group’s long journey. His message was simple: if Epik High could keep pushing forward after 22 years, fans could overcome their own obstacles, too. It gave “Born Hater” an extra punch.
The trio closed with an encore of “EPIKISM” and “Don’t Hate Me,” sending the crowd home smiling. Epik High’s strength lies in the balance between serious musicianship and complete silliness. They can deliver an emotional message one minute and turn a fan-requested dance challenge into a comedy show the next. At the Orpheum, that combination made for a concert that felt personal, unpredictable and a whole lot of fun.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
EPIK HIGH
BOBO.XX
All Photo Credit: Chaehyun Lim
Concerts Photos
Buffalo Traffic Jam at the Danforth Music Hall in Toronto
There is something magical about voices matching the season. The excitement of walking up to the Danforth Music Hall on the perfect autumn night, only to be engulfed in raw, emotive rasp.
Lydia Maes really pulled me in. There’s such an emotional quality to her voice. The way she incorporates the saxophone and the way she hypnotizes the crowd. She played a beautiful set and then later came out with her fiddle, to join Buffalo Traffic Jam.
Colin Lynch completely caught me off guard, with a voice that sounds like he sells out stadiums. He’s young, but that soulful, raspy, depth speaks to every age.
Then came the one and only Buffalo Traffic Jam. Gritty, earthy harmonies took over the Danforth and the crowd was electrified. There’s something about their sound that feels both stripped down and warm at the same time, and the moment they started, we were all at their mercy.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
BUFFALO TRAFFIC JAM
COLIN LYNCH
LYDIA MAES
All Photo Credit: Bailey Morgan