Concerts Reviews
Korn Ignite Ottawa with Explosive Start to Kanada Tour

Nu metal pioneers Korn kicked off their highly anticipated Kanada Tour with a thunderous performance at Ottawa’s Canadian Tire Centre on September 17th. With support from Loathe and Gojira, the night was a full-on assault of heavy sound, flashing lights, and raw emotion, everything fans could hope for to mark the tour’s opening night.
Loathe Set the Tone

The evening opened with British band Loathe, whose industrial-tinged nu metal brought an immediate intensity to the arena. Hailing from Liverpool, the band wasted no time stirring the crowd into motion. Circle pits broke out early, as fans responded enthusiastically to the band’s brooding yet aggressive set. Ottawa was warmed up and ready.
Gojira Bring the Fire

French metal juggernauts Gojira took the stage next, unleashing a sonic and visual onslaught. Opening with “Only Pain,” their set was a masterclass in precision and power. Pyrotechnics lit up the stage while the band’s signature blend of technical riffing and atmospheric heaviness reverberated throughout the arena. The smoke, fire, and sheer wall of sound made for an unforgettable performance. And if you haven’t seen their Olympics 2024 performance, head to YT right now!
Korn Rip Through Hits with Relentless Energy

Then came the moment the crowd had been waiting for. As the house lights dimmed and the first notes of “Blind” echoed through the arena, the roar was deafening. Korn launched into a setlist that spanned their 30-year career, delivering hits like “Coming Undone,” complete with a surprise “We Will Rock You” interlude and “Shoots and Ladders,” which seamlessly morphed into a powerful cover of Metallica’s “One.”
The production was just as intense as the music. A dazzling display of lasers and lighting elevated the already massive energy on stage, yet Korn never lost the gritty, down-tuned sound that made them legend.
The night concluded with a four-song encore, culminating in a crushing rendition of “Freak on a Leash.” Fans sang every word, ending the night on a high note that echoed long after the lights went out.
Korn’s Kanada Tour is off to a ferocious start. With stellar openers, jaw-dropping visuals, and a setlist built to satisfy longtime fans. Their Ottawa kickoff proved that Korn are still masters of their craft and nowhere near slowing down.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Korn: Kanada 2025 Tour dates:
Sep. 19 – Quebec City, QC – Videotron Centre
Sep. 20 – Montreal, QC – Bell Centre
Sep. 22 – London, ON – Canada Life Place
Sep. 25 – Winnipeg, MB – Canada Life Centre
Sep. 28 – Calgary, AB – Scotiabank Saddledome
Sep. 29 – Edmonton, AB – Rogers Place
Oct. 01 – Vancouver, BC – Rogers Arena
KORN





GOJIRA




LOATHE



All Photo Credit: Kieran Delport
Concerts Reviews
LIVE REVIEW: Halestorm in Buenos Aires: A Mountain of Hard Rock
Halestorm, the hard rock band hailing from Pennsylvania returned to Argentina after a decade to launch their latest studio album, titled Everest. The event took place this past March 29 at the Teatro Gran Rivadavia in Buenos Aires.
The night began calmly; the audience trickled in slowly, likely due to the numbered seating, which encouraged many to enter at the last minute. However, as always, the most die-hard fans were inside the theater early. From that same section, and in the absence of a support band, a group of fans spontaneously began singing several of the band’s choruses in unison, delivering impressive vocal performances.

At 9:00 PM, with surgical precision, the first to appear on stage was Arejay Hale (drums), followed by Josh Smith (bass) and Joe Hottinger (guitar). Finally, the frontwoman, singer, guitarist, and keyboardist, Lzzy Hale, made her entrance.
They chose to open with their 2009 debut single, “I Get Off.” They followed up with two more classics, “Love Bites (So Do I)” and “I Miss The Misery.” After these three tracks, it was clear that both the band and the audience were ready to give it their all.
Halestorm continued the set with “Watch Out!” from their latest album, followed by “Black Vultures” from the Vicious LP. Once finished, Lzzy addressed the crowd to recall the band’s participation in the 2025 Black Sabbath tribute in Birmingham. She asked the audience to raise their hands with the classic “metal horns” in memory of Ozzy Osbourne, leading into a cover of “Perry Mason.”

After a massive round of applause, the Americans continued presenting tracks from their new album with “Shiver.” Then—with a dedication from Lzzy to the women in the house—they played “Like a Woman Can,” closing the trio of new songs with “I Gave You Everything.”
At the midpoint of the concert, Lzzy took the mic to sing a fragment of “Familiar Taste of Poison,” showcasing her incredible range and clean high notes, before seamlessly transitioning into “Rain Your Blood On Me.” This highlighted her grittier, “broken” vocal style, proving her immense versatility as a singer.
After a brief break for the rest of the band, Arejay Hale took the spotlight for a drum solo that included his signature giant sticks. The band then returned for “Back From The Dead” and “Wicked Ways.”

The set continued with “K-I-L-L-I-N-G” and “Uncomfortable.” True to the song’s title, the beginning of the latter was the only moment where Lzzy seemed slightly “uncomfortable,” possibly due to a sound issue or a brief memory lapse with the lyrics—nothing serious, and it was resolved within seconds. They closed the main set with the title track of their new album, “Everest.”
After a few minutes of the crowd chanting for more, the band returned with “Freak Like Me,” a true anthem that had the “Freaks” (as the fans are called) jumping in unison. To wind down the night, they opted for “Fallen Star” and the ballad “Here’s To Us,” during which Lzzy Hale donned the Argentine national jersey with Lionel Messi’s number 10.

Thus, Halestorm concluded their third visit to Argentina, delivering a solid, polished, and high-energy show with top-tier sound. They gave their all to both long-time fans and the many new ones in attendance. Hopefully, we won’t have to wait another 10 years to see them again.
Words by Martin Cervetto
Photos by Tute Delacroix (@tutedelacroix)
Concerts Reviews
LIVE REVIEW: Evan Honer Turns the Commodore Into a Living Room Singalong
On March 30, 2026, Commodore Ballroom felt less like a historic venue and more like someone’s packed house party with Evan Honer at the centre of it all.
The night opened with Sam Burchfield, whose warm, rootsy set eased the crowd in. His style leaned into folk and Southern textures, setting a tone that fit neatly with what was coming next.
Honer’s rise still feels a bit unreal when you line it up. A few years ago, he was balancing college life and Division I swimming. Then his cover of “Jersey Giant” by Tyler Childers exploded online, pulling in hundreds of millions of streams and flipping his life overnight. Fast forward to now, and he’s running his own label, recording out of a garage studio, and touring internationally with a catalogue that keeps growing.
That momentum showed up immediately on stage. Honer kicked off his set with a burst of energy (and yes, a backflip!) setting the tone for a night that bounced between chaos and quiet reflection. Backed by a 5-piece band, he moved easily between acoustic moments and full-band arrangements, switching guitars and moods easily.
A big part of the set leaned on his latest album, Everything I Wanted, which marks a shift in his sound. The Americana roots are still there, but there’s a stronger pull toward indie pop and mainstream country. Tracks like the title song turned into full-on crowd moments, with the audience shouting back every word.
What stood out most was how little it mattered whether a song was new or old. Fans knew everything. Tracks from West On I-10 landed just as loudly as newer material, and songs like “Foolin’ Ourselves” and “Too Far Gone” felt like staples rather than throwbacks.
Mid-set, Honer slowed things down and stripped it back. Alone on stage, he played “Brother” and “Mr. Meyers,” both heavy, personal songs. You could feel the room quiet. It’s a risky move in a high-energy set, but it paid off.
He didn’t let things stay heavy for long with “Jersey Giant.” It’s still the song that introduced him to a massive audience, and live, it feels like it belongs to both him and the crowd now.
The encore leaned unexpected, with a cover of “Sugar, We’re Goin Down” by Fall Out Boy that somehow worked perfectly. Honer closed with “IDK Shit About Cars,” sending the room out on a high.
Beyond the music, the night carried a bit more weight. Honer has partnered with PLUS1, with $1 from every ticket supporting the Schizophrenia & Psychosis Action Alliance. It’s a small detail, but it adds context to an artist who clearly thinks beyond the stage.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
March 31 – Seattle, Wash. @ Showbox
April 1 – Portland, Ore. @ Crystal Ballroom
April 3 – San Francisco, Calif. @ The Fillmore
April 4 – Los Angeles, Calif. @ El Rey Theatre
April 5 – San Diego, Calif. @ The Observatory North Park
April 7 – Flagstaff, Ariz. @ Orpheum Theater
April 10 – Tucson, Ariz. @ La Rosa
April 11 – Phoenix, Ariz. @ The Van Buren
April 15 – Tulsa, Okla. @ Cain’s Ballroom
April 16 – Dallas, Texas @ The Echo Lounge & Music Hall
April 18 – Georgetown, Texas @ Two Step Inn
More information on Evan Honer’s website.
EVAN HONER








SAM BURCHFIELD



All Photo Credit: Caroline Charruyer
