Concerts Reviews
P!nk Delivers Unforgettable Shows in Vancouver: Two Nights of Aerial Antics and Iconic Hits
“Finally!” exclaimed P!nk as she took the stage at Rogers Arena in Vancouver, BC, on September 6th and 7th. These highly anticipated shows were originally scheduled for October last year, but were postponed due to health reasons. Throughout the nights, P!nk repeatedly apologized for the rescheduling, acknowledging the additional costs fans incurred beyond just concert tickets. Always quick with a joke, she quipped, “I’m usually late by 25 minutes, but a whole year definitely takes the cake!”
These marked my 16th and 17th P!nk shows since 2004, so I’ll admit my bias upfront. I snagged tickets last week, eager to witness the latest stops on P!nk’s record-breaking tour. Already the fifth highest-grossing tour by a female artist ever—surpassed only by her own Beautiful Trauma tour, and those of Madonna, Beyoncé, and Taylor Swift—P!nk’s Trustfall/Summer Carnival tour has been met with rave reviews worldwide.
True to form, P!nk brought her signature mix of high-flying acrobatics and powerhouse vocals to Vancouver, delivering performances that mirrored the best of her shows of her 20+ year long carreer. This tour, promoting her eighth studio album Trustfall, has seen more than three million tickets sold across North America, Europe, and Australia.
Both nights kicked off with Irish rockers, The Script, followed by DJ and producer KidCutUp, who expertly hyped the crowd.
P!nk made her grand entrance flying down from the top of the stage in a harness for “Get The Party Started,” a visually stunning opener complete with a sparkly bodysuit, a popstar microphone headset, backup dancers, and gravity-defying vocals. Her setlist kicked off with fan favourites like “Raise Your Glass,” which featured dancers with beach-themed props and scooters shaped like pool flamingos. Hits like “Who Knew,” “Just Like A Pill,” and “What About Us” followed, with dazzling firework displays elevating the carnival-esque atmosphere.
The show’s aerial choreography peaked during “Turbulence,” as P!nk performed suspended upside down above the audience, still effortlessly hitting every note. Known for her down-to-earth personality, she interacted with the crowd, joked with her crew, even passing out candy, and later sat down at the piano for a touching cover of Adele’s rendition of Bob Dylan’s “Make You Feel My Love.” “It’s a love song,” she mused, “so you know I didn’t write it.”
The night continued with hits like “Just Give Me A Reason,” “F**kin’ Perfect,” and “Just Like Fire.” In a intimate moment, P!nk dedicated “When I Get There,” a song about her father’s passing, which she described as “probably the saddest song I’ve ever written,” to those who’ve lost loved ones.
The energy ramped up again with “I Am Here,” 4 Non Blondes’ “What’s Up,” and an electrifying performance of “Try” with P!nk suspended in a cage. The crowd roared as she closed with “Trustfall,” “Blow Me (One Last Kiss),” and her 2023 hit “Never Gonna Not Dance Again.”
For the grand finale, P!nk strapped into her harness once more, soaring above the audience during “So What,” making sure even those in the nosebleed seats felt part of the action. As the lights came up and the crowd spilled into the streets, there was a palpable sense of shared awe at what had transpired—and a sea of pink-clad fans buzzing from an unforgettable night. As one attendee said after the show “It’s like [Cirque du Soleil’s] O, but not O!”
P!nk’s personality, charisma, and boundless energy shone throughout both nights, proving once again why she’s a live music powerhouse. For her Vancouver fans and myself, the wait was worth it. P!nk is continuing her Trustfall/Summer Carnival tour in the US until November so don’t hesitate to go if you’re nearby!
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All Photo Credit: Caroline Charruyer – Taken with a point&shoot from the crowd
Concerts Reviews
LIVE REVIEW: Halestorm in Buenos Aires: A Mountain of Hard Rock
Halestorm, the hard rock band hailing from Pennsylvania returned to Argentina after a decade to launch their latest studio album, titled Everest. The event took place this past March 29 at the Teatro Gran Rivadavia in Buenos Aires.
The night began calmly; the audience trickled in slowly, likely due to the numbered seating, which encouraged many to enter at the last minute. However, as always, the most die-hard fans were inside the theater early. From that same section, and in the absence of a support band, a group of fans spontaneously began singing several of the band’s choruses in unison, delivering impressive vocal performances.
At 9:00 PM, with surgical precision, the first to appear on stage was Arejay Hale (drums), followed by Josh Smith (bass) and Joe Hottinger (guitar). Finally, the frontwoman, singer, guitarist, and keyboardist, Lzzy Hale, made her entrance.
They chose to open with their 2009 debut single, “I Get Off.” They followed up with two more classics, “Love Bites (So Do I)” and “I Miss The Misery.” After these three tracks, it was clear that both the band and the audience were ready to give it their all.
Halestorm continued the set with “Watch Out!” from their latest album, followed by “Black Vultures” from the Vicious LP. Once finished, Lzzy addressed the crowd to recall the band’s participation in the 2025 Black Sabbath tribute in Birmingham. She asked the audience to raise their hands with the classic “metal horns” in memory of Ozzy Osbourne, leading into a cover of “Perry Mason.”
After a massive round of applause, the Americans continued presenting tracks from their new album with “Shiver.” Then—with a dedication from Lzzy to the women in the house—they played “Like a Woman Can,” closing the trio of new songs with “I Gave You Everything.”
At the midpoint of the concert, Lzzy took the mic to sing a fragment of “Familiar Taste of Poison,” showcasing her incredible range and clean high notes, before seamlessly transitioning into “Rain Your Blood On Me.” This highlighted her grittier, “broken” vocal style, proving her immense versatility as a singer.
After a brief break for the rest of the band, Arejay Hale took the spotlight for a drum solo that included his signature giant sticks. The band then returned for “Back From The Dead” and “Wicked Ways.”
The set continued with “K-I-L-L-I-N-G” and “Uncomfortable.” True to the song’s title, the beginning of the latter was the only moment where Lzzy seemed slightly “uncomfortable,” possibly due to a sound issue or a brief memory lapse with the lyrics—nothing serious, and it was resolved within seconds. They closed the main set with the title track of their new album, “Everest.”
After a few minutes of the crowd chanting for more, the band returned with “Freak Like Me,” a true anthem that had the “Freaks” (as the fans are called) jumping in unison. To wind down the night, they opted for “Fallen Star” and the ballad “Here’s To Us,” during which Lzzy Hale donned the Argentine national jersey with Lionel Messi’s number 10.
Thus, Halestorm concluded their third visit to Argentina, delivering a solid, polished, and high-energy show with top-tier sound. They gave their all to both long-time fans and the many new ones in attendance. Hopefully, we won’t have to wait another 10 years to see them again.
Words by Martin Cervetto
Photos by Tute Delacroix (@tutedelacroix)
Concerts Reviews
LIVE REVIEW: Evan Honer Turns the Commodore Into a Living Room Singalong
On March 30, 2026, Commodore Ballroom felt less like a historic venue and more like someone’s packed house party with Evan Honer at the centre of it all.
The night opened with Sam Burchfield, whose warm, rootsy set eased the crowd in. His style leaned into folk and Southern textures, setting a tone that fit neatly with what was coming next.
Honer’s rise still feels a bit unreal when you line it up. A few years ago, he was balancing college life and Division I swimming. Then his cover of “Jersey Giant” by Tyler Childers exploded online, pulling in hundreds of millions of streams and flipping his life overnight. Fast forward to now, and he’s running his own label, recording out of a garage studio, and touring internationally with a catalogue that keeps growing.
That momentum showed up immediately on stage. Honer kicked off his set with a burst of energy (and yes, a backflip!) setting the tone for a night that bounced between chaos and quiet reflection. Backed by a 5-piece band, he moved easily between acoustic moments and full-band arrangements, switching guitars and moods easily.
A big part of the set leaned on his latest album, Everything I Wanted, which marks a shift in his sound. The Americana roots are still there, but there’s a stronger pull toward indie pop and mainstream country. Tracks like the title song turned into full-on crowd moments, with the audience shouting back every word.
What stood out most was how little it mattered whether a song was new or old. Fans knew everything. Tracks from West On I-10 landed just as loudly as newer material, and songs like “Foolin’ Ourselves” and “Too Far Gone” felt like staples rather than throwbacks.
Mid-set, Honer slowed things down and stripped it back. Alone on stage, he played “Brother” and “Mr. Meyers,” both heavy, personal songs. You could feel the room quiet. It’s a risky move in a high-energy set, but it paid off.
He didn’t let things stay heavy for long with “Jersey Giant.” It’s still the song that introduced him to a massive audience, and live, it feels like it belongs to both him and the crowd now.
The encore leaned unexpected, with a cover of “Sugar, We’re Goin Down” by Fall Out Boy that somehow worked perfectly. Honer closed with “IDK Shit About Cars,” sending the room out on a high.
Beyond the music, the night carried a bit more weight. Honer has partnered with PLUS1, with $1 from every ticket supporting the Schizophrenia & Psychosis Action Alliance. It’s a small detail, but it adds context to an artist who clearly thinks beyond the stage.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
March 31 – Seattle, Wash. @ Showbox
April 1 – Portland, Ore. @ Crystal Ballroom
April 3 – San Francisco, Calif. @ The Fillmore
April 4 – Los Angeles, Calif. @ El Rey Theatre
April 5 – San Diego, Calif. @ The Observatory North Park
April 7 – Flagstaff, Ariz. @ Orpheum Theater
April 10 – Tucson, Ariz. @ La Rosa
April 11 – Phoenix, Ariz. @ The Van Buren
April 15 – Tulsa, Okla. @ Cain’s Ballroom
April 16 – Dallas, Texas @ The Echo Lounge & Music Hall
April 18 – Georgetown, Texas @ Two Step Inn
More information on Evan Honer’s website.
EVAN HONER
SAM BURCHFIELD
All Photo Credit: Caroline Charruyer