Concerts Photos
Rilo Kiley at the Commodore Ballroom in Vancouver
It’s been a long time coming, but Rilo Kiley’s return to Vancouver hit all the right notes. On Wednesday night, the Los Angeles indie legends brought their reunion tour Sometimes When You’re On You’re Really F**cking On to the Commodore Ballroom for their only Canadian stop.
Opening the night was Morgan Nagler, known for her band Whispertown and her ties to the Kiley crew. Her set was loose and charming, full of self-aware humor and a kind of unpolished honesty that fit the mood perfectly. Joined by Orenda Fink (from Azure Ray) on bass and various other instruments, Nagler eased into songs about love, pain, and one wild story involving her dad on acid. The crowd didn’t need much warming up, but she got them there anyway.
Then Rilo Kiley took the stage. Jenny Lewis, Blake Sennett, Pierre de Reeder, Jason Boesel, and touring member Harrison Whitford locked into place like no time had passed. From the moment they kicked off with “The Execution of All Things,” the room was dialed in. Lewis was magnetic. Her voice is still loaded with ache and clarity, while Sennett grinned through guitar licks and harmonies.
The set leaned into More Adventurous and Under the Blacklight, but pulled deep cuts too. “Spectacular Views” was a standout. Fans yelled every word of “Portions for Foxes.” The band closed the night with “A Man/Me/Then Jim.”
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
RILO KILEY
MORGAN NAGLER
All Photo Credit: Guntas Kaur
Concerts Photos
Joost Klein Brings World Tour With Chaos and Heart in Vancouver
Fresh off two sets at Coachella 2026 — a historic milestone as the first Dutch-language artist to ever grace that stage — Joost Klein brought his world tour to Vancouver’s Harbour Event & Convention Centre on Monday night. If the Southern California desert crowds were a warm-up, Vancouver got the real thing.
From the opening notes of Ome Robert to a euphoric, arms-in-the-air Europapa, Klein delivered nearly 30 songs worth of controlled chaos. The Frisian artist operates in a genuinely singular space, somewhere between Dutch hardcore, punk fury, and emotionally devastating party music. And the packed room at Harbour centre felt every single frequency. Sweat was basically precipitation by the midpoint of the set.
The mosh pits were, predictably, unhinged. Klein summons that energy. Circle pits tore open during Gabberland and BOOM BOOM!!!!!, and the crowd obliged every invitation. Yet between the mayhem, there were quieter moments. A gorgeous Zonder Jou hushed the room before Klein rebuilt the roof again.
Highlights were abundant: a wild TRAFIK! (his take on Käärijä’s banger), and an abridged Friesenjung that turned into a full remix by the encore.
This is a guy who started as a teenage Dutch YouTuber, got disqualified from Eurovision 2024 for comments that some judged controversial, and somehow ended up headlining a world tour on five continents. Nobody saw it coming, Klein included. The rest of the world better be ready for this tour.
Joost Klein will be on tour in North America, Europe and Australia until December 2026. Head to his website for all the information.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
JOOST
All Photo Credit: Caroline Charruyer
Concerts Photos
Wheatus Play their Debut Album in Full at The Pearl in Vancouver
On April 13, Wheatus rolled into Vancouver and made a strong case that they’ve outgrown rooms like The Pearl. The show was sold out, shoulder-to-shoulder, and honestly felt like it could’ve filled the Commodore Ballroom across the street without breaking a sweat.
Opening support from Chief State and Brain Bent set the tone early, but once Brendan B. Brown and company hit the stage, the night turned into a loose, fan-driven ride. True to form, the band leaned into spontaneity, pulling from a deep catalogue with help from the crowd, before the show even started. “Leroy,” “Truffles,” and “Wannabe Gangstar” landed fast, while “Hump’Em N’ Dump’Em” slipped in a cheeky nod to Madonna.
Covers were a big part of the night. Their take on Erasure’s “A Little Respect” turned into a full-room singalong, complete with a “My Girl” tag, and “Basket Case” by Green Day brought a jolt of energy mid-set. A Canadian highlight came with “My Music at Work,” a respectful nod to The Tragically Hip that hit especially well with the local crowd, followed later by a heartfelt “Time Stand Still” from Rush.
The deeper cuts, “Lemonade,” “Fourteen,” and “I’d Never Write a Song About You, ”showed the band’s range, balancing humour with real vulnerability. Then came “Teenage Dirtbag.” No surprise, it turned into mass karaoke, with every fan in the room locked in from the first line.
Instead of ending big, they closed small. Brown returned alone for an off-mic acoustic “Desperate Songs,” quiet enough that you could hear the room breathe. It was a simple finish that summed up the night: warm and completely in sync with the crowd.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
WHEATUS
CHIEF STATE
All Photo Credit: Caroline Charruyer