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Rilo Kiley at the Commodore Ballroom in Vancouver

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It’s been a long time coming, but Rilo Kiley’s return to Vancouver hit all the right notes. On Wednesday night, the Los Angeles indie legends brought their reunion tour Sometimes When You’re On You’re Really F**cking On to the Commodore Ballroom for their only Canadian stop.

Opening the night was Morgan Nagler, known for her band Whispertown and her ties to the Kiley crew. Her set was loose and charming, full of self-aware humor and a kind of unpolished honesty that fit the mood perfectly. Joined by Orenda Fink (from Azure Ray) on bass and various other instruments, Nagler eased into songs about love, pain, and one wild story involving her dad on acid. The crowd didn’t need much warming up, but she got them there anyway.

Then Rilo Kiley took the stage. Jenny Lewis, Blake Sennett, Pierre de Reeder, Jason Boesel, and touring member Harrison Whitford locked into place like no time had passed. From the moment they kicked off with “The Execution of All Things,” the room was dialed in. Lewis was magnetic. Her voice is still loaded with ache and clarity, while Sennett grinned through guitar licks and harmonies.

The set leaned into More Adventurous and Under the Blacklight, but pulled deep cuts too. “Spectacular Views” was a standout. Fans yelled every word of “Portions for Foxes.” The band closed the night with “A Man/Me/Then Jim.”

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

RILO KILEY
MORGAN NAGLER

All Photo Credit: Guntas Kaur

Concerts Photos

The Dreggs close off “Heading Home Tour” in Perth!

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Australian duo – The Dreggs – brought their Heading Home Tour to a close with a sold-out show at Metropolis Fremantle in Perth. It was a night full of good vibes, big smiles and plenty of energy, with the crowd giving the band a warm welcome from the very beginning.

The evening kicked off with two support acts, Ella Jones and Betty Taylor Band. Both delivered great sets, bringing plenty of energy to the room and getting the crowd ready for the main event.

When The Dreggs finally took the stage, the atmosphere only got better. The duo moved effortlessly between upbeat tracks like “Stay the Night” and “We Don’t Talk,” and more melancholic moments that gave the show a different, more intimate feel.

There was something special about the whole night. From the first songs to the final moments, the smiles on stage seemed to match those in the crowd. A sold-out venue, great support acts and a band clearly enjoying every second of it – a pretty perfect way for The Dreggs to wrap up their Heading Home Tour!

Check out our favorite photos of the night below or head to our Facebook page for the full gallery!

THE DREGGS

All Photo Credit: Martyna Florczuk

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Concerts Photos

Olivia O’Brien Brings ‘The Pixie Tour’ to Pacific Electric in Los Angeles

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While many people would likely agree with Garfield about hating Mondays, fans at Pacific Electric on Monday, November 2nd, probably disagreed. Eager fans of both Sophie Cates and Olivia O’Brien filled the room. Dressed in fairy wings and princess crowns, the night was guaranteed to be whimsical.

As the clock struck 8:00 pm, the lights began to dim. The crowd screamed as Sophie Cates took the stage. Singing songs from previous albums and from her upcoming album, this would be the first time that Sophie had been on stage in a couple of years. After releasing her debut album, Yikes! in 2019, Cates was later signed to RCA Records. Since then, she has released multiple EPs and her second studio album, “SUPERNOVA.” Sophie joined Olivia O’Brien on her North American tour for her new album, Pixie.

As we waited for Olivia to take the stage, some fans passed around little slips of purple paper. As each member of the crowd received a slip, a message was passed along: “When Icarus comes on, place this piece of paper in front of your camera light.” The sense of community among the fans felt surreal. To most, the purple cardstock creates a cool lighting effect, but to the fans, it creates an emotional atmosphere.

Soon after everyone received their slip of purple paper, Olivia was ready to take the stage. Dressed in her album’s theme, she wore a beautiful slip dress and her iconic pixie wings. O’Brien’s sophomore album, Pixie, is a 15-track record that explores projection and fantasy while confronting the manipulative patterns of past relationships. With questions about self-worth and identity, Olivia acknowledges her past relationship dynamics and struggles with letting go. Pixie also highlights the sense of betrayal and emotional abuse that come from toxic dynamics.

While Pixie may have been written about past relationship struggles and learning to navigate life as a girl in her mid-twenties, Olivia also drew inspiration from her childhood innocence. Stories like Percy Jackson sparked the fascination and curiosity that brought back a piece of childlike wonder.

Check out our favourite photos of the night below or head to our Facebook page for the full gallery!

OLIVIA O’BRIEN IN LOS ANGELES

SOPHIE CATES

All Photo Credit: Taylor Blazer

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