Concerts Photos
Silverstein Hits Winnipeg on the ’25 Years of Noise Tour’
Silverstein’s 25 Years of Noise Tour hit Winnipeg’s Burton Cummings Theatre on November 23, delivering a multi-generational lineup that felt like a reminder of how loud, messy, and emotionally loaded this scene still is. With Bloom, Free Throw, and Thursday setting up the night, the show moved with the urgency of a band refusing to slow down, even after a quarter-century.
Australia’s Bloom opened with the confidence of a band quickly climbing the hardcore ladder. Their set leaned into fan favourites like “Forget Me Not” and “Out of Reach,” instantly locking the crowd into high gear. If anyone walked into the venue tired, Bloom shook that out within the first five minutes.
Free Throw followed with their trademark blend of self-aware chaos and catharsis. By the time “Two Beers In” dropped, the entire room was singing like it had been waiting all week for that one moment. “Tongue Tied” carried the same emotional weight, a reminder that Free Throw’s appeal lies in turning vulnerability into something loud and communal
Thursday, one of the most influential post-hardcore bands of the early 2000s, stepped up next. “Understanding in a Car Crash” and “Standing on the Edge of Summer” sounded as sharp as they did two decades ago, proof that Geoff Rickly’s voice still knows exactly where to land. When the band finished, a good chunk of the crowd immediately demanded “once more,” which tells you everything about the grip Thursday still has.
Then came the main event. Before Silverstein even touched their instruments, the theatre went dark as a montage rolled through the band’s 25-year history, grainy tour footage, cramped vans, early recordings, and flashes of the band aging alongside the scene they helped shape. It wasn’t subtle, but it didn’t need to be. It worked.
Silverstein opened hard, with “Negative Space”. “You Gotta Stay Positive” turned into a breakout moment despite its brevity. The band played like they had something to prove. Not in desperation, but with the energy of a group that still enjoys being loud together.
The encore sealed it: “My Heroine,” “Smashed Into Pieces,” and “Bleed No More.” The crowd belted every word, creating one of those closing moments that feels less like a sing-along and more like a collective release.
Twenty-five years in, Silverstein isn’t coasting on nostalgia. They’re staging a reminder to Winnipeg and everyone else that the noise still matters.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
Nov. 26 – Edmonton, AB @ Midway
Nov. 28 – Vancouver, BC @ The Vogue
Nov. 29 – Portland, OR @ Roseland
Nov. 30 – Seattle, WA @ Showbox SoDo
Dec. 02 – Boise, ID @ Knitting Factory
Dec. 03 – Sacramento, CA @ Ace of Spades
Dec. 05 – Riverside, CA @ RMA
Dec. 06 – Las Vegas, NV @ House of Blues
Dec. 07 – Tucson, AZ @ Rialto Theatre
Dec. 10 – Austin, TX @ RADIO/EAST
Dec. 12 – Orlando, FL @ House of Blues
Dec. 13 – St. Petersburg, FL @ Jannus Live
Dec. 14 – Ft. Lauderdale, FL @ Revolution
Dec. 16 – Nashville, TN @ Marathon Music Works
Dec. 17 – Raleigh, NC @ The Ritz
Dec. 19 – Worcester, MA @ The Palladium
Dec. 20 – Brooklyn, NY @ Brooklyn Paramount
More information on the band’s website.
SILVERSTEIN
THURSDAY
FREE THROW
BLOOM
All Photo Credit: Nischal Karki
Concerts Photos
LIVE REVIEW: Goldie Boutilier In Vancouver Is That Artist You Wish You Found Sooner
There is a very good chance we are in love with Goldie Boutilier.
Are we trying to hook you into reading a concert review with a strong opening statement? Yes. Are we telling the absolute, no-nonsense truth? Also, yes.
One of the least appreciated perks of seeing a favourite band or singer live is finding a new artist that you might not have discovered on your own. Theres a lot of music out there! This is how we found Goldie Boutilier last year: casually cool, confident, and opening for Orville Peck. You can’t say she stole the show – Orville is a Big Voice with Big Feels – but she didn’t just fill out the timeslot, either. That’s why we waited for her return so patiently ever since, and honestly? Worth it.
Goldie Boutilier, now headlining her own tour in support of her most recent album Goldie Boutilier Presents… Goldie Montana, sold out Vancouver’s Hollywood Theatre this week. And we don’t mean “no more tickets” sold out. We mean “the floor was packed for the opener” sold out. People got dressed up and through the doors early sold out. It’s the most crowded I’ve seen The Hollywood Theatre as everyone cleared the upper bar and were pressed together on the floor. People wanted to get close.
We don’t think Goldie is hard to describe, exactly, but we’re having a hard time find the words to get our feelings across. If you were there, you know! Maybe photographers should stick to their medium? Deep thoughts.
The best we can do is say that Goldie, above all else, is effortlessly cool. “The Angel and the Saint” has an “Oceans 11” vibe going on, and is easily our favourite song. It will make you put sunglasses on and drive slow. You’ll lean back and feel the sun on your face. It’s just an incredible song, part rock, part pop, part jazz, maybe.
Must Hear Songs by Goldie Boutilier (In Our Humble Opinion):
– The Angel and the Saint (The Actress (EP), 2024)
– King of Possibilities (Goldie Montana, 2025)
– Pretending (Emerald Year (EP), 2023)
Her songs have a beat, and are smooth, and they hit you. On stage she becomes something… other. She leans back, strikes a pose, and flirts unabashedly with the audience. She has that Kylie Minogue allure that draws you in, begging you to see past the glasses. Then she switches it up and turns into a pop-rock variation of Carly Rae. Or maybe Lauren Mayberry, from Chvrches, as she spins and spins her way across the stage from outfit to outfit? It’s wild. Check out our photos below, and you’ll see what we mean.
Goldie has a presence when she speaks. She’s Canadian, which we appreciate, and lived in Vancouver, which we loved to hear, and everything seems to come natural to her. She engages with her fans, and every song is part of a story, more than anything else. We will always, always find a way to her shows and we hope she returns again soon – she’d kill on a larger stage, just think of what she could do at the Orpheum! To dream.
Goldie Boutilier Setlist (Probably Mostly):
At the End of the War
The Angel and the Saint
Snake Eyes
Body Heat
Terrible Things
Favorite Fear
Penthouse in the Sky
King of Possibilities
Pretending
I Am the Rich Man
The Actress
The Ways I Punish Myself
Neon Nuptials
Cowboy Gangster Politician
Check out our favourite photos of the night below, or head to our Facebook page for the full gallery! Thanks for attending the show with us, and for checking out our review!
GOLDIE BOUTILIER IN VANCOUVER
All Photo Credit: Jason Martin
Concerts Photos
Rise Against Deliver a No-Frills, High-Impact Set in Vancouver
Rise Against rolled into the PNE Forum on March 28 with a clear plan: keep things loud, and keep fans on their toes. After more than two decades as a band, the Chicago punk veterans are switching things up on this tour, leaning into smaller rooms and digging deeper into their catalogue instead of relying on a greatest hits autopilot.
The night opened with Speed of Light, 3 siblings who wasted no time setting a fast pace. The set was short and punchy, and got the crowd moving early. Destroy Boys followed with more intensity. Their mix of sharp riffs and blunt, politically charged commentary hit hard. Frontwoman Alexia Roditis led the charge with a mix of chaos and purpose, turning songs like “Shadow (I’m Breaking Down)” into full-on statements.
Rise Against took the stage through smoke and noise, kicking things off with “Re-Education (Through Labor)” From there, it barely let up. “Under The Knife” and “Give It All” had the floor shaking, with the crowd yelling every word back at Tim McIlrath’s face directly from the pit like it was muscle memory. The set balanced fan favourites with newer material from Ricochet, their 2025 release that leans a bit bigger in sound but keeps the same message intact: connection matters, especially right now.
There were a few surprises tucked in, including deeper cuts that don’t always make the setlist. Not every moment was perfectly polished, but that looseness worked in their favour. It felt real. The emotional swing hit during “Hero of War” and “Swing Life Away,” giving the room a breather before ramping back up. By the time “Savior” closed things out, the entire venue was locked in.
Last night, Rise Against built a space where anger, hope, and community all made sense together, and made it loud enough that no one could ignore it.
Check out our favourite photos of the night below or head to our Facebook page for the full gallery!
Upcoming Tour Dates:
03/30 – Spokane, WA @ Knitting Factory
03/31 – Boise, ID @ Treefort Music Hall
04/03 – Reno, NV @ Grand Theatre at Grand Sierra Resort
04/04 – Wheatland, CA @ Hard Rock Live
05/10 – Daytona Beach, FL @ Welcome to Rockville
05/14 – Columbus, OH @ Sonic Temple
More information on the band’s website.
RISE AGAINST
DESTROY BOYS
SPEED OF LIGHT
All Photo Credit: Caroline Charruyer